Like many Indian arts, Indian dance also has its root in religion. Without the religious and cultural background of India, the growth and beauty of Indian dance is not possible. In ‘Natya Shastra’, there is a small story about the origin of Indian dance. According to Hindu mythology, dance first existed in heaven. There was always a constant conflict between the Asuras and the Devas for wealth and power. The Devas were tired of the Asuras’ greediness and jealousy.
It was during this long period of tedium that all the Devas approached Lord Indra too find good ways and means of entertainment. Lord Indra, who was also tired of the Asuras, approached Lord Brahma (believed to be the creator of the Universe) and asked him to help them. They made a request to Lord Brahma that this method of entertainment should be pleasing to both the eye as well as the ear, and that it should be enjoyed by the masses of both higher and lower classes. Lord Brahma gave a long thought to the request of Lord Indra and finally decided to help them.
Lord Brahma went into a state of deep meditation. He called to mind the four Vedas. Vedas are the earliest scriptures of the Hindus. He distilled the essence from each of the Vedas. From ‘Rigveda’, he derived the words, from ‘Sama Veda’, he derived the music, from ‘Yojurve Veda’, the code of gesture and from ‘Atherva Veda’, the element of sentiment or flavor. He blended all of these ingredients and added his own divine genious. Thus, he created an entirely new activity. Brahma named this activity ‘Natya’, which was later renamed ‘Natya Veda’.
Brahma had simply created a technique, but someone was needed for putting it into practice. Lord Brahma sought the cooperation of Bharat, a trusted sage. Bharat, with the help of his sons, started working. Vishvakarma, the supreme architect of heaven, then created a splendid theater in the hall of India’s court for the performance.
Bharat told Brahma that certain characters of the dance sequences could only be performed by women. Brahma solved the problem by creating twenty-three beautiful ‘Apsaras’.
All of the preparations were made accordingly, and for the very first time, the art of ‘Natya’ was performed before an audience of Devas and Asuras. In this Natya, the Devas were portrayed as victorious and the Asuras as losers. The Asuras (demons) got angry and rose in protest and threatened even worse consequences.
The Role of the Three Gunas in the Hindu Vision of the Cosmos To tackle this question we need to look at the way in which the Gunas
The founder of Buddhism was a man named Siddharta Gautama. He was born as a prince of a small kingdom located near today’s Nepal, around 500 B.C.E. (Gurinder 1). According to the legends, Siddharta was raised in the lap of luxury. He was given the finest clothes, riches, and a mansion for every season (Fisher 136). Despite having anything his imagination could conjure, he was unconvinced of their value (136). As the story continues, he was presented with the four sights that were being kept from him (136). These sights included death, sickness, old age, and a monk seeking lasting happiness rather than material possessions (136). After these sights, Sidhharta began his long path to enlightenment. After six years of searching, he had reached his goal of an ultimate consciousness called Nirvana, or enlightenment that is above ordinary human states of mind (Gurinder, Numrich, Williams 1-2). After his discovery of the ultimate consciousness, he was given the title of Buhhda, which means “Enlighten One” (2).
Hindus have a sense of interconnectedness that pervades throughout everything in the universe: all plants, animals, people, and the cosmos. Brahman is the sacred force that holds everything together is. It is the ultimate reality that is unseen in the karmic cycle of birth and death, called samsara, which Hindus believe we...
Since the beginning of time, societies have created stories to explain the mystery of the origin of man and the universe. In the Babylonian text, Enuma Elish and the book of Genesis-which originated in the same part of the world-one finds two very different stories about the creation of man. These two creation stories contrast the two societies that created them: the chaotic lives of servitude of the Babylonians and the lives of the recently freed Jewish people.
This essay will compare and contrast Greek mythology’s The Theogony by Hesiod and the Babylonian creation story found in the Enuma Elish. Both creation myths start off with an empty universe in a formless state. Two chief god entities materialize from this state of nothingness, one represented as a male and the other as a female.
Kathak (Sanskrit translation: ‘Katha’- story; ‘Katthaka’- story-teller) can be traced to as far back as the 3rd century and is one of the eight Classical dances in India. It originated in Northern India -Rajasthan, Delhi and Uttar-Pradesh. It was originally performed in temples to narrate mythological stories presented in the Ramayana and Mahabharata with mimetic gestures and singing. ‘Katthakas’ were mostly high-caste, educated Brahmins. Nowadays, class division is less intruding in one’s pursuit of becoming a ‘Katthaka’.
