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Oedipus Rex – a Christ Figure Sophocles’ famous tragedy, Oedipus Rex, perhaps “the most important and influential drama ever written” (“Sophocles” 717), presents in the person of Oedipus the model of a good ruler, a humanely intelligent and vigorously active leader, a man who earlier saved his adopted city Thebes from disaster. Is Oedipus an alter Christus besides? The numerous parallels between the figure of the king Oedipus and the figure of Christ in the Scriptures prompts the reader to ask the above question. For example, in the opening lines of the drama, Oedipus greets the crowd of suppliants (including old men, boys and children) waiting at his palace doors with the words: “My children, latest born to Cadmus old, /Why sit ye here as suppliants, in your hands /Branches of olive filleted with wool”? Later, the king’s second address to the crowd begins: “Ah! my poor children, known, ah, known too well,/The quest that brings you hither and your need.” Other addresses to the people on the part of the king refer to them as “children.” There are many parallels to this in the Bible when Jesus addressed the people. In the gospel of Matthew alone, the word children is used 20 times, for example 3:9: “. . .and do not presume to say to yourselves, `We have Abraham as our father'; for I tell you, God is able from these stones to raise up children to Abraham.” Jesus also said in Matthew 18:3: "Truly, I say to you, unless you turn and become like children, you will never enter the kingdom of heaven.” In the same book (23:37) Jesus said, "O Jerusalem, Jerusalem, killing the prophets and stoning those who are sent to you! How often would I have gathered your children together as a hen gathers her b... ... middle of paper ... ...says “I thank my God through Jesus Christ,” thus associating the two very closely. Thus it is seen that there are many parallels between Sophocles’ drama, Oedipus Rex, in its treatment of the king, and the Bible with its treatment of Jesus, even though the latter was written some 400 years later than the former. WORKS CITED Oedipus the King. Tranlsted by Stephen Berg and Diskin Clay. In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984. “Sophocles” In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984. Sophocles. Oedipus Rex. Transl. by F. Storr. http://etext.lib.virginia.edu/etcbin/browse-mixed new?tag=public&images=images/modeng&data=/texts/english/modeng/parsed&part=0&id=SopOedi
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
Another trait that was portrayed throughout the novel was peculiarity. The teenage boy Ackley who lives across the hall from Holden is very strange and has few friends. Ackley was very dirty, never brushed his teeth, and almost always stayed alone in his room. Holden says " His teeth were always mossy- looking, and he was dirty as hell, but he always had clean fingernails."(pg.22)
The Catcher in the Rye, by J.D. Salinger, describes a period of time in a young
“I swear to God I’m crazy. I admit it.” It is very easy to automatically assume that Holden Caulfield is crazy. It’s even a logical assumption since Caulfield himself admits to being crazy twice throughout the course of the book. However, calling Holden Caulfield crazy is almost the same as calling the majority of the human race crazy also. Holden Caulfield is just an adolescent trying to prevent himself from turning into what he despises the most, a phony. Most of Caulfield’s actions and thoughts are the same as of many people, the difference being that Holden acts upon those thoughts and has them down in writing.
Holden doesn’t like the complexity of life and relationships. This is why he distances himself from his family and friends. After Holden is expelled from his school, he tries to stay away from his parents for fear of their reaction, even though learning of his expulsion is inevitable. He visits his sister Phoebe in their home multiple times throughout the novel because due to her young age, his sister and his relationship is simple. "For instance, within Holden, the desire to reject others conflicts with the desire to be accepted by others: he doesn't want to lend Stradlater his coat, but his overt actions belie this covert, warring want: he despises Ackley, but he invites him to see a movie; he hates movies, believing them to foster phoniness in society” (Mitchell). Holden struggles to “catch” others because he believes he is not accepted by others.
Ehrenberg, Victor. “Sophoclean Rulers: Oedipus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J.
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
The Catcher in the Rye is a coming of age book that deals with such issues as being in between a child and an adult, the grief over a loved one’s death and the phoniness of the adult world. Holden Caulfield the main character is confused about the world in which he lives. He is often portrayed as being naïve and is caught in the middle of wanting to retain his innocence yet still be seen as an adult. Holden’s maturation is detailed throughout the novel in various scenes. Holden’s main concern in the novel is resisting growing up but through his time spent with his younger sister, Phoebe he realizes what it truly means to be “The Catcher in the Rye.”
“Catcher in the Rye”, written by J.D Salinger, is a coming-of-age novel. Narrated by the main character, Holden Caulfield, he recounts the days following his expulsion from his school. This novel feels like the unedited thoughts and feelings of a teenage boy, as Holden narrates as if he is talking directly to readers like me.
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Oedipus the King, written by Sophocles around 430 BC, is one of, if not the most, important and influential tragedy ever written. It became the base for most of the tragedies written since. In spite of the fact that some of the story line may seem a little out of place now, parallels can be very easily drawn with the present time. Even though it was written over 2000 years ago, Oedipus the King is still fitting and applicable in today's society.
Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1902.
The ineffaceable impression which Sophocles makes on us today and his imperishable position in the literature of the world are both due to his character-drawing. If we ask which of the men and women ofGreek tragedy have an independent life in the imagination apart from the stage and from the actual plot in which they appear, we must answer, ‘those created by Sophocles, above all others’ (36).
As ruler, he is a father to Thebes and its citizens, and like a father he will take care of his “children.” We see already the supreme self-confidence and ease of command in Oedipus, who can address not only other people’s children as his own, but also be a father to men older than he is. But beyond even this there is, in the sretched posture of the citizens, the hint of prostration before a deity. We are “clinging to your altars,” says the priest. . . . That he also exudes a godlike mastery in the eyes of his subjects only strengthens the heroic portrait. . . .(21-22).
Sophocles’ tragic play, “Oedipus the King”, or “Oedipus Rex” as it’s known by its Latin name, is the Athenian drama that revolves around the events which lead to the demise of Oedipus Rex. The King Oedipus is forced down a preordained path that throws his entire world into a spiral of tragic providence, in this trilogy of a Theban play. Sophocles assigns the tragic hero to a downfall with the impossibility of changing the written fate; perhaps the views of today’s society would feel sympathy for the predicament that Oedipus is forced into, however, the publics of ancient Greece would accept that the path laid before them was a creation of the Gods. “Oedipus the King” reflects the ancient Greek credence in the belief that a person can do nothing to avoid their destiny, an idea that contrasts with what society believes today.