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Psychological effect of art
Psychological effect of art
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There are many different types of artworks that express the artist feelings but the ones that capture my eyes the most are the works that are muted and more hidden then in your face. The artworks that scream out the artist feeling do not need as much studying in my mind then the ones that invite you to a quite space to breathe and look. Gaela Erwin works are that, her works are about the hidden feelings that people hide from others.
The artwork of Erwin I’m looking at is called My Mother, My Sister, Back to Back. In this drawing the artist mother and sister pose for her sitting on a table in front of a window. The first the first object that catches your eyes when you look at the painting are the figures, mainly the artist mother. The halo of cottony white hair leads you down to a tired, aged woman face. This gravity you feel pulls you down to follow the curve of her body, which looks like it’s getting tired of holding itself up, to her slightly stretched out legs. One foot touches the line of the window panel which leads you up to the top of the drawing then follow the foliage across the drawing. Then you follow the window panel back down to the artist sister cover legs. From the legs you find her twiddling her hands in a nervous gesture. Follow her arms up in stiff posture next you see the sister turn her neck
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Their backs only touch in two places the behind and the shoulders. The colors are very muted in the background and the only true highlights are on the sister and mother.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
When that room is entered all voices are hushed, and all merriment silenced. The place is as holy as a church. In the centre of the canvas is the Virgin Mother with a young, almost girlish face or surpassing loveliness. In her eyes affection and wonder are blended, and the features and the figure are the most spiritual and beautiful in the world's art.
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
The painting depicts a mother and her four children, who are all leaning on her as she looks down solemnly, her tired, despondent expression suggests she felt trapped in her roles as being a mother and a wife. The woman and her children are clearly the focal point of the artwork as the bright colours used to paint them stand out impeccably against the dull, lifeless colours of the background. This painting appears to be centred around the ideology that women are home-keepers, whose main role is to satisfy and assist her husband while simultaneously minding the children and keeping the home tidy and ready for his return. The social consequences of this artwork could have been that the woman could have been berated for not taking pleasure out of being a mother and raising her children, as a woman should. She could have been made redundant as her husband may have felt as though she is no longer useful if she couldn’t adequately adhere to her roles as a mother and a
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
Throughout history art has played a major role in society. It started out with paintings and went to photography and eventually to films. Artistic interpretation depended on whom the artist was and what he or she wanted to present to the audience. When it came to portraiture, whether it was paintings or photography, the idea of mimesis was very important. However important this may have been, the portraits were mostly products of the media and fashions during that time period. Whatever was popular during the time was used such as columns or curtains in the background. The face was the main focus in the painting and there was little focus on the body. Later on during photography the body was focused on more. Even though photography was used much later after paintings were used, it allowed the artist even more artistic interpretation because of the ability to play a different role and not having to be ones self. The artists that will be focused on are Frida Kahlo and Cindy Sherman. They lived during different periods and their artistic intentions varied because of that. They also had similarities in that they thought outside of the conventional roles. These women were both self-portraiture artists and although they were considered that their interpretations did not always make their portraits self-portraits. Traditionally the artist was an outsider, but when it came to self-portraiture they became the subject and the audience became the outsider. The similarities and differences of Frida Kahlo and Cindy Sherman’s art were tied into the strength and also vulnerability they had because of their roles as women. They wanted the audience to see a background story to the portraits and not just an image of a beautiful face.
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
In an empty room at the Timken Museum of Art hangs one of the most iconic paintings of Johannes Vermeer, the astonishing painting, Woman in Blue Reading a Letter. In the painting a pale woman’s stands patiently while reading a letter. The woman appears to be wearing a blue jacket and a long gray skirt, and only gazing at the letter, ignoring all of her surroundings. The top right of the painting seems to be a map of the Netherlands, which attracts the viewer because it explains the setting of where the painting took place. The blue jacket around the woman’s torso appears to exaggerate the woman’s stomach, giving the impression that she might be pregnant. The blue chairs resemble a sign of absence as if she lives alone. The light on the top left shines on her face which enhances the viewer’s view of the woman’s facial expression. Johannes Vermeer’s interpretation of complex colors, the light, and her body language inflicts a persuasion on the viewer that the women is traumatized by the news in the letter.
paintings when they want you to see what they are trying to express. Like if
Edgar Degas was a French artist famous for his work in painting human figure in their motion. He was often known as an Impressionist, although he rejected being called that preferred to be called a realist. In each of his paintings he would express the harmony of line and stability of outline. One of his paintings is The Absinthe Drinker in 1876 as it is an oil on canvas. There are many impressionist painting techniques, though one technique Degas use is a snapshot. A snapshot is a painting that looks like a photograph of a scene. At first sight the impression of the portrait portrays an aspect of modernity. There are two individuals sitting side by side inside a cafe de la Nouvelle-Athenes in Paris, while there is no communicating between them. As it looks like each one is melancholic in their own isolation. Th...
...rspectives. For example, Monet’s Water Lilies allows you to see how light can greatly change the way a scene may look; the soft, undetailed way he paints captures details (Theo Van Doesburg). In many ways, this shows the emotions of an artist better than if all the details were revealed, as the focus of the artwork isn’t just what is painted but what it actually intended to represent. Contrary to what some people believe, I feel that even small paintings may trigger an emotion. For example, I considered the paintings of Theo van Does burg, founder of the De Still movement (Theo Van Doesburg). The simple shapes used to show how simple life can be at times, and if you look very closely you can see that life is made up of small challenges that need to be overcome. Having only black and white shows that everyone is the same and that people must learn to live together.
Seeing the art in person truly made me see the beauty and captivity a painting can hold. Each gallery was filled with different American works. My favorite kind of paintings are the ones I can look at and immediately write a story in my head about what is happening, even if it not what the artist intended. As I was going through the galleries one painting in particular stuck in my mind. I was fortunate enough to experience a special exhibition called, “Audubon to Warhol.” It was composed of different works acquired from private and public collections. I was lured to the emotions that was captured by the main figure in one of the works. I was drawn not only to the beauty of the painting, but the story it shared. The painting I chose was Peeling Onions, by Lilly Martin Spencer.
The first artist in the exposition is Hannah Alpha. Born in Egypt, she’s a McGill alumni who uses the minimalism style of painting, which is the art of using simplistic design to create maximum impact. The paintings grab your attention due to their abstractness. However they fail to portray the artist’s meaning. Her collection, called “La danse cosmique” (The cosmic dance), is her search to “attain a state of supreme serenity, a state where everything is calm, pure, wholesome” according to Alpha.
... The feelings you get when you look at art work by Kahlo are strong. A person either hates it from the moment they see it because it’s horrific or you love it because it is such profound work. So much meaning is established in every painting.
Woman and Bicycle is an abstract expressionist painting created by Willem de Kooning in 1952-53 as part of his collection of Women paintings. It roughly measures 6ft. by 4ft. in size and is an oil painting on canvas. The image can be understood to be figurative, however the figure is difficult to decipher on account of the haphazard style in which it was created. It appears that the picture has been altered a great many times, as if it is just one picture deposited upon the remains of or intentions of ones prior. It is easy to decipher a pair of large jaunty eyes with their gaze intently directed back towards the viewer over a pair of particularly large breasts. The insinuation of a body remains just that, wildly gestural brushstrokes that only imply the presence of hips and thighs. De Kooning himself makes note of the illusive nature of his forms saying, “Content is a glimpse of something, and encounter like a flash. It’s very tiny—very tiny, content,” (Hess p.148). Another more distinguishable element in this painting is the pair of legs centered at the bottom of the canvas. Beyond this, the theory of content in this piece is at the discretion of the viewer’s imagination.