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Essays about the mesopotamia
Mesopotamia history alive
World History Chapter 2 section 1 Mesopotamia
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Two rulers discussed in this chapter are Naram-Sin and Gudea. Naram-Sin is remembered as a ruler of the Akkadian Empire, and his reign was evidenced by success regarding an acquisition of resources and strengthening of his army. In terms of works of art, Naram-Sin pushed for his carvings and paintings to be done on walls and caves. Through that, he believed that his legacy would have been carried from one generation to another in Mesopotamia.
Gudea is the other ruler whose legacy can be defined through art work. He ruled the Sumerian City state of Lagash and had his statue, architectural masterpieces in the form of temples and carvings in the region. The new temples that he erected had his paintings and drawings as a show of his authority in
A piece of art can leave distinct impressions with the viewer. The Assyrian Winged Protective Deity provides a plethora of stimulants for the eye. The relief emulates brute strength and power through the overall stature of the figure. The cuneiform writing above the relief greatly influenced the impression a viewer can receive through its narration about the figure. Other than Gilgamesh and the Assyrian Winged Protective Deity both being from Mesopotamia, they have numerous similarities.
Emperor Justinian I and Genghis Khan were both fascinating men who led huge empires with great success. A political aspect is that both were successful in extending their empires by gaining territory through conquests and military campaigns. They were different in many ways as well. A social aspect is that Genghis Khan allowed for his people to practice any religion, while Emperor Justinian was not tolerant to different religions and persecuted anyone who was not an Eastern Orthodox Christian. A cultural aspect is that both Genghis Khan and Emperor Justinian I both supported and valued art in their respective empires. They promoted art in their architecture, construction projects and building programs. Emperor Justinian I and Genghis Khan
...ars after Khafre’s reign, the fourth dynasty was just the beginning. Monumental Egypt, although it existed in burial tombs before Khafre’s reign, truly became a traditional pattern in the fourth dynasty. Khafre’s seated ka statues were numerous and perhaps the beginning of the formulaic sculpting of Egyptian ka statues. The King Khafre Seated that is at the Metropolitan Museum of Art now is not only the best ka statue of Khafre in existence, but perhaps one of the best examples of classic Egyptian sculpture from the Old Kingdom.
(Britannica, Online, 2015). Along with being one of the most famous figures in history, the creation of a mausoleum of such high precision and the discovery of the terracotta warriors which surrounded his tomb suggests that the authority held was far more powerful than his peers. (Famous Wonders, Online 2015). (The First Emperor of China,
Amazingly, no king in all of history comes close to the accomplishments that king Nebuchadnezzar II achieved. King Hammurabi was the first prominent king Babylon had, he is mostly known for his code of laws. However when Nebuchadnezzar reign began, Babylon was now known as neo-Babylon. The alteration in the name of the city, was to emphasize that Babylon had changed. Nebuchadnezzar’s Father and former king Nabopolassar rid Babylon of the Assyrian rule which made Nebuchadnezzar able to focus on other things, when he assumed the throne.
Lugalbanda is Gilgamesh’s deceased father and predecessor as king; after his death, he was made a deity. Gilgamesh often looks up to his father and wishes to be as good a ruler as him, which can be seen through when he visits Lugalbanda temple for worship and
The founder of the Mongol Empire, Genghis Khan, became one of the most feared and respected leaders in the eleventh century. Under his leadership, the nomadic Mongolian tribes became an empire and conquered land across Asia to the Middle East. As a feared leader, Genghis Khan showed his strength and justice to his people at the same time. However, the invasion of Central Asia and the Iranian Plateau was not only to demonstrate Genghis Khan’s power and influence as the leader of the Mongol Empire, but his personal pride and his ability to deliver justice was on the line as well.
King Gilgamesh is the epitome of an egotistical, power hungry, legacy craving King that perfectly resembles the formidable power held by a ruler in ancient Mesopotamian society. The thirst for kingly domain is shown in Tablet 1, lines 167-174, in which emphasize the harshness of Gilgamesh as a ruler shown through the eyes of his people. He dominates them by unwavering
The greatest leaders in history often leave behind some sort of legacy. Cyrus the Great was the founder of the Persian Empire around 500 B.C., which was the largest empire of its time (Cyrus II, the Great). The empire stretched from ancient Iran, and grew to include an area reaching from Greece to India (Persian Empire). Cyrus’ reign saw some of the first contacts between Persia and Greece, and helped Persia gain the political power that had once been held by the people of Mesopotamia (Cyrus, the Great). Cyrus the Great proved to be an effective leader who developed a strong military that was stationed strategically throughout the empire to stop rebellions and keep trade routes safe, treated captives like the jews kindly, and implemented an organized administration of government that included satraps who governed locally.
...arts of his kingdom or the weakening of other regions due to lack of leadership. The difference in the cultures and lifestyles presented difficulties in maintaining control over conquered lands.
Another artistry that was visualized within the Epic was Sumerian architecture. There was mention of the walls in Uruk. "In Uruk he built walls...The outer wall where the cornice runs...the inner wall has...
...ent as ruler. He let his people suffer, and fall because of this. “As for Egypt, it lay sore with wounds, bleeding under the weight of our blunders. (Akhenaten 129)”
The inscription on both statues describes this. While the Statue of Memi and Sabu was purposed to provide a temporary body for the spirit of the dead to occupy and enjoy an offering, the Seated Statue of Gudea depicts Gudea as a sort of a divine being. The inscription on the Seated Statue of Gudea's robe lists the various temples that was built or repaired under his command and claimed the statue to be "Gudea, the man who built the temple; may his life be long."
The artist responsible for the carvings were most likely a servant or someone who cherished the King greatly. The rhythm is consistently pitched in this work of art. Triumph and power is seamlessly conveyed to the audience in a ceremonial victory prevalent amongst depiction of kings during this time. This carving is also aligned with representation of authority prominent amongst rule and war-like
The Epic of Gilgamesh Is a story of a city that lived in the cradle of civilization, Mesopotamia. This city which is known by the name of Uruk was governed by a king named Gilgamesh. A king who was ⅔ god and ⅓ man, and was also greater in size than the average human at this time. He was a cruel king who relentlessly and without warning sacrificed the lives of men in his city for the sake of war, and raped the newly wed wives before they got the chance to be with their husbands. All was soon to be forgotten as the people of Uruk prayed to the gods to stop their cruel ruler from oppressing his people. The gods created Enkidu who would balance Gilgamesh's evil and bring peace to Uruk.