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Legends told by Nez Perce tribes
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Oral tradition in Native American culture illustrates the physical history of each tribe, creates origin stories, and reinforces generations of societal values. In particular, the Nez Perce tale, “Red Willow,” encapsulates and preserves many elements of tradition within its narrative as the story is passed down over centuries. Spirituality, death rituals, gender roles, and analysis of their people’s surrounding environment are all essential themes compacted into the brief narrative. The story’s pacing is rapid and simple in order to capture and entrance and educate a young audience while reinforcing the tribe’s traditions and introducing creation tales. Origin stories structured like “Red Willow” have been used throughout Native American cultures …show more content…
Through condensing both themes of cultural significance and the origin of the red willow’s color, “Red Willow” remains a successful creation tale after centuries of reiteration. Nez Perce spiritual beliefs are centered around the idea that each living creature possesses a soul. This belief connects their people deeply to the earth in every aspect of their lives and is evident in the coming-of-age tradition of completing a vision quest. Before she is slain by her fiancé, the young woman in “Red Willow” tells her betrothed she is going in “quest of vision” and if she does not return in ten days, he will know that “something has killed [her]” (Nez Perce, 2). Once a young man or woman in the community reached adolescence, they would embark on a vision quest for …show more content…
In Nez Perce society, both older men and women are allowed to become shamans, a gender equality not existing in many other Native American cultures. Shamans are in most cases older members of the community who have been granted healing powers, strong abilities concerning premonition, and help to orchestrate major events in the village such as hunting parties. Their powers are rooted in nature and the earth, likewise to all Nez Perce beliefs; they are able to sing “healing songs” and prescribe herbal remedies to heal ailments (Charles River Editors, 18). When a fly enters the wailing mothers mouth, she bites down upon it to discover it is “fetid,” and concludes her daughter has already died (Nez Perce, 2). Through this cryptic event, the audience can readily infer that the mother has shamanic abilities. The strong belief of the interconnectedness of nature is apparent in the event of the fly entering the mother’s mouth. Its putrid taste and the resulting conclusion of the mother that her daughter is dead entails that the decay of the corpse is linked to the fly that she has bitten down upon. With the inclusion of this detail, Nez Perce beliefs are reinforced as an essential to “Red Willow” and therefore both the history and future of Nez Perce
In the text “Seeing Red: American Indian Women Speaking about their Religious and Cultural Perspectives” by Inés Talamantez, the author discusses the role of ceremonies and ancestral spirituality in various Native American cultures, and elaborates on the injustices native women face because of their oppressors.
Winona Wheeler’s essay, “Cree Intellectual Traditions in History” analyzes the oral history of First Nations Elders. She specifically questions the identities of the Elders telling their story and how they have attained the stories that they are telling. Wheeler’s thesis is that the Elders are not mere storages of knowledge, they are humans. And as the days go on, few of them remain which makes it even more relevant to take in what they have and pass it on to the newer generations.
In the book, “Nisa: The Life and Words of a !Kung Woman,” written by Marjorie Shostak; is a culturally shocking and extremely touching book about a woman who had gone through many struggles and horrific tragedies in her life. This book also emphasizes the perspective of most of the women in the society. There are many striking issues in this book that the people of the !Kung tribe go through.
There were other taboo's in the Indian culture other then not naming the dead, such as you were never to kill snakes. It was thought that if one were to snake, it would make the snakes mad and more snakes will come and kill a friend or relative. Snakes, spiders, and scorpions were all seen as bad creatures and they were supposed to avoid them. The only time when you are allowed or only safe time to kill one of these was if they bit you or caused you harm. The Indians also believed that if a fox comes near your home and makes noise, that would be the indication that one of your relatives was going to die. The Owl and coyote were messengers to tell you that the person that was supposed to die is already dead. The Indians believed in magic or healers and witches. The way a person comes to gain super natural powers were through dreams and after that the person becomes empowered with special abilities. They believed that certain springs were cursed and you were not supposed to drink from them. The causes of bad springs would be from a witch that would put a special stone in the water and if you drank from it, you would start hearing voices and seeing things. If the person lingered too long around the spring, you would eventually not be able to think any more and would lose your mind essentially. If a person had a bad dream, it could give you bad powers that would make people sick. The Indians were very scared of witches because of the bad things they could do to you. They would not have to touch you to curse you. The good healers when first having their power would go off and dance by himself and start healing people. Witches were not able to harm good people such as healers. If you were cursed by a witch, it would require a healer tha...
Discuss the distinctive qualities that define the way stories are told in Native American cultures. How do these differ from what you might have thought of as a traditional story?
Much of the literature written by Native Americans from the Southeastern U.S. draws from traditional tribal myths. Many of these myths have been transcribed and translated into English by various ethnographers and folklorists, and, in the case of the Cherokee, myths have been collected and published in acclaimed books. Anthropologist James Mooney, an employee of the federal government at the end of the nineteenth century and the beginning of the twentieth century, collected a large number of mythological stories from informants during his years of fieldwork among the Eastern Band of the Cherokee in western North Carolina; Mooney incorporated that material into the important compilation Myths of the Cherokee (1900). A century later, folklorist Barbara R. Duncan, a researcher employed by the Museum of the Cherokee...
