Othello embody many of the characteristics that Aristotle illustrates in Aristotle Poetics. Hamartia or a tragic flaw that is also present in Othello. Shakespeare’s Othello incorporates a fatal flaw within Othello due to his jealousy that drives him into his own demise. Throught the play the sociological critique exemplify the diffrences between Othello Aristotle demonstrates hamartia and tragedy go together. When there is a flaw in a character there is also a tragedy waiting to happen and in Othello by Shakespeare, Iago was in charge of bringing out Othello’s hamartia and Othello creating the tragedy in the story that would lead him into his own death.
Hamartia is the fatal flaw that a character withholds without letting it be released but
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Iago begins to engineer his plan to make Othello jealous and when Othello responds with “Think’s thou I’d make a life of jealousy, to follow still the changes of the moon with fresh suspicions? No! To be once in doubt”, (Act 3) and like that Iago realizes that it would have to take more than simply implying that Desdemona is being unfaithful to Othello. Iago begins to persuade Othello into believing that his wife is cheating on him and its not until Othello discovers Desdemona’s handkerchief in Cassio’s room, he fully believes that Desdemona is really having an affair. Iago manipulates various characters into doing something so that the things come out as the way he wants. Othello becomes that tragic hero, which is destined for downfall due to its hamartia. Othello’s jealousy drives him to his destined doomed.
When Othello begins to argue with Desdemona, the argument ends with Desdemona’s death. Jealousy can be a problem, especially when it can make someone lose control. When Iago convinces Othello about Desdemona’s affairs with Cassio, Othello loses control. Then as the play begins to come to an end, Othello’s discovers the truth and everything is put in the
Othello has many positive traits, including being a great leader and loyal. He also has one negative trait that ultimately leads to his death; jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion. It causes people to do terrible things because once it is on a person’s conscience, it stays for quite some time. Because of these effects, jealousy can impact some of the strongest people such as Othello. The love between Desdemona and Othello was portrayed so elevated and pure and was filled with religious words and phrases that just added to the strength and sanctity of their love. Othello has such a strong mind, but jealousy caused by the manipulation of Iago, negatively impacts him. Iago convinces Othello that Desdemona is cheating on him with his friend Cassio. When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love
Two individuals may be the best of friends but when one individual is taken in by jealousy over the other he or she will do anything in his or her power to ruin the other individual’s life; this is where the dilemma arises. William Shakespeare, the playwright of Othello portrays a story about a highly honoured character Othello who is the general of the state of Venice. Iago portrays himself as very loyal and true friend to Othello while his other side is much more ruthless and cruel towards the general. Othello gives Michael Cassio a position as his personal lieutenant, but Iago is highly jealous of this situation because he is the one that is closer to Othello and should acquire the position. Soon Iago plots a malevolence and wicked plan against the protagonist, Othello. When Othello flees with Desdemona to Cyprus, Iago begins his insinuations to Othello by telling him Desdemona’s intimacy relationship with Cassio. Othello becomes envious and suspicious of Desdemona and returns to the castle to kill his innocent wife. He eventually chokes her to death and Emilia, Iago’s wife, tells Othello the truth. Iago murders Emilia and Othello severely wounds Iago and then commits suicide. Iago the master puppeteer deludes his victims Othello, Cassio, Desdemona and Roderigo by being dishonest and deceitful.
According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them.
In the story of Othello we see how the actions of one man go on to ruin the lives of multiple people. The villain Iago single-handedly creates the tragedy of Othello through his puppeteer like control of the other characters in the play. Iago captivates the audience as his plan progresses. Readers are anxious to know what will happen next in the play. What makes Iago so fascinating is his mysteriousness as a character, his fully devious ways, and how magnificently clever he is in organizing the demise of Othello.
