More handpicked essays just for you.
Ancient greek and roman insest oedipus
Ancient greek and roman insest oedipus
Ancient greek and roman insest oedipus
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Creon is in a position of power to where only his rules matter and can overrule all others, because he is the divine law maker. After the death of the two brothers Creon thinks Polyneices is a traitor and should be punished. Creon states that, “Polyneices, who broke his exile to come back with fire and sword against his native city and the shrines of his father’s gods . . . is to have no burial” (Sophocles lines 217-224). Although Polyneices fought against the city Creon acts irrational towards Antigone in burying her brother due to the fact that he is a traitor. Antigone has a legitimate demand to bury her brother based on her morals and religion. She sees injustice when only one of the two brothers is buried and one a ceremony. She states, “There is nothing shameful in honoring my brother…the god of …show more content…
She states, “had I been a mother of children, and my husband been dead and rotten, I would not have taken this weary task upon me…but when father and mother both were hidden in death no brother’s life would bloom for me again” (Sophocles lines 954-962). To Antigone this is one of the many reasons to honor her brother; in honoring her brother she is honoring her mother and father as well. Creon, as the new king, wants to show his abilities as a ruler. He has these rules so the people of Thebes won’t take him as an easy king and cause chaos. If Polyneices is not punished then Creon's power may be taken for granted by the people of Thebes. Creon believes that if someone dishonors the city that they shall be punished for their behavior. Antigone and Creon have different justifications in law; that in divine moral law and that of law of the land. However, one cannot say who is wrong or who is right, but look at the laws and morals behind it. Both Creon and Antigone have logistics behind their actions. Creon has the justification of the law of the land. Antigone has hers on moral beliefs in divine
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices.
Antigone Sophocles When a dictator dies, his image and fame dies with him, but when a self-sacrificing individual dies, their legacy begins. This statement is true because oppressed citizens do not fondly mention a mean ruler, such as Creon from Antigone, after he passes away. Yet a martyr, such as Antigone, also from the story Antigone, is remembered for her self-sacrificing deeds. Creon will not be remembered because he did not allow Antigone to bury her dead brother Polynices, and decides to execute Antigone for trying while Antigone’s legacy will live on because she has the courage to defy Creon, and chooses to sacrifice herself for Polynices' honor.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
A specific strength of Creon, the major adult character in Antigone, is his ability to make his opinions known to the entire kingdom. One example of this is the major decision that is the focus of the entire story. After Antigone’s brother, Polyneices, died in battle against his own kingdom, Creon told the citizens of the land that no one was to bury the traitor. The king felt that the strict edict was necessary because Polyneices “broke his exile to come back with fire and sword against his native city. (193)” Creon knew that a traitor to the kingdom should not be honored with the same ceremony given to one who fought for his own kingdom.
Antigone had good reasons for her actions. She did obey the rules of her gods, which were that any dead body must be given a proper burial, with libatations. This would prevent the soul from being lost between worlds forever, along with wine as an offering to the gods (page 518- side note). Nor could Antigone let Creon's edicts go against her morals (lines 392-394). She chooses to share her love, not her hate (line 443). She couldn't bare to see one family member be chosen over the other because of what a king had decided was right, which she contravened. Why condemn somebody who stood up for what they believed in and is now dead for it anyway? Bringing homage to the family was very important to Antigone (line 422-423).
