Weak Structure and Powerful Drama in My Antonia
Much of the earliest criticism of My Antonia focuses on the apparent failure of the narrative. Many critics take the title of the story and its introduction at face value. When the story says it is to be about Ántonia, it must be about her! Therefore, many critics see the stunningly crafted pieces of "variation from a theme" -- the stories of Peter & Pavel (the Russians and their wolves) and the sections of the novel dealing with the hired girls Lena Lingard and others-- as divergences which weaken the overall structure of the novel. In other words, these stories distract us from the real story, that of Ántonia and her relationship with Jim. Other critics talk mostly about the landscape of Cather's stories, the way the pioneer story and the struggle with nature is a vital piece of her work. This is partly why, I think, Cather has been viewed as a minor writer of "local color" for so long. Because she sketches her landscapes with such simplicity and yet detail, many critics do not look past the landscape to see the characters and the true drama that they play out.
An example of a critique which accepts the critical opinion that the novel is "defective in structure" is James E. Miller's 1958 essay "My Ántonia: A Frontier Drama of Time." I group his essay here because he spends the bulk of the essay arguing that the defect of structure is overcome when we look at the cyclical nature of time in the novel as its unifying theme. This article does seem to be one of the first ones that looks to disprove the "failure" of Cather's narration. Of course, by disproving this argument, Miller is still working within the context of failure/success which I don't think other writers (read male authors) are judged by.
Miller begins his argument by pointing out that many critics "have felt the unified emotional impact of My Ántonia and have grappled with the puzzling problem of the book's actual lack of consistent central action or unbroken character portrayal" (Miller 52). Miller argues that there seems to be no consistent character portrayal, "The action in My Ántonia is episodic, lacks focus and abounds in irrelevancies"(Miller 52). But Miller believes that there is a consistency within the novel, that of the evocation of feelings which the reader has.
The American college dictionary defines success as 1. The favorable or prosperous termination of attempts or endeavors, 2. The gaining of wealth, possessions, or the like. This has been the general seances for the past hundred years or more. But in more modern days the prospective of success has changed slightly. It has shifted to having a good education, going to collage, getting a carrier getting married & having children. Having your own home and eventually dying and passing it all on to a child or children. Success is no longer satisfaction or personal goals. It has been supplemented by the goals society has preset for the populous that have been drilled into the minds of the young from the very beginning. To a man named Santiago in The Old Man and The Sea by: Earnest Hemingway, success was to conquer the Marlin Santiago had fought for so long. But as a cruel twist of fate his success is taken away in an instant when the prize he had fought so hard for was eaten by sharks, leaving Santiago with no spoils left to show for his hard fight. He was even so crushed by of the loss of the Marlin that he cried out to the sea "I am beaten.....hear stands a broken man" (234). Santiago still experienced success in the fashion that when he returned to port the little boy named Manolin that he had taught how to fish earlier in the novel was allowed to come back to fish with him. This was the ultimate form of success that was perceived for Santiago by Hemingway. To Jean Valjean in Les Misreables By: Victor Hugo , Valjean's success was represented in the form of going from convict to loving father of a daughter. The little girl named Cosette may not have been his true daughter, but after he had had dinner with a bishop that had seen the possibility of good in he started the transformation of his life. he met Cosettes mother and vowed to save her daughter from the place where she was being kept. The success Valjean experienced was what made his character the man that he was. But to Willa Cather in My
Randall III, John H. "Intrepretation of My Antonia." Willa Cather and Her Critics. Ed. James Schroeter. New York: Cornell University Press, 1967. 272-323.
The RIAA believe that Napster has helped users infringe copyright. The threat of the lawsuit has been around since the conception of Napster and was actually filed four months after Napster went on line. The case is not as clear-cut as it first appears. RIAA argues that most of the MP3's on Napster's site are mainly pirated. Therefore, by Napster allowing and actually making it easier for users to download MP3's this means that they are assisting Copyright infringement.
He is apprehensive about seeing Antonia, fearing that she will no longer be the idealized person who exists in his memory. Jim is not let down when they meet, as even though she is now a “battered woman … but she still had that something that fires the imagination, could stop one’s breath for a moment” (226). Age has not dampened the spirit that Jim was drawn to throughout his youth and now his adulthood. He speaks about her through a lens of true love and respect, telling her children that he “couldn’t stand it if you boys were inconsiderate [towards Antonia] … I was very much in love with your mother once, and I know there’s nobody like her” (222). Jim refers to Antonia as a “rich mine of life,” and it is clear that Antonia’s type of richness is more valuable in Jim’s eyes. Through her, he is able to realize that tangible fiscal wealth is far less precious than the impalpable beauty of emotional connection and
Mrs. Cather's carefully drawn parallels in the story that build up to Antonia and Jim's separation was a truly effective method of pointing out its tragedy. However she also used other tools, such as imagery and short anecdotes to further convey her message. All together these elements, plus a good story and plot make My Antonia an excellent all around book, worthy of being called a classic.
