One Day In the Life of Ivan Denisovich: A Comparison of the Film and Novel

2237 Words5 Pages

SUMMARY This novel and film commentary analysis or interpretation will be first summarised and then critiqued. The summary will be divided into twenty- four episodes. While summarising it is well to remember that the film was made out of the book. Therefore, the setting, the characters, mainly the protagonist, the symbolic significance, the assents, the narrative perspectives and levels of meanings are all interrelated. In describing the setting, the general locale is the prison in the coldest part of Russia- Siberia, geographically but socially depicting the social circumstances in the prison, but draws analogies to the general social, political and economic circumstances of Russia during the Stalinist era (form 1917 revolution up to 1955). The symbolic significance of the novel and the film (genres) reflects experiences, values and attitudes of the Russian society. The genres reflect the origins of the Russian social disorders and massive counts of political misgivings which watered down real communism in Russia. We are constantly reminded of the social and cultural heritage and originality of Russian ethnic groups through those different levels of meanings prisoner narrator an omniscient educated narrator Denisovich himself, though using the third person. The episodes show that the protagonist obviously developed in character, particularly his mental power. But in comparing both genres, I found the following to be similar: Both are genres of social protest against malevolent forces. Both genres have common ground of assent. Both are prison novel and film at the literal meaning. Both connote Russian social, po... ... middle of paper ... ...lped educated the Russians. He even helped turn Russia from a Back ward agricultural state into the world's second greatest military and industrial power- Stalin modernized Russia. Bibliography Brown. D. 1965. Soviet Russian Literature since Stalin. Brown. E.J. 1978, Russian Literature since the Revolution. Clark. K 1982, the Soviet Novel: History as Ritual. Dunham, V. 1981. In Stalin's Time: Middle Class Values in Soviet Fiction. Hosking, G. 1978. Beyond Socialist Realism: Soviet Fiction Since Ivan Denisovich. Johnson, P. 1980. Khrushchev and the Arts: The Politics of Soviet Culture. Mills, H. 1992. Twentieth Century World History in Focus: UK: Nelson. Siniavskii, A. 1973. On Socialist Realism. Trotsky, L. 1962. Literature and Revolution. Solzhenitsyn, A. 1963. One Day in the life of Ivan Denisovich. Film

Open Document