Nadja By Andre Breton

991 Words2 Pages

The novel Nadja was written by Surrealist, Andre Breton. The original text of Nadja was written in French and published in 1928. Breton’s writing in Nadja serves to illustrate the primary concepts of surrealism: investigation of the unconscious self, automatism, and chance combined with the use of disjunctive metaphors and unrelated comparisons. (Licka) The story covers a ten day period in which the main character Andre meets a women named Nadja.
The story of Nadja is about unconscious relationships, including Breton’s relationship with his own subconscious. The main character is assumed to be based largely auto-biographically on Breton and on his own unconscious self discovery that he sought through surrealism. From the first line “Who am I ? If this once I were to rely on a proverb, then perhaps everything would amount to knowing who I “haunt.” sets the scene for Andre to define himself. (1) From that opening question until the introduction of Nadja, Breton fills the sixty-four pages with random introspection before her arrival ; “I must have ceased to be in order to be who I am.” (1)
He writes of releasing the learned behavior of daily life to move the truth of the chaotic moments that comprise a daily existence. Much of Breton lament is expressed as a inability to progress, “I am doomed to retrace my steps under the illusion that I am exploring, doomed to try and learn a mere fraction of what I have forgotten.” (12) The frustration Breton feels is evident in his writing.
He tells the reader early on in the novel of his break of linear thinking “I shall discuss these things without pre-established order, according to the mood of the moment” (23) Additionally, there is an underlying tone of disapproval or normative behavi...

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...He wishes that they could reconnect. Nadja is in the end committed to an sanitarium. The end of the novel is full of lament for Nadja falling victim to this type of internment, “Unless you have been inside a sanitarium you do not know that madmen are made there.” (139) It is clear that Breton believes that nothing positive comes from institutions considering them more of a danger to sanity, than a cure.
What should be taken from Nadja is not the story it’s self but Breton’s intent in the act of writing the novel. Nadja is a tale about chance meetings and observations, with Breton’s His intent expresses more than what could be gained in a few quick quips and conventional story telling. Breton tells the reader of a “dream about someone resembles that person in reality.” (15)

Breton, André. Nadja. New York: Grove Press ;, 1960. Print.

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