Mankiw and Swagel (2006) argue outsourcing is not as large a phenomenon as the media describes. Their research indicates outsourcing accounts for very little of job loss in the United States, nor has it made a distinct contribution to the slow rebound of the labor market. They go on to propose that increased overseas employment has actually contributed to higher employment in parent United States companies. They reported that while 30,000 jobs were lost per month in 2004, two million job changes per month were happening as well. They reference the Bureau of Labor Statistics when they report that in 2015 there are expected to be 3.4 million jobs outsourced, but 160 million jobs gained here in the United States. They also claim that there is a rise in net US income by 12-14 cents per dollar of outso...
The landscape and the environment in Willa Cather's, My Ántonia, plays several roles. It creates both a character and protagonist, while it also reflects Cather's main characters, Jim and Ántonia, as well as forming the structure of the novel. Additionally, it evokes several themes that existed on the prairie during the time in which the story takes place. Some of these themes that directly relate to the novel, which are worth exploring, are endurance, hardship, and spirituality. Additionally, the symbolism of the "hot and cold" climate will be examined, revealing the significance it has on the novel in an overall manner. The analyses will further explain Cather's construction of the novel, which is based on three cycles: the cycle of the seasons, the cycle of life and physical development and lastly, the cultural cycle.
Napster creates a threat to the music industry, which includes Recording Industry Association of America (RIAA) and well-known musical groups, because it diminishes their distribution control, record sales and lowers their profit. The music industry must continue to take legal action against Napster to eliminate its negative impact.
King, Brad ”Wired News: The Day the Napster Died.” Online Article. May 15, 2002. http://www.wired.com/news/mp3/0,1285,52540,00.html
My Antonia, Jim's nostalgia for the past is represented by nature, symbolic elements, and above all Antonia. The Nebraskan prairies are beautiful and picturesque and set the scene for a memorable story. Big farm houses and windmills placed throughout the graceful flowing golden yellow grass become a nostalgic aspect of Jim as he leaves his childhood life behind. The frontier includes destructive and depressing winters and luscious summers that
Before the 1990’s, if people want to listen to music, they just visit a music store and pick up a CD and then put it into a stereo equipment. However, the development of MP3 file format gradually changed the way people listen to music. This format lets everyone download music easily and it can be converted to CD as well. But, there is still a problem: searching MP3 files on the internet is maddening and people seldom can find the music they want. Therefore, the birth of Napster solved this problem, creating a virtual music community in which music fans could use the Web as a “swap meet” for music files. More importantly, Napster is easy to use and it’s free, which expands the range of audience in age. Bandwidth also contributed to Napster’s success. The greater the bandwidth, the faster the file can be transferred. So, Napster really changed the way people listen to music, discover music and interact with music.
The entertainment industry and many musicians regarded P2P as a big crisis for copyright, so that they sued the company that produced Napster. “Anger leads Metallica to the Internet,” an article by Karen Schubert in USA TODAY, noticed that heavy-metal band Metallica was suing Napster. And now some people in the music industry are fighting with a distributor of P2P software even in the Supreme Court, and lobbying to outlaw P2P technology. In “File sharing goes to High Court,” USA ...
According to the text A Gift of Fire, Napster “opened on the Web in 1999 as a service that allowed its users to copy songs in MP3 files from the hard disks of other users” (Baase, 2013, p. 192, Section 4.1.6 Sharing Music: The Napster Case). Napster was, however, “copying and distributing most of the songs they traded without authorization” (A Gift of Fire, Section 4.1.6 Sharing Music: The Napster Case). This unauthorized file sharing resulted in a lawsuit - “eighteen record companies sued for contributory infringement claiming that Napster users were blatantly infringing copyrights by digitally reproducing and distributing music without a license” (Communications Law: Liberties, Restraints and the Modern Media, 2011, p. 359).
Cybersquatters unethically register domain names in hopes that someday a person or group will want to register a website with the intent that that person would be willing to pay a large amount of money to recover the rights to the domain. Due to the increasing commercial use of the internet the act of cybersquatting has cause a lack of availability of domain names for people, business and organizations wishing to conduct online activity. Many well know organizations, celebrities and private citizens are suffering greatly from cybersquatters registering domain names. Cybersquatting is a simple act to conduct. The cybersquatter can simply register a name for a very low cost and hold onto to it in hopes of selling it for big profits.
The story really begins with Napster and its free software that allowed users to swap music across the Internet for free using peer-to-peer networks. While Shawn Fanning was attending Northeastern University in Boston, he wanted an easier method of finding music than by searching IRC or Lycos. John Fanning of Hull, Massachusetts, who is Shawn's uncle, struck an agreement which gave Shawn 30% control of the company, with the rest going to his uncle. Napster began to build an office and executive team in San Mateo, California, in September of 1999. Napster was the first of the massively popular peer-to-peer file sharing systems, although it was not fully peer-to-peer since it used central servers to maintain lists of connected systems and the files they provideddirectories, effectivelywhile actual transactions were conducted directly between machines. Although there were already media which facilitated the sharing of files across the Internet, such as IRC, Hotline, and USENET, Napster specialized exclusively in music in the form of MP3 files and presented a user-friendly interface. The result was a system whose popularity generated an enormous selection of music to download. Napster became the launching pad for the explosive growth of the MP3 format and the proliferation of unlicensed copyrights.