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New England Landscape, No.8: Mt Monadnock, ca. 1912 - 1916 is an oil on panel done by Pennsylvanian artist Charles Demuth. It is not a large landscape, 31 X 471 cm, for such a mountainous subject but then Monadnock is small, as mountains go. Demuth used the Fauvist method to depict Monadnock, a perfect method considering his subject. Ranges of mountains line the Eastern and Western borders of New Hampshire, Monadnock stand alone in the southern portion of the state, alone and wild. Demuth divides his painting into a series of triangles, Monadnock’s triangular form is majestic in the background with light bright colors to the right and darker, storm tinted colors to the left. The shortened foreground continues with the triangular motif,
The Chesapeake and New England regions were settled by people of English descent, but by 1700, they had become two distinctly different societies. They had evolved so differently, mainly because of the way that the settlers followed their religion, their way of conducting politics and demographics in the colonies. Even though the settlers came from the same homeland: England, each group had its own reasons for coming to the New World and different ideas planned for the colonies.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
During the 1700's, people in the American colonies lived in very distinctive societies. While some colonists led hard lives, others were healthy and prosperous. The two groups who showed these differences were the colonists of the New England and Chesapeake Bay areas. The differentiating characteristics among the Chesapeake and New England colonies developed due to economy, religion, and motives for colonial expansion. The colonists of the New England area possessed a very happy and healthy life. This high way of living was due in part to better farming, a healthier environment, and a high rate of production because of more factories. The colonists of the Chesapeake Bay region, on the other hand, led harder lives compared to that of the colonists of New England. The Chesapeake Bay had an unhealthy environment, bad eating diets, and intolerable labor.
During the 1600's, many people in the American colonies led very many different lives, some better than others. While life was hard for some groups, other colonists were healthy and happy. Two groups that display such a difference are the colonists of New England and Chesapeake Bay. New Englanders enjoyed a much higher standard of living. This high standard of New England's was due to many factors, including a healthier environment, better family situation, and a high rate of reproduction.
In the Wood’s painting, it shows a wider scale of the town while in the N.C. Wyeth’s illustration it shows a close up of Paul Revere galloping by on a horse alarming the people in the
Frederick Law Olmsted (1822-1903) was considered the father of American Landscape Architecture. He is known throughout history for his landscape creations such as Central Park in New York City and Niagara Reservation in New York. Olmsted was an avid travel and had a keen eye for understanding the environment around him. He did not only evaluate the environment, but he also took interest in the people around the world as well. In Journey to the Southern Seaboard States, Frederick Olmsted travel to the southern states of the United States (we focused on Washington D.C., Virginia, South Carolina and Georgia). Olmsted describes his journey as travels. He goes into great detail about the environment, the people, and makes many comparisons of south
Plate tectonics have affected the surface and landscape in Connecticut. The Appalachian mountains is an example of how the landscape changed. The tectonics plates had moved together creating convergent boundaries. So this means that the plates collided and this is the mountains are formed. The Connecticut river valley also has changed the landscape and surface in Connecticut. This is because the valley made a big U in the land. The valley was formed when the tectonic plates moved apart.
How does the vegetation surface type affect the amount of runoff? Speculate why this happens.
Constable's next painting is a good example of his Romantic style. The Cornfield, painted in 1826, shows his Romantic vision of the countryside. The landscape is of the Suffolk countryside with "lovely valleys and peaceful farmhouses." As a young boy Constable would travel down that lane from East Bergholt to the Vale at Dedham on his way to school. There are a number of elements in the Cornfield that Constable focused on.
Set in the ordinary, but non-existent town of Almost in the state of Maine, the two-act play Almost, Maine, by AUTHOR, gives a glimpse into the lives of different town residents at 9pm— the moment when a display of aurora borealis lights up above the town on one special evening. Each of the residents’ situations centers around some aspect of romantic love from old and new friends, ex-partners, and even strangers. In the beginning of the script, AUTHOR explains that the location and time are important factors that should help the audience with understanding the story, or, “what happens to people in a heartbeat.”
Claude-Joseph Vernet’s oil on canvas painting titled Mountain Landscape with an Approaching Storm was created in 1775, and it is currently located in the European Art Galleries (18th- 19th Century North) 2nd Floor at the Dallas Museum of Art. It is a large-scale painting with overall dimensions of 64 1/2 x 103 1/4 in. (1 m 63.83 cm x 2 m 62.26 cm) and frame dimensions of 76 1/8 x 115 1/4 x 4 3/4 in. (1 m 93.36 cm x 2 m 92.74 cm x 12.07 cm). Vernet creates this piece by painting elements from nature and using organic shapes in order to create atmospheric effects, weather and different moods. This piece primarily depicts a landscape with a rocky mountainous terrain and villagers scrambling to an upcoming storm.
painting where we see the figures, was a road on top of a hill looking
(Greg Mottola, 2009). This film shows us two social issues from that era as, the sex before marriage, drug and alcohol addiction. At the same time explains us why the teens are attracted by these issues for example; the drugs. Basically, this film reveals us, the main causes of why some teens are influenced and get involved in these social problems. The main characters from this film James Brenna (Jesse Eisenberg) and Emely (Kristen Stewart); they are a young couple whom fall in love each other, both have similar objectives (attend to college), and they try to pursue their dream after their graduation from High School.
The only non-landscape is the group of sheep being herded, which is the same subject matter as the British counterpart. This painting clearly was done as a new frontier for the Hudson River School and Durand, and proof that the American art being produced was up to the European standards. It shows the ideals that Durand eventually encompassed and spread throughout the school. The piece was well liked by critics who admired “its ambitious scale” and “every-day character” (Glueck 3). In this way, they appreciated the new ideas that Durand brought, and enjoyed the fact that he was painting a normal scene that is regular in day to day life rather than the far fetched landscapes seen before that would never be seen by the every-day man. It is currently sitting in the Metropolitan Museum of Art in New York, and is hailed nowadays as one of Durand’s best pieces, and most revolutionary. Personally, I also like this painting, as it follows many of the same traits of “Kindred Spirits”. The lighting effects as well as the color are exceptionally done, and this shows the improvement coming from painting “en plein air”. However, this piece pulls the focus much more on the landscape itself, which is different from the emphasis of the first painting, which is more on Cole due to him being the center subject matter. This piece even furthers on Constable’s painting, where the style in “The Beeches” seems much more focused on naturalism and detail, with smaller brush strokes than the latter. Personally, I find this painting less interesting than “Kindred Spirits”, due to the shift in subject matter, and the depiction of a more mundane environment, however, it still is an amazing painting showing the transition in Durand’s
There are various art pieces to choose from, so I chose the artwork by Thomas Cole, View of Schroon Mountain. Before I start to talk about his painting I will inform some information about him. He was known for being realistic and having a lot of detail in his portrayal of American landscapes in the wilderness. He was born in Bolton, Lancashire, England. Cole immigrated to the U.S. and settled in Ohio. He was a primary painter of landscapes and had his time in some allegorical pieces.