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King oedipus character analysis
King oedipus character analysis
King oedipus character analysis
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Oedipus, from the play Oedipus the King, is a very unique character whose different aspects are revealed throughout the play. As he talks with characters such as Creon, Jocasta, and Tiresias, we get a well painted portrait of the aspects of Oedipus’ character. The ambitious aspect of Oedipus’ character is revealed through his conversations with the Leader and the Chorus. When the Leader steps up at the beginning of the play to offer suggestions, Oedipus gladly accepts; he asks no one to “hold back” (323) and for everyone to just say whatever information they had on the killing of Laius. Oedipus is very open-minded to the Leaders suggestions. He promises the citizens of his town, the Chorus, that he will find the murderer of King Laius. Oedipus is ambitious, but, at times, he also is very arrogant. Arrogance is shown when Oedipus talks to Creon. Oedipus “finds [Creon] a menace, [and] a great burden.”(612). With his “wicked way of words” (610), Oedipus accuses Creon of plotting Oedipus being killed or banished from his kingdom so the he can rule instead of Oedipus. Creon attempts to ...
Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
When Creon comes back and Oedipus finally hears what the oracle has to say he is outraged. Creon says "By banishing a man, or by bloodshed in quittance, since it is the blood which belong which brings the tempest on our city." (Prologue) At which Oedipus exclaims "For whoever was the slayer of Laius might wish to take vengeance on me also with a hand as
Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438). Oedipus’ impulsive nature leads him to discovering the truth and reveals that he has indeed fulfilled the prophecy he was running from.
In Oedipus, he wanted nothing more than to help Oedipus rid the city of whatever plague the gods were hurling at them. Creon goes to Apollo's shrine to find out why the gods are angry and then brings Tiresias to help Creon see what has the gods angry. Oedipus does not want to believe the truths Tiresias is telling him and falsely accuses Creon of plotting against him to become king of Thebes. Creon is so hurt by this that he tells the chorus, "This accusation against me by our ruler Oedipus, It's outrageous. (514)" By the end of the play, Creon tells Oedipus that "I'm always as good as my word; I don't speak before I think(1520)."
In the Oedipus at Colonus, there are three major themes of the play, prophecy, guilt and death. Each of them is part of how Oedipus’ life plays out. The prophecy told that he was the killer of his own father and married his mother, and how the guilt, he had for committing these acts, by gouging out his own eyes; and how after his family disowned him then wanting him to help them knowing that whoever was on Oedipus’ side would win the war. Also where Oedipus’ body should be laid to rest after his death.
Undoubtedly there has been a tremendous amount of speculation and dissection of this play by countless people throughout the ages. I can only draw my own conclusions as to what Sophocles intended the meaning of his play to be. The drama included a number of horrific and unthinkable moral and ethical dilemas, but I believe that was what made the play so interesting and that is exactly the way Sophocles intended it to be. The play was obviously meant to entertain and portray the author’s own insight. The underlying theme to the play is that no man should know his own destiny, it will become his undoing. This knowledge of things to come was presented to both Laius and Oedipus in the form of prophecies well in advance of it coming to be. The prophecies told of things that were so morally disturbing that they both aggressively did everything in their power to try and stop them from coming true. The story begins with Oedipus at the height of power as King of Thebes. His kingdom has encountered rough times and he has sent his nobleman Creon to seek help from the god Apollo to restore his land. Creon tells Oedipus that he must find the murderer of the previous King Laius and by finding this man and banishing him, his land will be restored. The murder occurred some time ago and King Oedipus sends for the seer Theiresias with his powers of prophecy to aid in the search for the murderer. Sophocles cleverly projects his feelings on wisdom and knowledge through Teirsias when he says “Alas, how terrible is wisdom when it brings no profit to the man that’s wise!”(23) Teirsias knows that this terrible prophecy has already been set into motion and the damage has already been done. There is really no point in telling it to Oedipus because it will only cause more harm than good. Oedipus provokes Teirsias into telling him the prophecy, “ Í tell you, king, this man, this murderer-he is here. In name he is a stranger among citizens but soon he will be shown to be a citizen true native Theban, and he’ll have no joy of the discovery: blindness for sight and beggary for riches his exchange, he shall go journeying to a foreign country tapping his way befor him with a stick.
In Oedipus at Colonus (OC), one sees the beginning of Creon's decline. Creon has now come to occupy the throne that once belonged to Oedipus. It soon becomes apparent that his vision of the proper role of a king has changed to accommodate his new-found position. The emphasis shifts from that of a king who must rule wisely to one who must rule unyieldingly. The kingship becomes a selfserving instrument for Creon in his attempt to secure the return of Oedipus and the good fortune prophesied to accompany him. Creon's notion of justice is severely distorted in OC. He becomes monomaniacal - conducting his affairs with tyranny and belligerence. For example, he threatens to harm Oedipus' daughters if the blind beggar does not return to Thebes. His view of rightness and fairness is no longer in line with that of his subjects.
