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Themes and structure of king oedipus
Oedipus the king sophocles characters
Themes and structure of king oedipus
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Oedipus's Submission to the Gods
In ancient Greece, plays were more then simply a form of entertainment. "Athenian drama was supported and financed by the state. (...)Greek theater was directed at the moral and political education of the community." (Kennedy and Gioia, pgs 1357-1363) Sophocles understood this, and dissipated any pollyanic view of society by presenting us with plays that were intended to teach. Sophocles's Oedipus the King issued a warning for those who foolishly believed that they could challenge the forces of nature. Sophocles was known for presenting characters that are fluid not static. So it should come as no surprise that the Oedipus the reader encounters at the outset of the play, an extraordinary leader, but one who's pride has lead him to challenge his fate, has changed by the end of the play. He comes to realize that all his efforts to change the outcome of his life were acts of futility. We are shown a man who has finally accepted divine will and though now fallen from high estate is uplifted in moral dignity. (Kennedy and Gioia Pg 1364-1365)
The play centers on Oedipus, a man of great compassion and intelligence who was also a man of great pride. Through his intelligence, he managed to solve a riddle no one else had been able to solve. This resulted in freeing Thebes from the sphinx that had been oppressing the land and securing for Oedipus both the kingship of Thebes and Jocasta, the late king Laius's widow, for his wife. "Thus Oedipus's intelligence, a trait that brings Oedipus closer to the gods, is what causes him to commit the most heinous of all possible sins. In killing the Sphinx, Oedipus is the city's savior, but in killing Laius (and marrying Jocasta), he is the scourg...
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...d. New York: Pearson Longman, 2005. 1364-1365
Sophocles. "Oedipus the King" Literature: An Introduction to Fiction, Poetry, and Drama. 9th ed. Kennedy, X.J. and Dana Gioia, New York: Pearson Longman, 2005. 1365- 1433
Haigh, A.E. "an analysis of the play by Sophocles"The Tragic Drama of the Greeks. Oxford: Clarendon Press, 1896. 188-91
Little, Jennifer. "ClassicNote on Oedipus Rex" GradeSaver Free Online Study Guides. 19 July 2000 http://www.gradesaver.com/classnotes/titles/oedipus/wwwboard/forum 9.html
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
Undoubtedly there has been a tremendous amount of speculation and dissection of this play by countless people throughout the ages. I can only draw my own conclusions as to what Sophocles intended the meaning of his play to be. The drama included a number of horrific and unthinkable moral and ethical dilemas, but I believe that was what made the play so interesting and that is exactly the way Sophocles intended it to be. The play was obviously meant to entertain and portray the author’s own insight. The underlying theme to the play is that no man should know his own destiny, it will become his undoing. This knowledge of things to come was presented to both Laius and Oedipus in the form of prophecies well in advance of it coming to be. The prophecies told of things that were so morally disturbing that they both aggressively did everything in their power to try and stop them from coming true. The story begins with Oedipus at the height of power as King of Thebes. His kingdom has encountered rough times and he has sent his nobleman Creon to seek help from the god Apollo to restore his land. Creon tells Oedipus that he must find the murderer of the previous King Laius and by finding this man and banishing him, his land will be restored. The murder occurred some time ago and King Oedipus sends for the seer Theiresias with his powers of prophecy to aid in the search for the murderer. Sophocles cleverly projects his feelings on wisdom and knowledge through Teirsias when he says “Alas, how terrible is wisdom when it brings no profit to the man that’s wise!”(23) Teirsias knows that this terrible prophecy has already been set into motion and the damage has already been done. There is really no point in telling it to Oedipus because it will only cause more harm than good. Oedipus provokes Teirsias into telling him the prophecy, “ Í tell you, king, this man, this murderer-he is here. In name he is a stranger among citizens but soon he will be shown to be a citizen true native Theban, and he’ll have no joy of the discovery: blindness for sight and beggary for riches his exchange, he shall go journeying to a foreign country tapping his way befor him with a stick.
The Greek tragedy Oedipus at Colonus was written by the renowned Greek playwright Sophocles at around 404 B.C.. In the play, considered to be one of the best Greek dramas ever written, Sophocles uses the now broken down and old Oedipus as a statement of hope for man. As Oedipus was royalty and honor before his exile from his kingdom of Thebes he is brought down to a poor, blind old man who wonders, “Who will receive the wandering Oedipus today?” (Sophocles 283) most of the time of his life that is now as low as a peasant’s. Although former ruler of Thebes has been blinded and desecrated to the point where he is a beggar, he will not give up on his life and on the life of his two daughters Antigone and Ismene, and his two sons Eteocles and Polynieces who were supposed to help their sorrowful father like true sons and true men but instead they “tend the hearth like girls.”(304). Yet Oedipus still gives praise to those who have helped him, his daughters Antigone and Ismene, although he has no sight, is poor, and his life is of no meaning to him, he recognizes honor and loyalty when he sees it:
Sophocles. Antigone, Oedipus the King, Electra. Trans. H. D. F. Kitto. New York: Oxford University Press, 1962.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York: Longman, 1997.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
Sophocles. "Oedipus the King." The Compact Bedford Introduction to Literature: Reading, Thinking, Writing. By Michael Meyer. Boston, MA: Bedford/St. Martin's, 2000. 1125-166. Print.
The "Oedipus the King." Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1902.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed. Eds. Sylvan Barnet, et al. New York: Longman, 1997. 800-836.
Sophocles. Oedipus Rex. The Oedipus Cycle. Dudley Fitts and Robert Fitzgerald, trans. San Diego: Harvest, 1976
O’Brien, Micheal. “Introduction.” 20th Centruy Interpretations of Oedipus Rex. Ed. Micheal O'Brien. Englewood Cliffs, N. J.: Prentice-Hall, 1968. 8-10. Print.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.