During what is generally defined as the Romantic period, many poets, scientists and philosophers were greatly intrigued by dreams. Southey kept a dream journal, as did Sir Hymphry Davy, a close friend of Coleridge’s; Thomas Beddoes wrote of dreams from a medical perspective in Hygeia and dreams were often a hot topic of conversation at the dinner parties of those who kept company with poets and the like (Ford 1998:5). There were many contradictory theories on the importance, interpretation and origin of dreams, at this time. Some believed that dreams were a form of divine inspiration, others that they were caused by spirits that temporarily possessed the body of the sleeper, while there were those who thought that dreams were a manifestation of the body’s physical condition. De Quincey and Coleridge were two writers who both held an exceptional interest in dreams, each with their own ideas on the subject. In this essay I propose to examine De Quincey’s and Coleridge’s ideas on dream and daydream, and to show that opium was a profoundly influencing factor in their lives, works and dreams. I shall start by briefly outlining some of De Quincey’s and then Coleridge’s ideas on dreams; I shall then move on to ask what was the effect of opium on their creativity, dreams and imagination, before looking at how dream and daydream are distinguished in their ideas. Finally I wish to include a brief section on the anticipation of Freud, and to close with the question of how important opium was to the writing of my chosen authors. Since dreams and opium are so intertwined in both Coleridge and De Quincey I feel it is appropriate to consider the two subjects alongside each other.
In Thomas De Quincey’s Confessions of an English Opium-Eater, dreams and opium are considered simultaneously because he records the largest effect of his opium-eating to have been on his dreams. He first became aware of the effects by a re-awakening of a faculty generally found in childhood:
I know not whether my reader is aware that many children, perhaps most, have a power of painting, as it were, upon the darkness, all sorts of phantoms; in some, that power is simply a mechanic affection of the eye; others have a voluntary, or a semi-voluntary power to dismiss or summon them…In the middle of 1817, I think it was, that this faculty became positively distressing to...
... middle of paper ...
...a fashion that had started long before; and there has only ever been written the one Kubla Khan.
De Quincey wrote that men are ‘disguised in sobriety’, so opium and dreams serve to expose the true mind of man and perhaps the unconscious mind. Whatever the effect of opium on Coleridge and De Quincey; on their philosophies, on their dreams and on their lives; one cannot truly know the depth or extent of it, but to take opium and go through the experience personally. It is certainly undeniable that it was an influence and an extremely important one that continues beyond the present: furthering the exposure of mans’ psychology through the portal of dreams.
Bibliography
Coleridge, S. T., Poems, Everyman’s Library, London, 1999.
Coleridge, S. T., Biographia Literaria, William Pickering, London, 1847.
De Quincey, T., Confessions of an English Opium-Eater and Other Writings, Oxford World’s Classics, Oxford, 1996.
Ford, J., Coleridge on Dreaming, Cambridge University Press, Cambridge, 1998.
Hayter, A., Opium and the Romantic Imagination, Faber and Faber, London, 1968.
Marcus, T., Opium in Literature and London, Issue 3. Zembla Magazine, London, 2004.
“I slept… but I was disturbed by the wildest dreams. I thought I saw Elizabeth…. as I imprinted the first kiss on her lips, they became livid with the hue of death…and I thought that I held the corpse of my dead mother in my arms…and I saw the grave-worms crawling in the folds of the flannel” (43).
The Opium Wars were a series of three wars between the Chinese and the British; primarily fought in regard to the illegal trade of opium in China during the 19th century. They manifested the conflicting natures of both nations and demonstrated China’s misconceptions of its own superiority. The Opium Wars resulted in the humiliating defeat of the Chinese to a country they considered to be “barbarians”.
“I became restless and was afraid to sleep for fear that my suppressed thoughts would appear in my dreams” (70).
Brecher, E. (n.d.). Opium Smoking Is Outlawed. Licit and Illicit Drugs. Retrieved April 20, 2014, from http://druglibrary.org/schaffer/library/studies/cu/cu6.htm
Hanes, William Travis, and Frank Sanello. Opium Wars: the Addiction of One Empire and the Corruption of Another. Naperville, IL: Source, 2002. Print.
