Native Guard, By Natasha Trethewey

570 Words2 Pages

The places in which we live are an integral and inescapable aspect of who we are, as they largely determine culture, community, and determine the outlook that one has on the rest of the world. In the American South, physical and cultural geography has played a particularly important role in the historical and modern contexts of racial relations. The dynamic between enslaved peoples and the natural landscape is a complex one that offers innumerable interpretations, but inarguably serves as a marker of the wounds created by institutional racism and human enslavement. In her collection of poems entitled Native Guard, Natasha Trethewey utilizes external features of the natural environment in the South in order to communicate the repressed grief, both personal and collective, which can arise as a result of inflicted systemic violence. Through comparing part one of Native Guard, which focuses on …show more content…

Although southern beaches in the United States were originally composed of swamp land, sand was added to cover these swamp areas in the 1950s to make them resemble traditional beaches present in other coastal areas of the world, and therefore more appealing for human use and recreation (York). In her poem “Theories of Time and Space,” Trethewey directly references these spaces that have been changed under human influence, giving navigational directions to the reader to “cross over / the man-made beach, 26 miles of sand / dumped on the mangrove swamp – buried / terrain of the past” (11-14). The words “cross over” insinuates a passing by, or traversing of the “man-made beach” without much thought by whoever is traveling over it. The scenario is further illuminated by Trethewey’s use of the word “dumped” when describing the scenery as being “buried terrain of the past,” both holding a negative connotation which hint at something being deliberately concealed under the non-native

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