On September 2nd, the Netflix series Narcos had its second season premiere. As a partnership between Netflix and Spanish-language network Telemundo, Narcos was created and executive produced by Chris Brancato, Carlo Bernard and Doug Miro. The sound crew set out to capture realistic Columbian dialects and period sound effects because the show is set in 1992 Columbia. While attempting to maintaining authentic Colombian Spanish dialects for some of the non-Colombian actors, the showrunners emphasized that the dialogue and group ADR should be as representative and authentic as possible. Thomas Whitling, the ADR supervisor, even said, the ADR supervisor continues. “Narcotraficantes and police also have their own particular lexicon. For example, …show more content…
In terms of sound effects, the sound crew went after intense realism and avoided action-movie sound troupes, like cut sweeteners. In the context of dialogue, they crew would have the scenes built with both boom and iso mics, and had very little noise-reduction processing or work done in the editorial process. This gave the effect of track to be very realistic. Due to the dynamic sections of the show being so sound heavy, they were very selective in their soundtrack; it was comprised of 16 production tracks, eight loop group tracks, eight principal ADR tracks, and between six and eight tracks of X and PFX audio from sound editorial. This made the music more significant and effective to the audience. With very busy sound effects, complex and intricate dialogue, plus ADR and group ADR, the crew put their all into the sound and final mixes of Narcos and it is extremely apparent; the accuracy and quality of the show is …show more content…
I had many questions that are unanswered; I do not know exactly what each job that they listed in the article is and what it entails. However, it did inform me on how hard the crew worked on Narcos. It did inspire me to go learn more about audio jobs and what each job does; after all, I could be doing one of those jobs someday. I would like to expound my knowledge of the audio industry. The article supported many things we talked about in class. Two things that we talked about in class that stood out to me, and were mentioned in the article were: be aware of background noise and how it will effect your film, and do not let the sound effects override the
The sound effects grabbed my attention and continued to make me yearn for what could come next. The sounds bring me to a place where I can’t help but believe in the situation that’s happening. The music heightens my mood and helps create illusion. For example, the first extraordinary sound technique I noticed that the filmmaker used was the echo effect. It was not only used to support the mood the characters were at, but also to express that idea of the ‘emptiness’ in them. This technique dominated the audio when I was taken to a story in the film of a boy who was 18 and poisoned by his own sister. Those are some of the dominant examples of sound usage throughout the movie The Poisoners Handbook. The entirety of the soundtrack is a solid cocoon for the film to stretch and grow
Alecx Cardinez Mr. Sandquist English 4 18 April 2018 Mexican Drug Cartel Many teenagers in Mexico are being recruited to be a part of drug cartels. They are blackmailed or forced to become part of crimes.
The vast majority of sound used in the film is non-diegetic, especially the musical ideas, which is
Mexico is a country rich in tradition, history and culture. Unfortunately, Mexico has not been talked about for any of those descriptions I mentioned above lately. Mexico has become a country full of death and violence. The Mexican government has been fighting a war with drug traffickers since December 2006. At the same time, drug cartels have fought each other for control of territory. More than 60,000 people have been killed (CNN). Despite the “war” launched at these multi-billion dollar organized crime groups, Mexico has not been able to stop its slide as a failed state. Almost every day there seems to be either dead bodies lying on the ground, a school closed due to vandalism, disappeared people, or bullet-riddled houses and cars. Sadly, there is not much the citizens of Mexico can do to ask for justice and change to the mess they are living in right now. So who is to blame for all of this? The Mexican drug cartels have completely taken over Mexico. They have become powerful through corruption and violence. The cartels use their power to intimidate and even murder anyone who tries to get in their way. They do not have a problem with decapitating heads in order to make a statement. The drug cartels also use their money to gain power. Given the amount of money they have, the cartels have millions of dollars invested in keeping authorities off their business. They can be very effective in bribing government officials at all levels, from border patrol just patrolling the border to state and high ranking federal officials. Given the resources they have, they can reach out and kill government officials at all levels. Since government officials are faced with bribes and or certain death, even the most unbreakable are caut...
The Legend of the Chupacabra has been around for many years now and is almost becoming more and more believable. There have been plenty of sightings and detailed descriptions of what this beast looks like. Many say it stands at about three feet with big red eyes and has shriveled hairless skin (“National Geographic Society”). Even though there are multiple facts and sightings that could potentially prove that this creature is real, some still do not believe it. There are scientist and researchers that go out everyday to try and find more about this creature, with all this effort being put into this, it is very hard to believe that it is not real. There are many facts out there to prove that it is real, the stories themselves prove it, now it is time to convince everyone why they should believe in this furless beast.