When Creon orders that Polyneices (Antigone’s brother) will not be buried because of his dishonor towards their home, Antigone disagrees and thinks her brother should not be left without a proper burial. Her beliefs show through in this when she says “the sacred laws that Heaven holds honor” (Sophocles, 1248) which is far more important than the rules set by the king. Sophocles specifically portrays sympathy for Antigone whilst describing her suffering and sorrow because she has no power, always being dominated by the status of Creon. So, Creon does not have any problem telling Antigone who is in charge when he states “Die then, and love the dead if thou must; no woman shall be the master while I live” (Sophocles, 1256). His power has made him arrogant and
In Antigone, her brother Polynices, turned against his own city by attacking his own brother just so he could become king. On this day, both brothers died. One, Eteocles, was given funeral honors, but the other, Polynices, was not. This decision was made by Creon, Antigone’s uncle and the current King of Thebes. Creon said “He is to have no grave, no burial, no mourning from anyone; it is forbidden.'; (Pg. 432; l. 165) He also announced that anyone who should attempt to bury him would be put to death. After hearing this decision, Antigone said that Creon couldn’t do that and that the Gods would want Polynices to have a proper burial, therefore Antigone promised to her sister Ismene that she would be the one to defy Creon and bury her brother; and she didn’t care if the whole city knew of her plans. After being caught in the act, she was taken to the palace and when asked by Creon why she did it. Knowing the punishment that would come from it, she replied by saying that she didn’t think Creon had the power to overrule the u...
Creon states upon gaining the throne “There is no art that teaches us to know/ The temper, mind or spirit of any man/ Until he has been proved by the government/ And lawgiving.” (175-178). This ironic comment is declared when he acquires his kingship, however the very first law, which forbids the burial of Polyneices, shows Creon’s hypocrisy and flawed rule. Creon refuses to take an ethical standpoint on the matter like Antigone and instead continues to immorally act on what he believes is patriotic. When Creon discovers by the Sentry that Antigone was responsible for the crime, he becomes enraged and speaks irrationally against women. “Die then, and love the dead if thou must; / No woman shall be the master while I live.” (523-524). This quotation directly implies that Creon’s reasoning for punishment is not based on rationality, but sexism, demonstrating, yet again, the theme of women’s assumed inferiority. After Antigone’s simple confession, Creon instantly condemns her to death, despite the fact that she is the fiancé of his son, Haemon and the daughter of his sister, Jocasta. Antigone, even after the issue of her death sentence, fearlessly remains firm in her beliefs and convictions. Antigone continues to assume the role of an anomaly in society, contrasting the familiar character of a woman in
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
At the beginning of the play, Antigone is upset about a decree Creon, the king, made (190). The decree states that her brother, Polyneices, was not allowed to be buried, because Creon believes that Polyneices was a “traitor who made war on his country” (211). Antigone has a very strong love for her brother and the gods, therefore she believes Polyneices deserves a proper burial according to the laws of the gods (192). Antigone says to Ismene that she [Antigone] will go against Creon’s decree-which states that if anyone buries Polyneices they will be killed (190). Antigone is extremely angry with Creon for creating the decree, to the point where she decides to make a big deal about the burial, instead of lying low and doing it in secret (192). Antigone even tells Ismene to “Tell everyone!” that she [Antigone] buried Polyneices when everyone finds out, and not keep it a secret-although Ismene doesn’t listen (193). Antigone’s decision not to do the bur...
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
By burying her brother, Antigone knowingly and willingly went against royal orders and in doing so chooses her own death. She knows as well as anyone in the town that death would come to all that disobeyed Creon's order. Antigone says to this "no one will ever convict me for a traitor,"(Act I: Scene II: Line 361) and decides to bury the body, this is quite ironic because by burying her brother a traitor is exactly what she is convicted of being. Antigone's actions went against her homeland. Creon had declared that "Our country is our safety. Only while she voyages true on course can we establish friendships truer than blood itself. Such are my standards. They make our city great."( Act I: Scene II: Line 382) He says this meaning that if everyone acted as a whole they would always prosper. If someone were to go against the laws and ideals put by Creon it would only cause dissension. When Antigone went against the law this was exactly what happened. Chaos would not have ensued if she trusted her king to be right in his decision, just as all the townspeople and her sister Ismene did.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
In this paper I will be making 3 major points about Creon. First I will explain the role Creon plays in this drama. Next I will explain some of the values Creon represents in this story. And for the last I will be examining how essential Creon is to the way this situation plays itself out.