Asian American writers have become more influential as education continues to expand and students become introduced to cultures other than their own. According to a book written by Harold Bloom, more journals and magazines "have provided space for South Asian American writers" (Bloom, 14), which brings attention to many major issues. Although issues such as race and language barriers may be at the forefront of discussions, the issue of pride is also among great concern for these authors. Maxine Kingston, Gish Jen, Gail Miyasaki, and Amy Tran highlight numerous instances where pride becomes affected, instilling a variety of emotions; shame or joy become evoked by the speaker or a family member(s) in these instances.
Maxine Kingston’s short story No Name Woman depicts several examples where pride is a crucial theme to understanding the emotions expressed by the speaker. Firstly, the speaker is addressed as a young Chinese American girl whom listens to a story, told by her mother, about her extravagant aunt, whom drowned herself and her newborn baby in the family well. The story screams out the theme of pride in the opening paragraph, with the speaker’s mother stating “You must not tell anyone… We say that your father has all brothers because it is as if she had never been born” (Kingston, 1). The theme is apparent here because the quote carries a negative connotation as to the follow-up story that the mother is about to describe. The mother wants to ensure that the story will not be repeated because the entire family’s pride would be in jeopardy.
Furthermore, after the brief summary of the story, the speaker’s mother warns her daughter that a similar instance could occur with her, “now that you have started to menstruate” (Kingsto...
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...nly reflects the upmost pride that the speaker experiences with her almost long-lost sisters.
Pride is undoubtedly something every person carries with them, whether it be for themselves or for family. Kingston, Jen, Miyasaki, and Tran all express various forms of pride within their short stories and, more specifically, pride in Asian American families. Thanks to the rise of multicultural studies, along with the "push to gather representative voices into anthologies", there has been an increased exposure of Asian American writers (Amend, 7). This literary movement on the West Coast caused the term "Asian American" to become a "term of racial pride and a source of defiance toward the dominant culture" (Shankar, 221). These four Asian American writers intertwine pride with other emotions such as shame and anger in order to better solicit a reaction from their readers.
Elizabeth Fernea entered El Nahra, Iraq as an innocent bystander. However, through her stay in the small Muslim village, she gained cultural insight to be passed on about not only El Nahra, but all foreign culture. As Fernea entered the village, she was viewed with a critical eye, ?It seemed to me that many times the women were talking about me, and not in a particularly friendly manner'; (70). The women of El Nahra could not understand why she was not with her entire family, and just her husband Bob. The women did not recognize her American lifestyle as proper. Conversely, BJ, as named by the village, and Bob did not view the El Nahra lifestyle as particularly proper either. They were viewing each other through their own cultural lenses. However, through their constant interaction, both sides began to recognize some benefits each culture possessed. It takes time, immersed in a particular community to understand the cultural ethos and eventually the community as a whole. Through Elizabeth Fernea?s ethnography on Iraq?s El Nahra village, we learn that all cultures have unique and equally important aspects.
the prejudice, hate and violence that seem to be so deeply entrenched in America's multiracial culture and history of imperialism, Takaki does offer us hope. Just as literature has the power to construct racial systems, so it also has the power to refute and transcend them… The pen is in our hands.
Tachiki, Amy; Wong, Eddie; Odo, Franklin, eds. (1971). Roots: An Asian American Reader. University of California, Los Angeles Press.
He, Qiang Shan. "Chinese-American Literature." New Immigrant Literatures in the United States: A Sourcebook to Our Multicultural Literary Heritage. Ed. Alpana Sharma Knippling. WEstport, Connecticut: Greenwood Press, 1996. 44-65.
Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture.
Chang-Rae Lee’s Native Speaker expresses prominent themes of language and racial identity. Chang-Rae Lee focuses on the struggles that Asian Americans have to face and endure in American society. He illustrates and shows readers throughout the novel of what it really means to be native of America; that true nativity of a person does not simply entail the fact that they are from a certain place, but rather, the fluency of a language verifies one’s defense of where they are native. What is meant by possessing nativity of America would be one’s citizenship and legality of the country. Native Speaker suggests that if one looks different or has the slightest indication that one should have an accent, they will be viewed not as a native of America, but instead as an alien, outsider, and the like. Therefore, Asian Americans and other immigrants feel the need to mask their true identity and imitate the native language as an attempt to fit into the mold that makes up what people would define how a native of America is like. Throughout the novel, Henry Park attempts to mask his Korean accent in hopes to blend in as an American native. Chang-Rae Lee suggests that a person who appears to have an accent is automatically marked as someone who is not native to America. Language directly reveals where a person is native of and people can immediately identify one as an alien, immigrant, or simply, one who is not American. Asian Americans as well as other immigrants feel the need to try and hide their cultural identity in order to be deemed as a native of America in the eyes of others. Since one’s language gives away the place where one is native to, immigrants feel the need to attempt to mask their accents in hopes that they sound fluent ...