Picture Manhattan in 1860, a time before the city had been dolled up and gotten ready for the silver screen, before the glamour and allure took over. Amsterdam Vallan (DiCaprio) is a young Irish man that migrates to the USA at a young age. Amsterdam’s story takes place in Five Points District of New York, a filthy and dangerous part of the city before it was deleted form history. As a young boy Vallan witnessed his father’s murder at the hand of William Cutting or Bill the Butcher (Day-Lewis) during one of their many gang wars. As Amsterdam’s story progresses along side The Butcher they become inseparable, but Amsterdam had ulterior motive. Ultimately, Amsterdam attempts to betray his new found ally in order to avenge his father’s death. Historical accounts of events are almost always synthesized by the storyteller; in the case Gangs of New York Martin Scorsese tells of Five Points, The Dead Rabbits Riots, and The Draft Riots, but is his fictional story accurate through history?
The occupation of an audio engineer can encompass many different areas of music production. From recording bands in the studio, synchronizing audio to film, sound reinforcement, to even developing the latest technology in the audio field. The possibilities are broad and seemingly endless. It is a field that is constantly changing, and qualifications are always increasing. Many don’t realize the commitment, drive, hard work and dedication involved with becoming successful in the field. As well as having the patience and reserve to take the time to get the proper training and gain experience. In audio engineering learning the ropes and basics is the most important part of the job, because they become the foundation of everything that the work in based on. Once one achieves these skills the field of careers available to them can encompass many different areas of the business and society, including the military. Since the Department of Defense is so huge (and active) these days the job opportunities it provides are broad and many.
The Mexican drug-trafficking cartels are said to have been established in the 1980s by a man named Miguel Angel Felix Gallardo, also known as “The Godfather”. With the help of Ernesto Fonseca Carrillo and Rafael Caro Quintero, Miguel started the Guadalajara Cartel, which is one of the first to have thrived from association with the Colombian cocaine trade. The two men who helped Miguel Gallardo establish the cartel were arrested, so Gallardo, the single leader of the cartel “was smart enough to privatize the Mexican drug trade by having it run by lesser-known bosses” (The Five Most Famous Drug Cartels”), that he often met with in Acapulco. Eventually Miguel was arrested as well which caused the split of the Guadalajara Cartel into the Sinaloa Cartel and the Tijuana Cartel.
Miami Vice In Miami Vice and the Politics of Image and Identity (Kellner, D. 1992), Kellner bases his own research in the micro-social corner of global media, suggesting that the structural power of Miami Vice influences cultural norms and values (identities). It also draws upon the individual agency of audience members to construct their own identities from the global television programme Miami Vice (1984-1989). “Miami Vice is the critics’ favourite example of post-modern television.” (Giltin 1987 p.144) According to Kellner, “Popular culture provides images and figures, which its audience can identify with.”
First of all, the audio is used brilliantly in the sequence. Sound is one of the most powerful tools in cinema. Sound cues us to form expectation and opens up the possibility for the editing. In the beginning of the sequence we see the indigenous people dancing and Willard resting on the boat. However, he is getting ready to complete his mission. When his voice-over comes into play, the audience starts to realize that Willard is becoming insane just like Kurtz, he is becoming part of the jungle and so is the audience. The scene cuts to Willard rising slowly from the water, accompanied by the song “The End” by The Doors. The tribal beat and the song mix together, intensifying the suspense. The odd thing is that the tribal beat is a diegetic sound and the song is a non-diegetic sound. The combination of these two sounds invades each other’s boundaries and creates a hypnotic feeling. “Filmmakers carefully choose which sounds to include on the soundtrack, knowing that emphasizing a particular ...
...l Narcotraficante: Narcocorridos & The Construction of a Cultural Persona on the U.S.-Mexican Border. Austin: University of Texas Press.
Since 2006, a growing issue of drug smuggling and trafficking has arisen between Mexico and the United States. Not only does this issue affect the economies of the two countries but also the social life of the populations.
We realised, we being the young filmmakers I used to hang around with, that sound is your special friend and does at least 50% of the job sharing with picture. (Coppola) (Thinking Sound, 2011)
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
...n, the use of sound in films is highly significant in the development of the plot and in turn the development of the theme. Although, the sound components play a very significant role individually, it is through the combination and manipulation of such components that the sound design of the sound track has a greater impact emotionally upon the audience. Moreover, the effectiveness of this emotional impact can be significantly increased through the implementation of an effective combination sound to the image. Such combination can be seen within Gravity which exhibits a soundscape that successfully assist in bringing the world of the film to life. Sound is important to films and is an essential feature, many a time an audience will not even self-consciously acknowledge the music or sound effects but if they weren’t there the viewing pleasure would not be as pleasing