Tragic heroism is often seen in the earlier years of many works of literature. Many well-known authors use them to identify their main character. Among the more popular tragic heroes in literature are Othello from Othello, the Moor of Venice by William Shakespeare and Willy Loman from Arthur Miller’s Death of a Salesman. Othello falls from his happiness to utter despair by his own doings, or character flaws. Othello lets his jealousy and pride get in the way of his love for Desdemona, which will ultimately lead to his death. Just like Othello, Willy Loman falls from an elevated standing in society as a result of a fatal flaw he has within himself. These two characters, both with their internal conflicts fit the qualifications of a tragic hero, …show more content…
He should be great, but not to the point of perfection. Spectators must be able to relate to him as a man, not someone so godly. A fatal character flaw would cause his downfall and the consequences, or punishments that he receives for it usually surpass the crime. Othello perfectly fits the standards provided above. “As early as the final decade of the seventeenth century, Othello was criticized for depicting a man of color as a tragic hero” (Slights). Othello can be characterized as a tragic hero because of his many greatnesses and weaknesses. To start with, he is a military leader who has all the qualities of a nobleman. He shows control over himself, courage, and the dignity that is respected by many. Even in the toughest of times, he keeps his anger under control. For example, “I will a round unvarnished tale deliver of my whole course of love – what drugs, what charms, what conjuration, and what mighty magic (for such proceeding and charged withal) I won his daughter” (Act 1, scene 3, 90-94). As an example, this shows Othello’s grace after being accused of witchcraft by marrying Desdemona. Othello neither yells nor screams, but explains …show more content…
“Willy Loman, the unspooling protagonist who, after decades of hard work, realizes (and is destroyed by the realization) that he has built his life on sand; how much strain and disappointment...” (Harvey). He may not be as noticeable, or striking as Othello, but within the realm of his time, he is at the higher post. He was a successful businessman who has his own home, car, and what he perceived as a wonderful, loving family. He saw himself as a very important figure in his family and above his contemporaries. This claim is evident in his statement in Act 1 where he uttered “I’m the New England man. I’m vital in New England”(YOU NEED TO QUOTE). This arrogance, although self-perceived, gives him the qualifications of a tragic hero. His flaws, however, also came from the perception he had of himself. At the age of 63, he still believes he is popular, respected, and good looking. He believes this because of his wife, Linda, who encourages this throughout the play. Statements such as “you’re the best looking man in the world” supports his false beliefs(YOU NEED TO QUOTE). His unpopularity can clearly be seen when only a few people show up to his funeral. Only his close family, who love him, show up even though he has pushed away everyone including Linda, who he deceives. Willy also has the idea that image is equal to success. This is because of the excessive pride he takes in himself, and things that he deems have value.
While both Oedipus Rex and Death of a Salesman can be described as tragedies, Willy Loman is not an example of a traditional tragic hero like Oedipus. To be labeled as a tragic hero, the character must experience an anagnorisis, a peripeteia, and must have hubris and a hamartia. Oedipus has all of these qualities, which is what makes him a prime example of tragedy. Oedipus’ tragic flaw, his discovery of what he has done, and his consequential destruction because of his discovery are all necessary to be termed a hero of tragedy. Although Willy Loman has a tragic flaw that is even comparable to Oedipus’ in that it results in his blindness from reality, he, however, does not experience a revelation as to why his demise is inevitable. Without such an experience, Willy is not a hero of tragedy.
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
I describe how Othello and Okonkwo are tragic heros with the use of character foils and character types. Although Othello is a dynamic character and Okonkwo is static, I still can classify them as a tragic heros. Using character foils allows us to see the characters progress through the book and change to the actions of others around them.
Although, his narcissism exhibits the common issue with American capitalism-it leads to greediness, unhappiness, and anger. This yearning for success can also cause an obsession with appearance and the self, which is a main focus in Willy Loman’s life. He says that to get somewhere, it is good to be “built like (an) Adonis,” which he tells his sons. At one point in his life, he felt he never had to ask for anything, and that when he walked in a room, he got what he wanted because “‘Willy Loman is here!’” Eventually, Willy ages and lacks the flair that he once had, and is left with unimpressive salesman skills. Due to America’s obsession with appearance, old-age is a plague to American society. The superficiality causes those to enjoy charisma over passion. This leads to arrogance, a common American worker to be. Willy Loman is a mirror being held up to the faces of American worker-bees. He avoided risks, and continued living a monotonous, easy life. Miller is attempting to say, monotony is a dangerous habit America has. This play intends to steer readers into a direction of following their own path, rather than following the norm; the norm is nothing new, and fails to reach anything
The embarkation of the hero’s journey is more than a call, it is taking control of your life and discovering the hero who dwells inside you. Each hero who enters the journey is tested to the very end of the cycle, where the hero must choose rebirth or death. Othello is man of many fortunes, but he does not have what it takes to complete the Hero’s Journey.