Hesiod’s Theogony and the Babylonian Enuma Elish are both myths that begin as creation myths, explaining how the universe and, later on, humans came to be. These types of myths exist in every culture and, while the account of creation in Hesiod’s Theogony and the Enuma Elish share many similarities, the two myths differ in many ways as well. Both myths begin creation from where the universe is a formless state, from which the primordial gods emerge. The idea of the earth and sky beginning as one and then being separated is also expressed in both myths.
Native American Ritual Dancing “It has often been said that the North American Indians ‘dance out’ their religions” (Vecsey 51). There were two very important dances for the Sioux tribe, the Sun Dance and the Ghost Dance. Both dances show the nature of Native American spirituality. The Ghost Dance and the Sun Dance were two very different dances, however both promote a sense of community.
The Bhagavad-Gita, a portion of the great epic the Mahabharata, is the “most typical expression of Hinduism.” It is eighteen chapters long and was composed around the first century BCE. The sage Samjaya recites the story to the blind king Dhrtarastra, the father of the Kaurava princes. While presenting ideas of wisdom, duty, and liberation in the midst of the rivalry between the Kauravas, the Bhagavad-Gita epitomizes the teachings of Krishna. Focusing specifically on the moral struggle of the Pandava prince Arjuna, the Bhagavad-Gita’s major themes include yoga, karma, dharma, and moksa. Yoga, being discipline or the strict and “attentive cultivation of mental character and meaningful action” , is crucial to the text because it is dharma yoga, acting properly according to one’s dharma, and bhakti yoga, a disciplined life of devotion that allows one to achieve moksa, or liberation, one of the four aims of li...
If I were to take you back in time to Neolithic age you would see many paintings on cave walls that resembled today's dance and some that you would not recognize much because they were not passed on through time. Many of today’s dances were constructed in the Stone Age and evolved through time to what we have today and along the way many steps have been changed or added to spice up the dances.
Bollywood film has opened the gates to Bollywood dance, creating a popular style that spread throughout the world. This style would not have been able to spread so quickly if it not had been for the familiar themes and culture found in the genre. Because of this diverse make-up, Bollywood dance is being questioned, for it cannot be seen as traditional Indian dance if it is made up of so many different cultures and styles. Due to the creation from a wide assortment of cultures and practices, Bollywood dance has been the subject of a controversy focusing on its authenticity. Although it is not pure Indian movements, it has become the face of Indian dance due to accessibility and familiarity.
Although Daoism and Hinduism are two completely separate religions with the former indigenous to China and the latter to India, both of them encompass striking similarities that undeniably make it seem that one influenced the other. However, no known relations between the two religions exist. Comparing the small, but contextually vital part of the Hindu epic Mahabharata known as Bhagavad Gita with the central text to Daoism, Tao Te Ching offers an unparalleled journey of knowledge and understanding. Tao Te Ching emphasizes the crucial concept of Dao, which is translated as the “Way” while Bhagavad Gita stresses the all-encompassing Brahman. Since no sufficient language can express the full meaning of Dao, the most suitable example that shows its operations is the movement of water (TTC 8). Water simply flows with unity with nature – it can transform itself into whatever form is needed to flow. Dao is essentially an indescribable eternal energy and origin of the entire universe. Fully arriving at the Dao is the main goal of Daoism. Similarly, Brahman is the ultimate end to everything in the universe. In the Bhagavad Gita, Brahman is described as the source from which all beings originate from and eventually return. The fundamental principle of both concepts is, therefore, one and the same. I will specifically focus on vital parts of the two concepts in order to illustrate the parallelism of the eventual goal of the Dao and the Brahman. The emphasis on action with no desire for the “fruit” of the action, Dao and Brahman’s inexpressible essence, and following one’s own duty in order to complement the movement of the universe. These concepts illustrate the similarity between Dao and Brahman and ultimately demonstrate that they are ide...
‘Out of the hillock the first god emerged. He was referred to as a ‘he’ for the mere sake of expediency, but he embodied both the male and female principles with himself. As a result this enabled him to create new forms all by himself without the help of another deity. By spitting and masturbating he created a pair of new gods. This new pair copulated and created another pair, who in turn created another pair. This continued until the entirety of the cosmos had come into
Dance developed in many different ways and all around the world. Some people would dance for certain reasons. Egyptians farmers would dance to give thanks for a good harvest. Women dancers would dance after almost every meal for entertainment. Men would dance at funerals; they would wear tall head dresses made out of reeds.
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By