November Rain
I pass a shop display and view my reflection in the glass-a well built man of thirty with a tanned complexion, dark eyes and hair. I seem to have a certain charm and grace that can-and does-go down very well with the ladies. I open the door, pull out the chair, buy the drinks and surprise them with gifts. I stay at their flats after a night out; I leave my belongings there. You could say that I’m just a bachelor with a lust for living-if I wasn’t married.
I’ve been married ten years and it feels like 40. It was great at first-nights out in clubs, at parties, flirting, teasing and loving each other, or at least touching each other. We had no children to hold us down and a whole world of fun to experience. Then, it stopped. I can’t remember when, where or how. What I know is that for ten years I’ve been bound to this woman and all the practices of such a colourful marriage have been tried and are jaded; the feelings no longer evident. She is abrupt with her answers and retorts for the most part and otherwise silent, so we both have seemed to have taken our own practices elsewhere, fallen into another person’s arms and experience the same feelings anew.
I walk on by, get into my shining convertible (which is now speckled with signs of yet more rain) and speed away.
I step into the hall of my home in Chicago, Illinois, and into the kitchen. Rain cascades down the windowpane, such has been the case for much of Novmber. There is a plate of spaghetti Bolognese waiting right on the counter for me. I heat it up, and take it to my study, letting the aroma waft right past my nose. Turning on the stereo, I settle back in my leather, over-cushioned armchair with a long, relaxed sigh. The stereo always starts on Classic Rock radio station. Hard rock, that’s what I love best. I open the Wall Street Journal, sub-consciously listening to the music in the background. Bliss.
“Blackwater shares have…”
(Music in background):
“When I look into your eyes, I can see a love restrained, but darlin’ when I hold you, don’t you know I feel the same”…I look up to see the source of this slightly familiar song: “November Rain” by Guns N’ Roses.
“…both know hearts can change, and it’s hard to hold a candle in the cold November rain…”
Barry Levinson’s Rain Man is an uplifting and comical film, based in the 1980s, in America. Charlie Babbitt (Tom Cruise) is a car dealer, who discovers in the shadow of his father’s death that he has an autistic brother called Raymond (Dustin Hoffman). Charlie’s vulgar attempt to seize his late father’s inheritance from his brother, entices the audience into a journey of self-discovery, culture and self-awareness.
In individual searches to find themselves, Frank and April Wheeler take on the roles of the people they want to be, but their acting grows out of control when they lose sense of who they are behind the curtains. Their separate quests for identity converge in their wish for a thriving marriage. Initially, they both play roles in their marriage to please the other, so that when their true identities emerge, their marriage crumbles, lacking communication and sentimentality. Modelled after golden people or manly figures, the roles Frank and April take on create friction with who they actually are. Ultimately, to “do something absolutely honest” and “true,” it must be “a thing … done alone” (Yates 327). One need only look inside his or her self to discover his or her genuine identity.
But they’re barely hanging on. Their connections to each other are fraying, being eaten away by fatigue, guilt, and corrosive hope. They speak in clipped phrases that barely hint at the cacophony of their inner lives.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
...tandings that came with cultural it is important to build trust and respect between both parties’ otherwise it would only lead to more misunderstandings.
I Want a Wife by Judy Brady is a humorous essay that provide reasons why some men want wives. Reflecting on her friend and his actions she produced possible conclusions why he would pursue another wife. The author used specific descriptive details to explain the actions of a wife and illustrate why a person including herself would want a wife. The detail in the writing does not leave the reader looking for clues nor leave anything to the imagine.
BLACK RAIN by Masuji Ibuse The main character in the novel is in some ways like myself. Mr. Shizuma is a person that is intrigued by many things and likes to see what reaction people have from any action. Throughout the novel he feels the need to go to different parts of the city and surrounding communities in order to see the effects of the unknown bomb. Mr. Shizuma was not only interested in what happened to the people of the community but he was also interested in finding out what the weapon used was called and made out of.
Tim Burton's style compared to others is quite unique. His many films do not give off the same mood and feeling that audiences are used to with child films. With some of his role models being Edgar Allen Poe and Ronald Dahl, it's no surprise that his films mix children ideas with a sense of darkness, and even at times creepiness. Tim Burton combines these feelings of child movies and darkness through the way he uses lighting, shots and framing, and to spread his message.
Clinton and Sibcy (2006) point to a recurring pattern within a marriage suffering from disconnect, and that is the pattern of pursuing and withdrawing. When a couple is in a cycle of hurt, one spouse will react to the disconnect or drift by pursuing the other partner. The pursued partner reacts by withdrawing. This pattern continues the hurt, causes the cyclical pattern of one partner pursuing and the other partner withdrawing. Neither spouse can connect with the other and each struggle with understanding where the other is coming from. As the drift progresses in the marriage, Balswick and Balswick (2014) note that “over a period of time, the wife’s verbal expression of love will diminish. Many a wife begins marriage with expansive declarations of love for her husband, but without reciprocal expression, she will express her feelings less frequently.” (p.
More traditional marriages survived longer than today’s modern marriages; however, the traditional marriages that ended years later left many housewives feeling discarded. These wives who were used to staying at home with no careers were left trying to figure out survival while their husbands moved on to younger, beautiful career oriented women. The women they started to become attracted too were women with less stress who could devote more attention to them at the end of the day.
Although their love has endured through many years, it has come to an end in the story. All throughout the story the couple is reminiscing about their life and while they are there are some odd details that are strewn throughout.
Initially he views his wife as a mere possession, a toy doll. which he is able to show off at party’s to the admiration of fellow. members of powerful society, ‘curtsy here, curtsy there – and the vision of loveliness was gone as they say in fairy tales.’ However.
The author uses imagery, contrasting diction, tones, and symbols in the poem to show two very different sides of the parent-child relationship. The poem’s theme is that even though parents and teenagers may have their disagreements, there is still an underlying love that binds the family together and helps them bridge their gap that is between them.
It was finally fall break. I was visiting my grandma for a few days. Well past dinnertime, I pulled up to the white stately home in northern rural Iowa. I parked my car, unloaded my bag and pillow, and crunched through the leaves to the front porch. The porch was just how I had seen it last; to the right, a small iron table and chairs, along with an old antique brass pole lamp, and on the left, a flowered glider that I have spent many a summer afternoon on, swaying back and forth, just thinking.
T. pallidum is highly sensitive to oxygen and has a decreased ability to survive when not in human body temperature environments 1. The mode of transmission is through sexual contact or vertical transmission from the mother to the fetus. T. pallidum lacks the lipopolysaccharide which is the endotoxin normally present in gram negative bacteria1. The bacterium does produce many lipoproteins which are thought to prompt the inflammatory mediators through the recognition of toll-like receptors1. T. pallidum has a virulence factor of being highly motile due to its ability to propel itself forward by rotating on a longitudinal axis1. The spirochetes easily penetrate the skin or mucosal membranes and spread throughout the lymph nodes and then the blood circulation, affecting many parts in the body1.