Society has a very strict order that people must follow, but the moment a person does something that is not part of societies order it creates chaos. Despite common misconceptions, ‘order’ does not necessarily equate with ‘good’, nor does ‘chaos’ equate with evil. Order in film is associated with rules, traditions, and, if stretched to extremes, fascism and mindless obedience. Chaos, on the other hand, is associated with change, individualism and, if stretched to extremes, savagery and self-indulgence. The chaos is shown in both films, and it also shows how society takes back control and re-enforces order by establishing power. These two films are very different from other crime movies, and break the classical genre of crime. They can be considered as revisionists, and put a twist on the typical crime movies. In the classical genre of crime it is always consist of the same thing which include traditional criminals; only caring about themselves, seen as an anti-hero, agent of oppression by taking from anyone just to get rich, taking advantage of the system (for their own purposes), and wanting to live the American Dream. Whereas in the revisionist have this unique way of making the audience fall in love and have them rooting for the criminals, this is because; they critic what is right and wrong with society, show the oppression of the people, are one of the people, a social rebels, and most of all they know who they are and where they come from. In the movie Gun Crazy both elements of order and chaos are seen. Not only a crime movie but also a romance movie, the two protagonists are considered to be start crossed lovers, since they are criminals and not only do they have chaos in their lives but bring it with them where ever ... ... middle of paper ... ...ociety down a wrong path. Where as in Bonnie and Clyde there is more of an equal relationship and no manipulating one another. Both Bonnie and Clyde are criminals, and they are chaos and go against society, which leads society to fight back and win in the end. Becoming more reckless which gives their journey two separate ends, it can either end with their captures or their death. Since they both go against the social norm, whereas society is all about having everything be in its place. Clyde is seen as an asexual, due to the fact that he shows no sexual attraction for Bonnie. Where as Bonnie is considered to be more of a transgressive character, who must be punished, for going against social norms. The reason why the audience is rooting for criminals to get away from the police is because, both Bonnie and Clyde do it for the people, and target only certain people.
This movie was a tale of an immigrant seeking money and power who untimely set up his own demise. The producers did a good job at pointing out certain features that let you into the life of an organized crime leader. He tells of his humble beginnings and shows you in details how he rose to the top. The producer had a point to make and I took that point as being you can never get and stay someone good while being bad. The sound effects and graphics also makes this movie. They show just enough to intrigue you but yet not to completely make you sick to your stomach. The music is very telling and
Clyde Barrow and Bonnie Parker burst upon the American Southwest in the Great Depression year of 1932. At the time of Clyde’s first involvement with a murder, people paid little attention to the event. He was just another violent hoodlum in a nation with a growing list of brutal criminals, which included Al Capone, John Dillenger, Pretty Boy Floyd, and the Barker Gang. Not until Bonnie and Clyde joined forces did the public become intrigued. The phrase “Bonnie and Clyde'; took on an electrifying and exotic meaning that has abated little in the past sixty years.
Through their use of allusion, symbolism and representation they portray many of societies flaws and imperfections. Such an imperfection includes the illustration of how totalitarian governments abuse the power they have acquired for their own gain, harming the people they are sworn to serve and protect. Through this abusive self-gaining government, we all are liable to become victims of consumer culture caused by the blind obedience to advertising and propaganda, being unable to form or voice an opinion of our own. But this lack of opinion can be at fault because of our own apathy, the ignorance and slothfulness that is contributed to the role we play in our society and the importance of that roles ability to motivate and inspire change. Whether you’ve read or viewed the novels or feature films I’ve discussed I have no hesitation in saying any text or film you have seen has been used in some way, shape or form to convey the criticisms of our ‘perfect’
Aside from its acting, the other major influence which Mean Streets had upon American film-makers was through it's use of a rock n' roll soundtrack (almost perfectly integrated with the images), and in its depiction of a new kind of screen violence. Unexpected, volatile, explosive and wholly senseless, yet, for all that, undeniably cinematic violence. The way in which Scorsese blends these two - the rock and roll and the violence - shows that he understood instinctively, better than anyone else until then, that cinema (or at least this kind of cinema, the kinetic, visceral kind) and rock n' roll are both expressions of revolutionary instincts, and that they are as inherently destructive as they are creative. This simple device - brutal outbreaks of violence combined with an upbeat soundtrack - has been taken up by both the mainstream cinema at large and by many individual `auteurs', all of whom are in Scorsese's debt - Stone and Tarantino coming at once to mind.
It is full of drama but it does not leave the facts behind regarding deviant behavior. Not only it provides a take on deviance but it also suggests that anything can be corrected if one positive step is taken to that direction. This movie has a strong appeal to those who choose deviant behavior over peace and are behaving anti-social. This film should be watched by every young person at least one so that they can understand the psychological turmoil one goes through after they commit something to harm others just to prove a point. It is never too late to choose the right way and Derek shows that very precisely. I would love to watch this film again as it gives a very positive vibe to me and I have learnt a lot from
The film stays in line with classic noir in many ways. The usage of dark sets and high contrast lighting, which creates heavy shadows on the actors faces, makes the movie feel like it all happens at night and in dark alley ways. The story focuses on the inhumane parts of human nature. Each of the main characters experiences some kind of tragedy. For Vargas his tragedy was in dealing with Quinlin who has set out to frame him and his wife. For Quinlin his entire life represented a man consumed with darkness who lives his life with a “Touch of Evil.” Menzies was a hopeful man who looked up to Quinlin but was let down. For the viewer, film noir represents truth, even if it is not a truth that all people would like to hear.
