Old Mother Savage, Trifles, And Wedding At The Cross

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Control can be described in many ways, as freedom or restraint. Without the restraint that stability can offer, a person could easily lose direction in life. But a loss of control can also result in anger at those who are perceived to be responsible. In many cases this loss can give rise to a need for revenge without thought for the consequences. In the stories, “Old Mother Savage”, Trifles, and “Wedding at the Cross”, the psychological effects of the loss of control over one’s life manifests itself differently in different people, but ultimately it always results in an attempts to regain a semblance of control through desperate actions which often prove costly. In “Old Mother Savage”, Mother Savage experiences a loss of control when she receives …show more content…

Wright, in Trifles, has lived a very isolated and lonely existence experiences a loss of self-control at the death of her bird; she then commits a desperate act in the hopes that it will bring her the sense of equilibrium that was taken from her. Glaspell explains, “MRS. HALE [Her own feeling not interrupted] If there’d been years and years of nothing, then a bird to sing to you, it would be awful—still, after the bird was still.” (Glaspell) The bird holds great significance in the life of Mrs. Wright, serving a dual purpose as a friend and entertainer. Without the bird she has only the chores of a farm and her husband who is depicted as a cold and hard man. The bird was perhaps the one bright spot in the life of Mrs. Wright who’s care for it is exhibited in the careful handling of its body. When Mr. Wright kills the bird the slight sense of equilibrium that she had in her life is gone, and without the bird Mrs. Wright is forced back into a life of solitude. The thought of returning to her monotonous and lonely existence without the color that the bird had contributed to her life might have been too much for her to consider. In Glaspell’s depiction of Mrs. Wright after the crime, “” Can’t I see John” “No,” she says, kind o’ dull like. “Ain’t he home?” says I. “Yes,” says she, “he’s home.” “Then why can’t I see him? “I asked her, out of patience. “’Cause he’s dead,” says she. “Dead?” says I. She just nodded her head, not getting a bit excited, but rockin’ back and forth. …show more content…

This results in him sacrificing his identity in order to conform to a traditionalist ideal in the name of regaining the dignity he has lost. Thiong’o writes, “They made him stand at the door, without offering him a chair, and surveyed him up and down. Wariuki, bewildered, looked alternately to Miriamu and to the wall for possible deliverance. And then when he finally got a chair, he would not look at the parents and the dignitaries invited him to sit in judgment but fixed his eyes to the wall. But he was aware of their naked gaze and condemnation.” (Thiong’o, 1040) It is here that Wariuki suffers incredible embarrassment and, feels for maybe the first time, ashamed of who he is and where he comes from. Wariuki is not a man who has at this point found great worth in material things and instead finds joy in entertaining people. For Miriamu’s father, a well off man, Wariuki is not enough for his daughter. Thiong’o then describes the hold that this experience took on Wariuki, “Wariuki had the one obsessions: to erase the memory of that interview, to lay forever the ghost of those contemptuous eyes.” (Thiong’o, 1042) In response to his embarrassment Wariuki becomes fixated with exacting an emotional revenge on his father in law. Wariuki, all in the name of success and retribution, turns his back on his people in order to

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