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Like every Shakespearean tragedy there is often an untimely doom that ends the life of the "hero" or main character of the play. The main character’s doom only becomes the outcome when they are unable to better the wrongs they or others had committed. However, in this Shakespearean tragedy the person who drives the participants of this play to their doom, isn’t the main character Othello, but Iago, the motiveless character whose jealousy and rage drives him to commit crimes towards the people who believed him and considered him a trusting friend.
In in the plays Oedipus Rex and Death of a Salesman, the concept of hamartia is evident within each protagonist. The tragic characters Oedipus and Willy Loman inherent flaws that ultimately lead to their downfalls. Aristotle describes tragic heroes and hamartia:
As Othello is seen being manipulated by mere scandal, his path to betrayal has just begun. In the beginning, Iago’s determination to become a lieutenant drove him to deceive Othello in order to prove Othello’s wrongdoing for not choosing him—resulting in the fall of Othello and his love ones. In Act Ⅳ, scene ⅰ, Iago keeps Othello focused on the disloyalty of Desdemona, in which made Othello get mad by the idea of his wife with another man. The constant support of
Othello is a classic Greek tragedy because it abides by Aristotle's definition of great tragedies, the place, time, and focus of a single plot throughout the entirety of the play. Othello is a tragic hero whose demise is brought forth by his own tragic flaw. He is susceptible to the manipulation of others do to his own insecurity with himself, and ultimately leads to his irrational murder of the only thing he treasured, Desdemona. Through manipulation and deception, Iago is able to become the puppeteer of Othello's life, controlling the course of his fate in a sense simply through the power of words. Iago proves to be a crucial factor in the destruction of Othello's world.
The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor. One of the first impressions gained of Othello is that he is a great war hero. Before much else is said of him, tales of his skill and valor in battle are illustrated and he is shown to be a great and famed warrior. He naturally possesses many attributes typically associated with soldiers.
In conclusion the downfall of Othello was because of his own weaknesses. His traits were the reason why Othello was responsible for the plays tragic outcome. Iago was able to control Othello like a puppet because of his easily manipulated conscience. He chose to make the poor decisions, trusting the wrong people. His mind got clouded by the obsession and jealousy of Desdemona. Othello’s own weaknesses were what led the tragic hero to his tragic
In the play “Othello” by William Shakespeare, love, jealousy, and conspiracy defined the tone of the play. Desdemona’s beauty makes two men fall desperate in love with her, but their differences make Othello the tragic hero of the play and Iago the despicable villain. Othello is a "tragic hero" because of his self-centered nature and his gullibility. Othello also has a noble stature and a high position in his culture. Othello is great and an honest soldier but not perfect.
Othello believing Iago of Desdemona’s infidelity so quickly, shows his insecurities. In Act 3, Scene 3 Iago starts planting his plan on Othello to make him believe that Desdemona has been unfaithful. Iago brings up the fact that Desdemona is very young and many other young men would be happy to be married to her but she decides to marry Othello. When Iago says this Othello begins to wonder “Why did I marry” to himself (3. 3. 283). Othello’s insecurities begin to show when he starts wondering why did Desdemona really married him. Desdemona is young and beautiful so Othello doesn’t understand why she would choose him over a younger man. Othello’s insecurities about his own physical appearance bring suspicion about Desdemona. Later Othello says “Haply, for I am black” (3. 3. 303) suggesting Desdemona may have cheated because he is black. Othello saying this shows that he is self-conscious about being black. He believes that because he is black Desdemona would possibly cheat. Othello insecurities with himself cause him to lose control and fall into Iago’s plan. Othello turns from being successful to murderous due to his insecurities. His constant doubt that Desdemona could actually be in love with him controls his thoughts and he begins to believe that she is cheating. Othello’s insecurities consume him to the point that he makes the ultimate mistake of killing
The Tragedy of Othello is yet another vehicle through which Shakespeare is able to express his genius as a playwright. He skillfully utilized all of the requirements needed to satisfy Aristotle's requirements for a true tragedy. Shakespeare's brilliant use of language captivates the audience as well as touching them on a personal level because of how understandable the events and human characteristics were.