Although, it is proven difficult to completely change your point of view from the society you are brought up in. The characters in this film go through a lot of self-reevaluation to find their place in society, as well as a reevaluation of their initial prejudicial
Clyde and his acquaintances explore the possibilities of girls, and drinking alcohol. Eventually, these people steal a car, and Clyde runs away to keep himself from being apprehended by the police. His entire life has been changed because he has made a few bad decisions. Things turn worse and worse for Clyde as he progresses through the next few months, and he feels exactly the opposite.
Bonnie Parker grew up with a normal childhood went to school every day was an above average student. She was born in Rowena Texas on October 10, 1910. Her father Charles Parker was a brick layer, but he died when bonnie was only four. After her father’s death the family moved in with her grandparents by Dallas Texas. She met Roy Thornton and soon after they got married, but Thornton got in trouble with the law and sentenced to five years in prison leaving bonnie on her own. She had a waitress job but was unhappy after Roy left. Until went to visit a friend in West Dallas where she then met Clyde Barrow. Clyde was born March 24, 1909 in Telico Texas. Clyde Barrow’s father was Henry Barrow who was a share cropper. He was one of eight children in the family. Clyde’s academics was anything but consistent. When his father quit farming the family moved to West Dallas which was were his dad opened a service shop. Clyde started high school but that was short lived he dropped out of school. Bonnie and Clyde met in West Dallas at a mutual friend’s house .Bonnie’s life prior to their crime spree was completely normal for a teenage high school student job at a café, showing no signs of becoming a notorious robber. Clyde on the other hand was the complete opposite. After dropping out of high school he went out with his brother selling stole...
Throughout the semester, we have watched three films all in which there has been some sort of resistance to power. Cool Hand Luke, directed by Stuart Rosenberg in 1967, was a movie in which the main character, Luke, played by Paul Newman, has been forced to conform to a life in prison. Afterschool, directed by Antonio Campus, is about a boy named Robert, played by Ezra Miller, who is a sophomore in a prep school who happened to catch two girls overdosing on video. The Matrix, directed by Andy Wachowski in 1999, is about a guy named Neo, played by Keanu Reeves, who is a computer programmer by day and a hacker by night. Although these three movies have completely different plots, they all somewhat relate in a way that the main character in each movie struggles with the resistance of power.
Both films focused on human rights and the lengths that people went to try to achieve their human rights. It is awful the torture people went through some people were even beat to death. It is truly terrible in some countries women are still viewed as property and must obey everything their husbands tell them to do. It is a tragedy when you walk down the street and are not sure if you will live to come back home. The saddest problem is that we Americans do not take full advantage of all the rights and privileges that we have. In other countries people will risk their lives and suffer pain just to have the same rights that we have.
In trying to achieve everything possible, the Macbeths’ tragically lose everything instead. Shakespeare has effectively showed us the consequences of murder and power. The main symbolic signs of blood, murder and guilt throughout the play, gave the changes of the relationship between Macbeth and Lady Macbeth efficiently. What once started as a dominating relation and taking decisions together, turned into a relation in which neither Macbeth or Lady Macbeth cared for one another.
Adaptation is an essential part of the motion picture industry, with a majority of films based on literature and other forms of source material coming out of Hollywood every day. One of the most controversial examples of adaptation, at the time, was the great Stanley Kubrick’s 1971 dystopian drama A Clockwork Orange, based on the novel by Anthony Burgess. In a futuristic society ruled by gangs, corruption, and “ultra-violence,” psychotic teen Alex (wonderfully portrayed by Malcolm McDowell) volunteers for a government-regulated experimental treatment to rid himself of his wrongdoings after committing an act of murder. Through the film, we follow this tragic anti-hero’s journey to discover the central theme of fate - whether the government controls human order, or if there is a freedom of choice. Although the film was originally blasted by critics for its excessive use of violence and sexuality, it has since become recognized as one of the most psychologically captivating pieces in cinema, earning its place among AFI’s “100 Years...100 Movies” list. Clockwork Orange’s fascinating mise-en-scène (staging, lighting, costuming), cinematography, music selection, use of voice-over-narration, and narrative structure brilliantly establish the novel’s realistic satire of the dystopian future, making the film one of Kubrick’s most successful adaptations.
The films protagonists Kit Caruthers (Martin Sheen) and Holly (Sissy Spacek) are loosely based on the real life adolescent criminals Charles Starkweather and his girlfriend Caril Ann Fugate. Starkweather and Fugate become infamous after their murder spree through Nebraska and Wyoming in the 1950’s, however the story of two young fugitives in love is not one that is unfamiliar with audiences; the most notable is Arthur Penn’s Bonnie and Clyde (1967). The character of Kit also bears a resemblance to Jim Stark, James Dean’s character i...
...ion allows the film to exist unto itself with its totality defined by distinctive (independent) subjectivity. Like in many of his other movies, Kubrick litters Full Metal Jacket with symbolism and metaphor, but these directorial techniques need not be examined to enjoy or understand the plot of the movie. Although the split nature of the film expounds upon both the ability of the viewer to concentrate and be distracted by representations (logic vs. overriding emotion), it is also an exhibit for the dualist nature of man, i.e., the final marching chant. The use of a Disney song in any respect implies an association to innocence and good-will; applying it as a closing scene in a sequence that is dominated by a tirade of destruction is a more obvious symbolic gesture on Kubrick’s part. Can man be both malicious & peaceful? Or is man both? Through making both explicit distinctions and connections between mercy and vengeance in the human condition as evidenced in Full Metal Jacket as the preparation for (1st half) and execution of technique (2nd half) when existing in a war-state, Kubrick illustrates the disjunctive corollary (1st half & 2nd half) that war is organized chaos.