The excerpt, "No Name Woman", from Maxine Hong Kingston's book, Woman Warrior, gives insight into her life as a Chinese girl raised in America through a tragic story of her aunt's life, a young woman raised in a village in China in the early 1900s. The story shows the consequences beliefs, taught by parents, have on a child's life. Kingston attempts to figure out what role the teachings of her parents should have on her life, a similar attempt for many of us in the world. Lessons taught by our parents, the people who brought us into this world, help guide us into the people we become as adults. Hopefully, the guidance is positive.
In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American, I have faced the same issues that the daughter has been through in the story.
During his childhood, Eric Liu had difficulty coping with the fact that he was an Asian-American living in a predominantly white community. His appearance and his home life, among other things, made him feel out of place. Living in a middle-class suburb that was dominated by “whiteness,” Liu was disoriented by his role in school and society.
Common sense seems to dictate that commercials just advertise products. But in reality, advertising is a multi-headed beast that targets specific genders, races, ages, etc. In “Men’s Men & Women’s Women”, author Steve Craig focuses on one head of the beast: gender. Craig suggests that, “Advertisers . . . portray different images to men and women in order to exploit the different deep seated motivations and anxieties connected to gender identity.” In other words, advertisers manipulate consumers’ fantasies to sell their product. In this essay, I will be analyzing four different commercials that focuses on appealing to specific genders.
Cultures can shape the identities of individuals. Kingston identity was shape by Chinese and Chinese American culture. "No Name Woman," begins with a talk-story, about Kingston’ aunt she never knew. The aunt had brought disgrace upon her family by having an illegitimate child. In paragraph three, “she could not have been pregnant, you see, because her husband had been gone for years” (621). This shows that Kingston’s aunt had an affair with someone and the result was her pregnancy. She ended up killing herself and her baby by jumping into the family well in China. After hearing the story, Kingston is not allowed to mention her aunt again. The ideas of gender role-play an important role in both cultures. Kingston in her story “No Name Woman” describes some of the gender roles and expectations both women and men had to abide. Some of the gender roles in Kingston story have a semblance with the contemporary American culture.
Knowing that it would be four years of relentless pestering, I knew that someday I would surpass my tormentors; I would keep under cover of my books and study hard to make my brother proud one day. It would be worth the pain to someday walk into a restaurant and see my former bully come to my table wearing an apron and a nametag and wait on me, complete with a lousy tip. To walk the halls of the hospital I work in, sporting a stethoscope and white coat while walking across the floor that was just cleaned not to long ago by the janitor, who was the same boy that tried to pick a fight with me back in middle school. To me, an Asian in an American school is picking up where my brother left off. It’s a promise to my family that I wouldn’t disappoint nor dishonor our name. It’s a battle that’s gains victory without being fought.
Raya’s essay is an informative account of life for a multicultural American, because it is told from an actual multicultural author’s viewpoint. It gives the reader a sense that the information is accurate. It would be harder to accept the viewpoint if the author were for example, a white male writing about how a Mexican, Puerto Rican woman feels. As Connie Young Yu points out, information retold by someone who didn’t live the experiences is most often falsely perceived. Yu uses the example of white American historians writing about the lives of Chinese immigrants. Yu says that there is no accurate account for the lives of the immigrants, because they didn’t document their lives themselves. The little information that there is in history books only tells about their obvious accomplishments. There is no official understanding of their personal lives or feelings (Yu 30).
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Captivity in Woman at Point Zero by Nawal El Saadawi, is a strongly emphasized theme. Fideaus the protagonist is constantly constrained and surveilled within the realms of the Egyptian society subsequently being emotionally, and twice literally, captive. The significance of captivity in Woman at Point Zero is not only for plot or dramatic effect. In the writing of Woman At Point Zero Nawal El Saadawi wishes to inform the reader about the captivity felt by some women in suppressive countries. In this way, she means the protagonist Firdaus to not only represent one woman but many. Captivity in Woman at Point Zero is not only that of the literal, lock and key. Throughout the novel Firdaus is subject to varying forms of captivity, emotionally from societal expectations, mentally and physically in both jail and as a literal prisoner of Bayoumi. Further captivity is introduced to the reader through use of an 'eyes' motif to show how, in Firduses societal paradigm she was and felt, constantly surveilled by the Egyptian patriarchal society.