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
Willy Loman’s character is capable of making errors. He believes he is a very successful salesman and well liked. He also thinks that the company likes what he is doing. He once said, “I’m the New England man. I am vital in New England” (Miller pg. 32) Because of his false belief about his success Howard fired him. After he got fired charley offered him a job, but he refuses to accept, because he is too proud and jealous to work for Charley. His actions were wrong because at no time was a successful salesman. He is not a powerful character. Willy lives in his fantasies where he is the man. Who goes out to another place and comes out rich, he is love by everyone and admired by his family. In real life, he is lazy and does not live up to his own ideals. “As Aristotle explains, a tragic hero must be one of noble character and must fall from power and happiness.”(Www.ccd.rightchoice.org/lit115/poetics.html) but Willy neither has a noble characteristic nor does he fall from power because he does not have a position of power.
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
Dating back to Greek times, the definition of a tragic hero has been interpreted differently by many philosophers and authors. In Arthur Miller’s Death of a Salesman, Willy Loman, a struggling salesman, may not be seen as a typical tragic hero; however, Willy demonstrates the qualities of a tragic hero. Willy can be labeled as a tragic hero by Aristotle's definition because Willy has a tragic flaw, an event causes a reversal of fate for Willy, and Willy has a moment of realization. All tragic heroes possess a flaw that causes the hero to have a devastating death. Willy’s tragic flaw is his pride.
William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”
The tragic hero is defined by Aristotle as "a great man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake” (Aristotle n. pag.). There are a few principles that Aristotle believes to form a tragic hero: the protagonist should be a person of power and nobility, who makes a major error in judgment and eventually comes to realization of his or her actions (Aristotle n. pag.). In Arthur Millers’ play, Death of a Salesman, he has twisted Aristotle’s belief of a tragic hero, and has created his own. Although Miller has twisted Aristotle’s belief, Sophocles’ play, Oedipus Rex, has a tragic hero (Oedipus) that follows the flaws, dignity, and acknowledgment of the truth that Aristotle believes in to make a tragic hero. It is essential for them to recognize their position and role in the play. Due to the fact that Willy Loman and Oedipus experience tragic flaws throughout their respected plays, they both have nobility, and they both realize the fact (anagnorisis) that they made an error in their life (hamartia). Through their fatal mis-steps, their pride and ego, predominately affect their familial lives, which in turn causes them to realize the truth that they are tragic heroes.
Throughout his life, Willy Loman thinks of himself as well-liked in the play "Death of a Salesman" by Arthur Miller. It is the most important attribute to him. Willy lived his life thinking he had thousands of friends all over the New England territory and that he would be recognized anywhere he would go. He boasts this to his sons and they think he is the greatest man on Earth. He raises his two sons, Biff and Happy, to be well-liked and Willy does not care about their grades. He believes they will be better prepared for the business world if they are well-liked, and does not think education matters as much as personality, appearance, and physical skill. Although he has set high standards for sons, his morals are being well-liked, he thinks he is the best salesman in his firm, and he claims to be extremely loyal to his family; despite this, he is none of these.
Othello and Desdemona are both very loyal and noble people, but their vulnerability makes it easy for predators fall prey on them. Othello is a combination of greatness and weakness, in his own words "an honorable murderer. He is a general in the Venetian defense forces, and, although a foreigner from Africa, he has won this post by excellence in the field of war. He has courage, intelligence, the skill of command, and the respect of his troops. Under pressure, he makes an inspiring speech. Othello is very vulnerable in many cases, such as he naive when it comes to Venetian women, doesn't question the information he has been given, he is socially insecure, he is an outsider and he is black but his biggest vulnerability is jealousy and his unableness to think.
Of the 38 plays Shakespeare has produced over his lifetime, his tragedies are the most heart-wrenching, horrifying productions the theater has ever seen. In these tragedies, there are gruesome ideas such as lethal love, megalomania, and the absolute corruption of heroes that were originally considered to be wholesome. The latter theme can especially be seen in the play Othello. In this tragedy, there is an ongoing theme of corruption in a considerable amount of characters in the play, the most significant change being in Othello. Othello undergoes a shocking transformation, as he starts off as the storybook hero, a reputable soldier who illustrates great passion towards his wife, but transforms to become a twisted
A tragic hero is a male figure who is high in society and one who always has a tragic flaw. Most of them are rich and intelligent men. In the story of Othello, Othello is the tragic hero. He was a character of nobility. He was a high in class and had high standards. He was also the focal point of society. People looked up to him. He was more of a good man than an evil man, until the end of the play.