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The themes of native son
Rhetorical analysis essay paper
The themes of native son
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Native Son is written by an African-American author named Richard Wright and was published in 1940. Native Son tells a story of a 20-year-old African-American male named Bigger Thomas, who is living in extreme poverty on Chicago’s Southside in the 1930s. Bigger lives in a one bedroom apartment with his mother and two younger siblings. In the beginning of the novel the audience can sense Bigger has anger within himself and hatred towards his family. Bigger only had the opportunity to receive an eighth-grade education because his family is tremendously poor and could not afford to send him to school. Without having access to education, Bigger finds himself spending time with the wrong friends and repeatedly getting into trouble. Today, …show more content…
The entire Thomas family lives in a one room apartment. Which means when Vera or their mother wants to get dressed the guys must turn and face the wall or close their eyes and vice versa. By giving these details the author delivers a message to readers. Readers can imagine that the Thomas family is extremely poor and living in poverty. Next, Bigger kills a rat with an iron skillet. “Bigger crept on tiptoe toward the trunk with the skillet clutched stiffly in his hand, his eyes dancing and watching every inch of the wooden floor in front of him” (Wright 5). “Bigger aimed and let the skillet fly with a heavy grunt.” “I got ‘im”, he muttered, his clenched teeth bared in a smile” (Wright 6). Readers can assume Bigger has a lot of frustration and anger from this passage because of the way he kills the rat. He did not set up traps or try to catch it, he killed the rat by hitting it with an iron pan. After killing the rat, he smiled feeling no remorse for killing an animal. Living in a one room apartment and having to kill a rat is another way readers can assume the Thomas family is extremely poor and living in
In Richard Wright’s Native Son, Bigger Thomas attempts to gain power over his environment through violence whenever he is in a position to do so.
In 102 Minutes, Chapter 7, authors Dwyer and Flynn use ethos, logos, and pathos to appeal to the readers’ consciences, minds and hearts regarding what happened to the people inside the Twin Towers on 9/11. Of particular interest are the following uses of the three appeals.
In the book Into the Wild, Jon Krakauer wrote about Christopher McCandless, a nature lover in search for independence, in a mysterious and hopeful experience. Even though Krakauer tells us McCandless was going to die from the beginning, he still gave him a chance for survival. As a reader I wanted McCandless to survive. In Into the Wild, Krakauer gave McCandless a unique perspective. He was a smart and unique person that wanted to be completely free from society. Krakauer included comments from people that said McCandless was crazy, and his death was his own mistake. However, Krakauer is able to make him seem like a brave person. The connections between other hikers and himself helped in the explanation of McCandless’s rational actions. Krakauer is able to make McCandless look like a normal person, but unique from this generation. In order for Krakauer to make Christopher McCandless not look like a crazy person, but a special person, I will analyze the persuading style that Krakauer used in Into the Wild that made us believe McCandless was a regular young adult.
Older and modern societies tend to have organized castes and hierarchies designed to encompass everyone in society. This is demonstrated in Richard Wright’s acclaimed novel, Native Son. The novel follows the life of a twenty year old African American man named Bigger Thomas, and his experiences living as a black man in 1930s Chicago, Illinois. Unfortunately, he commits two unlawful killings of women, mostly as a result of the pressure and paranoia that had been following him from a young age. He is tried and convicted of the deaths, and is sentenced to die as a result.
The theme that Native Son author Richard Wright puts in this story is that the white community makes Bigger act the way he does, that through the communities actions, Bigger does all the things he is accused of doing. The theme that I present is that Bigger only acts the way that he did because of the influences that the white community has had on him accepted by everyone. When Bigger gets the acceptance and love he has always wanted, he acts like he does not know what to do, because really, he does not. In Native Son, Bigger uses his instincts and acts like the white people around him have formed him to act. They way that he has been formed to act is to not trust anyone. Bigger gets the acceptance and love he wanted from Mary and Jan, but he still hates them and when they try to really get to know him, he ends up hurting them. He is scared of them simply because he has never experienced these feelings before, and it brings attention to him from himself and others. Once Bigger accidentally kills Mary, he feels for the first time in his life that he is a person and that he has done something that somebody will recognize, but unfortunately it is murder. When Mrs. Dalton walks in and is about to tell Mary good night, Bigger becomes scared stiff with fear that he will be caught committing a crime, let alone rape. If Mrs. Dalton finds out he is in there he will be caught so he tries to cover it up and accidentally kills Mary. The police ask why he did not just tell Mrs. Dalton that he was in the room, Bigger replies and says he was filled with so much fear that he did not know what else to do and that he did not mean to kill Mary. He was so scared of getting caught or doing something wrong that he just tried to cover it up. This is one of the things that white people have been teaching him since he can remember. The white people have been teaching him to just cover things up by how the whites act to the blacks. If a white man does something bad to a black man the white man just covers it up a little and everything goes back to normal.