Mrs. McIntyre is a divorced and widowed woman who has learned to depend only on her own strength during the day to day operating of her farm. She has created a comfortable world to exist in, and she fears change in that world. Mrs. McIntyre's lack of spiritual dimension stems from this constancy of her surroundings. She has never been challenged by her circumstances and was thus never forced to examine her spiritual beliefs and their depth. We can see her fear of change when she speaks of the peacocks. She if afraid to let them all d...
King, Thomas. “Let Me Entertain You. The Truth About Stories: A Native Narrative. Minneapolis: University of Minnesota Press, 2005. 61-89. Print.
Prior to 15th century colonization, indigenous peoples of North America enjoyed a gender system that included not only women and men, but also a third gender known as Two-Spirit. In Native American culture, individuals who identified as Two-Spirit were revered by society and held important roles among tribes. In their article “The Way of the Two-Spirited Pe...
The Cree people have a rich and diverse history. Through methods of written and oral teachings, a greater understanding of the Cree people and their history has become apparent. In the following, I will highlight portions of Cree history to establish an understanding of such a rich culture. As a guide, I will use ideas highlighted in Jim Kanepetew’s (n.d) teachings of “The Ten Treaty Sticks”. Underlying concepts from “The Ten Treaty Sticks” have implications on both past and current practices of the Cree people. Since a large portion of the final exam is a chronological list of happenings, I will examine and extend the teachings of “The Ten Treaty Sticks” and how these align with teachings throughout the course. Using “The Ten Treaty Sticks” as a guide, I
McNickle, D'Arcy. "A Different World." Native American Literature: A Brief Introduction and Anthology. Ed. Vizenor, Gerald. United States of America: Addison-Wesley Educational Publishers, 1995, 111-119.
Change is one of the tallest hurdles we all must face growing up. We all must watch our relatives die or grow old, our pets do the same, change school or employment, and take responsibility for our own lives one way or another. Change is what shapes our personalities, it molds us as we journey through life, for some people, change is what breaks us. Watching everything you once knew as your reality wither away into nothing but memory and photographs is tough, and the most difficult part is continuing on with your life. In the novel Ceremony, author Leslie Silko explores how change impacted the entirety of Native American people, and the continual battle to keep up with an evolving world while still holding onto their past. Through Silko’s
As Mother’s Day approaches, writer Penny Rudge salutes “Matriarchs [who] come in different guises but are instantly recognizable: forceful women, some well-intentioned, others less so, but all exerting an unstoppable authority over their clan” (Penny Rudge), thereby revealing the immense presence of women in the American family unit. A powerful example of a mother’s influence is illustrated in Native American society whereby women are called upon to confront daily problems associated with reservation life. The instinct for survival occurs almost at birth resulting in the development of women who transcend a culture predicated on gender bias. In Love Medicine, a twentieth century novel about two families who reside on the Indian reservation, Louise Erdrich tells the story of Marie Lazarre and Lulu Lamartine, two female characters quite different in nature, who are connected by their love and lust for Nector Kashpaw, head of the Chippewa tribe. Marie is a member of a family shunned by the residents of the reservation, and copes with the problems that arise as a result of a “childhood, / the antithesis of a Norman Rockwell-style Anglo-American idyll”(Susan Castillo), prompting her to search for stability and adopt a life of piety. Marie marries Nector Kashpaw, a one-time love interest of Lulu Lamartine, who relies on her sexual prowess to persevere, resulting in many liaisons with tribal council members that lead to the birth of her sons. Although each female character possibly hates and resents the other, Erdrich avoids the inevitable storyline by focusing on the different attributes of these characters, who unite and form a force that evidences the significance of survival, and the power of the feminine bond in Native Americ...
Since its first appearance in the 1886 collection A White Heron and Other Stories, the short story A White Heron has become the most favorite and often anthologized of Sarah Orne Jewett. Like most of this regionalist writer's works, A White Heron was inspired by the people and landscapes in rural New England, where, as a little girl, she often accompanied her doctor father on his visiting patients. The story is about a nine-year-old girl who falls in love with a bird hunter but does not tell him the white heron's place because her love of nature is much greater. In this story, the author presents a conflict between femininity and masculinity by juxtaposing Sylvia, who has a peaceful life in country, to a hunter from town, which implies her discontent with the modernization?s threat to the nature. Unlike female and male, which can describe animals, femininity and masculinity are personal and human.
On the edge of a small wood, an ancient tree sat hunched over, the gnarled, old king of a once vast domain that had long ago been turned to pasture. The great, gray knees gripped the hard earth with a solidity of purpose that made it difficult to determine just where the tree began and the soil ended, so strong was the union of the ancient bark and grainy sustenance. Many years had those roots known—years when the dry sands had shriveled the outer branches under a parched sun, years when the waters had risen up, drowning those same sands in the tears of unceasing time.