Allingham,, Philip V. "England and China: The Opium Wars, 1839-60." The Victorian Web: An Overview. 24 June 2006. Web. 06 Apr. 2011.
Condensation and displacement are two types of transformation, which connect to the different structure level of the dreams (the manifest contents and the latent dream-thoughts). They are used to “encode” the dreams and “repress” the consciousness. Condensation is one or more common elements that are packed together forming a composite picture with contradictory details when constructing a dream-situation. Condensation, as Freud describes, “is the most important and peculiar characteristics of the dream-work” (154). Besides condensation, displacement has its own significance. The dream content seems to have a different centre from its dream-thoughts (155) within displacement. The latent dream-thoughts are pr...
Hieatt, Constance B. The Realism of Dream Visions: The Poetic Exploitation of the Dream-Experience in Chaucer and his Contemporaries Mouton & Co. 1967.
During Freud’s time, society typically viewed dreams as an intervention of a higher being or entity (Freud, 1900, p.4). However, Freud made the claim that dreams are the product of the dreamer and also that it serves two purposes. First, dreams form to keep a person asleep at night by blocking out external stimuli, much in the same way a person consciously does when turning off the light and minimizing noise before going to bed (“Freud’s Approach,” 2000). Next, Freud (1900) viewed humans as having grotesque sexual urges that “are suppressed before they are perceived” (p.37) in order to protect the person and allow him or her to get along in society; however, dreams serve the purpose of releasing these repressed desires as wishes which are disguised in the dream. Because a person cannot readily be aware of the unconscious wish, the dream is divided into two ...
Gregorio Lopez Mr. Locks British Lit 4/7/14 The First Opium War and its aftermath on Chinese To the normal Chinese man during the early 19th century, opium was nothing more than a luxury that only those of higher power or influence could indulge themselves in. Yet by the middle of the 19th century opium had become a commodity that everyone could have and that at the same time they seemed to need. Even though it was now such a big part of the normal chinese culture, it did not benefit the people nor Chinese culture, it did not benefit the people or the government. The only benefit it did seem to have was towards the British.
In Robert Louis Stevenson’s the Strange Case of Dr. Jekyll and Mr. Hyde a scientist, Dr. Jekyll, creates an alter ego using a draught in order to escape the harsh views of society. As Mr. Hyde, he commits heinous crimes against citizens and becomes addicted to the perception of freedom from Victorian laws. Best stated by Norman Kerr about addiction, “there is an inebriety derangement of the mental faculties, so that the consciousness, perception, reasoning, power, and conscience are impaired” (Kerr 138). The character Dr. Jekyll illustrates the condition of addiction in the Victorian era through the motifs of the obsession with appearance and duality.
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
...dreams – not through her own fault, but because of the colossal vitality of his illusion.”
In 2004–2005, the Penn Humanities Forum will focus on the topic of “Sleep and Dreams.” Proposals are invited from researchers in all humanistic fields concerned with representations of sleep, metaphors used to describe sleep, and sleep as a metaphor in itself. In addition, we solicit applications from those who study dreams, visions, and nightmares in art or in life, and the approaches taken to their interpretation. We also welcome proposals about the effects of dreaming on the dreamer, and the resulting emotions, behaviors, and actions taken or foregone in response to dreams. In this Forum on Sleep and Dreams, we will see how the diversity of academic disciplines can help answer important questions about sleep and dreaming—questions that may touch the basis of human intellect.
Of this type I experienced and wrote down 352 cases in the period between January 20, 1898, and December 26, 1912. In these lucid dreams the reintegration of the psychic functions is so complete that the sleeper remembers day-life and his own condition, reaches a state of perfect awareness, and is able to direct his attention, and to attempt different acts of free volition. Yet the sleep, as I am able confidently to state, is undisturbed, deep and refreshing. I obtained my first glimpse of this lucidity during sleep in June, 1897, in the following way. I dreamt that I was floating through a landscape with bare trees, knowing that it was April, and I remarked that the perspective of the branches and twigs changed quite naturally. Then I made the reflection, during sleep, that my fancy would never be able to invent or to make an image as intricate as the prospective movement of little twigs seen in floating