As the truth is getting revealed: "… You, Oedipus, are the desecrator, the polluter of this land." Oedipus does not believe (his choice). He (Oedipus) start to accuse Creon of truing to take his powers away (king). And still want to reveal whole truth. After talking to Jocasta Oedipus faces that he in fact might killed the king Laius. " There was s herald leading a carriage drawn by horses and the man riding in the carriage … The driver pushed.
The play "Oedipus Rex" is a very full and lively one to say the least. Everything a reader could ask for is included in this play. There is excitement, suspense, happiness, sorrow, and much more. Truth is the main theme of the play. Oedipus cannot accept the truth as it comes to him or even where it comes from. He is blinded in his own life, trying to ignore the truth of his life. Oedipus will find out that truth is rock solid. The story is mainly about a young man named Oedipus who is trying to find out more knowledge than he can handle. The story starts off by telling us that Oedipus has seen his moira, his fate, and finds out that in the future he will end up killing his father and marrying his mother. Thinking that his mother and father were Polybos and Merope, the only parents he knew, he ran away from home and went far away so he could change his fate and not end up harming his family. Oedipus will later find out that he cannot change fate because he has no control over it, only the God's can control what happens. Oedipus is a very healthy person with a strong willed mind who will never give up until he gets what he wants. Unfortunately, in this story these will not be good trait to have.
Oedipus is shown to be a well-liked and trusted king among all his townspeople. Solving the riddle of the Sphinx and saving Thebes brought him great fame and popularity. When time came to save the town from Laios’ killer, Oedipus relied much on his intellect. He searched for information about the night of the murder from Creon and Teiresias, but as he learned more details, Oedipus realized not only that he was the killer but also that he married his mother. Throughout his inquiry he believed he was doing good for his people as well as himself, but eventually it brought him shame. Oedipus was humiliated and disgusted and stated, “…kill me; or hurl me into the sea, away from men’s eyes for ever(p882, 183).'; Oedipus’ wanted to be isolated from the people of Thebes because all his respect and fame was destroyed by his fate.
In “Oedipus the King”, Oedipus is a brash and arrogant ruler while Creon is his patient, thoughtful right hand man. After Oedipus and his sons all die and Creon becomes king of Thebes, he begins to grow wilder and even more out of control than Oedipus was. In “Oedipus the King” Oedipus accused Creon of bribing Tiresias, the blind prophet, to make a prediction that will doom Oedipus. He accuses Creon of “plotting to kill the king” (189). He does this without any concrete evidence or proof. Oedipus rationalizes that because Creon induced him to “send for that sanctimonious prophet [Tiresias]” (190), he is responsible for the prophecy. Oedipus assumes that “if the two of you [Creon and Tiresias] had never put heads together, we would never have heard” (192) the prophecy. Creon even calls Oedipus a man is full of “crude, mindless stubbornness” (190). Oedipus lashed out at Creon for “betraying a kinsman” (192). He did so without any evidence or proof. He just did accused Creon without thinking about the consequences. Although Creon stands against rashness and unthinking now, he soon becomes another Oedipus. ...
Even though Oedipus may be the hero, he is also selfish and ruthless. One example of his ruthlessness is when he meets Laius at the place where the three roads meet. Instead of letting the older man pass, he makes a scene, why should he be the one to move? He is royalty. He believes that he should move for no man. He is also selfish in the fact that when Teresias enters and gives Oedipus the clues that tell him that he has killed Laius, he refuses to believe him, to the point of insulting him, and kicking him out.
The ancient Greeks were famous for their tragedies. These dramas functioned to “ask questions about the nature of man, his position in the universe, and the powers that govern his life” (“Greek” 1). Brereton (1968) stated that tragedies typically “involved a final and impressive disaster due to an unforeseen or unrealized failure involving people who command respect and sympathy. It often entails an ironical change of fortune and usually conveys a strong impression of waste. It is always accompanied by misery and emotional distress” (20). The play, Oedipus the King, by Sophocles definitely demonstrated the characteristics of an impressive disaster unforeseen by the protagonist that involved a character of respect, included irony, and was accompanied by misery and emotional distress.
The myth of Oedipus is one of a man brought down by forces aligning against him. Over the years, different playwrights have interpreted his character in various fashions. In Sophocles’ Oedipus the King, Oedipus is a man who is blind to the path on which his questions take him and exemplifies the typical tyrannical leader in ancient times; in Senaca’s Oedipus, it is the fear of his questions that give Oedipus a greater depth of character, a depth he must overcome if he is to survive his ordeal.
Creon convinces Oedipus to call upon the prophet Lord Tiresias. He knows everything there is to know and Creon knew that he would be able to help figure out who murdered Laius. Oedipus hears what Lord Tiresias has to say about the matter and he does not like it at all. Oedipus thinks that Creon “put the prophet up to spreading lies” (188). This puts Creon in a very sticky situation with Oedipus.