New Worlds

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The concept art incorporation to various industries draw the significance of particular elements in the description of ‘New World' working together. For instance: characters, environments, vehicles, and creatures. It is imperative that the specific works of art create and develop a convincing society and the world with which the audience can be engaged. This paper aims to analyse; ‘We are Making a New World’ by Paul Nash, Stroganoff Madonna by Duccio di Buoninsegna, and Battle of San Romano by Paolo Uccello in relation to the concept of New Worlds. The concept of ‘New Worlds' through art is furthered with the objective of contemplating the benefits and traditions based on the particular emphasis in paintings on how the future is affected. …show more content…

High above in the sky, hangs the sun which beams light that shines through the dense, earthly coloured clouds. The war landscape is left with few ragged stumps and devoid of figures, hence letting viewers questioning the effect of warfare for the individuals on the frontline. The title of the painting invokes mockery towards the objectives of the war as the scene of desolation is shone upon by the rising sun Viney (1991). The landscape has been left unrecognizable, un-navigable, and totally barren. Amongst desolation and death lie mounds of earth that resemble gravestones. In this painting, Nash was aiming to bring more meaning from the use of figurative styles by deviating from the conventional symbolist principles Viney …show more content…

Duccio incorporated an exquisite collection of colour, in addition to numerous figures articulated to precision and gifted with deep-rooted human emotion so as to attain the effect of inspiration. Similar to the practices of Byzantine church and most recent practices, the development of the Stroganoff Madonna and Child envisioned to be prayed to when hung on the wall. This picture portrays the unique and new ability by Duccio to endow his figures with both emotional and physical

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