Olofes Razor in The Lucumi Religion

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Olofes Razor in The Lucumi Religion

In order to understand this work better, it is important to have a

bit of background information. This story between a man and a

woman, a mother and her son, takes place in Cuba in the early to mid

nineteen hundreds at a time of carnival. They are both mulattos. For

the Afro-Cubans, and other Cubans alike, this time of carnival is a time

of worship and praise. In the Afro-Cuban religion of Lucumi, or

Santeria, the gods are worshipped and praised especially at this time

of carnival.

The Lucumi religion is a hybrid religion: a mixture of West

African religion and Catholicism. It came about as the African slaves in

Cuba were forced to practice Catholicism. In order to keep their own

African religion, they masked their gods with the names of the Catholic

saints in order to appear as if they were indeed practicing Catholicism

and after years of practicing both religions side by side, Santeria

evolved. There are several aspects of this religion present and

important to “Olofe’s Razor.” There are four gods mentioned in the

play, Yemanya, Chango, Ochun and Olofe. There is also trance like

possession and song, dance and rhythm in worship and praise of the

gods. I will continue by first explaining these elements themselves

and then will go on to explain their relevance to the story.

The second god referred to in the play is Yemanya (Our lady of

Regla). One of the chants they sing begins with the phrase, “Ocule

Maya,”1 which is used in Cuba to greet the goddess Yemaya. It

means, “Hail Yemanya.” She is a very beautiful ocean goddess and is

associated with the moon, but more importantly she is the god of

fertility and brings young women to womanhood. This is very

important because she is referred to by the young man when he

speaks of going out into the carnival to be with the young ladies and

the mother also refers to her when she speaks of the same subject

and also when she speaks of coming into womanhood herself.

Yemanya is also referred to when the mother and son speak of the

possibility of his fathering children. Yemanya is also the mother of

Chango.

Chango (St. Barbara) is the first god mentioned in the play. He

is the god of power. Chango also loves women, food, dancing and all

things that are exciting which is why he is present at the time of

carnival. The mother says, “Santiago’s jumping tonight.

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