"Born The Hard Way" is an efficient ad because it uses ethos, pathos, and kairos. This
Iowa City: U of Iowa Press, 1986. Kinnamon, Kenneth, ed., pp. 113-117 New Essays on Native Sons. New York: Cambridge UP, 1990. Macksey, Richard and Frank E. Moorer, eds.
Throughout history, great authors have served as sentinels for racism and prejudice in American society. The Mark Twain novel, Adventures of Huckleberry Finn, a graphic story of 1840s America that depicts the plight of an uneducated black slave named Jim moved many to empathize with African-Americans. Compassion against the evils of slavery soon spread across the country. A war-torn America abolished slavery in 1865. However, Richard Wright’s 1940 novel, Native Son, a compelling story of the life and death of another black man, Bigger Thomas, makes a convincing argument that slavery in America was still very much alive during that period. Civil rights legislation and enforcement would not come until years later. A generation apart, Jim and Bigger embody the evolution of the black man struggling to be free in American society.
James Baldwin’s Notes of a Native Son, is the story of the struggles of a black man growing up in America. His in depth look into how the white man sees the black man is entwine, with his hate of his father. Baldwin gives a vivid account of how a young boy grew up, in Harlem, in the early 1940’s. While he tries to relate to his father’s treatment of him and his siblings, the more he seems to hate him. Whilst at the same time he sees how white Americans want to strip the very core of the Black- Americans away. Basically making them feel less than human. Baldwin’s attempt to show how racially charged things were. Brings this to the attention, of the reader by telling of some life events after he moved to New Jersey, and working, for the defense plants of that era. He’s able to tell how racial the society, he lived in. He
“Notes of a Native Son” is an essay that takes you deep into the history of James Baldwin. In the essay there is much to be said about than merely scratching the surface. Baldwin starts the essay by immediately throwing life and death into a strange coincidental twist. On the 29th of July, 1943 Baldwin’s youngest sibling was born and on the same day just hours earlier his father took his last breath of air from behind the white sheets of a hospital bed. It seems all too ironic and honestly overwhelming for Baldwin. From these events Baldwin creates a woven interplay of events that smother a conscience the and provide insight to a black struggle against life.
Bigger Thomas as America’s Native Son. In the novel the Native Son, the author Richard Wright explores racism and oppression in American society. Wright skillfully merges his narrative voice into Bigger Thomas so that the reader can also feel how the pressure and racism affects the feelings, thoughts, self-image, and life of a Negro person. Bigger is a tragic product of American imperialism and exploitation in a modern world.
The idea of visual perception plays a vital role in how we as humans view the world. Because how we perceive things determines if we like or dislike them. This idea of perception plays a big role in the 1915 film, Birth of a Nation, by director D.W. Griffith. In this film the viewer relies on their senses to infer and understand the many rhetorical contexts that are present in this loosely based historical film. While watching this film the viewer will find themselves making connections to certain historical events through the rhetorical images and words that appear on the screen.
“There he is again, Bigger!” the woman screamed, and the tiny, one-room apartment galvanized into violent action. A chair toppled as the woman, half dressed in her stocking feet, scrambled breathlessly upon the bed. Her two sons, barefoot, stood tense and motionless, their eyes searching anxiously under the bed and chairs. The girl ran into the corner, half stooped and gathered the hem of he slip into both of her hands and held it tightly over her knees… A huge black rat squealed and leaped at Bigger’s trouser-leg and snagged it in his teeth hanging on… Bigger aimed and let the skillet fly with a heavy grunt. There was a shattering of wood as the box caved in… The woman screamed and hid her face in her hands. Bigger tiptoed forward and peered. “I got ‘im,” he muttered [.] (4-6)
Those who live in areas with high poverty levels, such as Detroit, Chicago, and Baltimore struggle with setting long-term goals, by solely focusing on short-term accomplishments. For instance, in Richard Wright's Novel Native Son the African American protagonist Bigger Thomas struggles with exactly that. Being brought up in Chicago, Illinois, Bigger faces a constant battle of inferiority and poverty, these conditions cause him to develop a “kill or be killed” mindset in order to
In his novel, Native Son, Richard Wright favors short, simple, blunt sentences that help maintain the quick narrative pace of the novel, at least in the first two books. For example, in the following passage: "He licked his lips; he was thirsty. He looked at his watch; it was ten past eight. He would go to the kitchen and get a drink of water and then drive the car out of the garage. " Wright's imagery is often brutal and elemental, as seen in his frequently repeated references to fire, snow, and Mary's bloody head.