One of the most important techniques in this film is the use of dopplegangers; both external
and internal. Externally, the two women in the story, the wife and the woman from the city,
embody the internal dopplegangers present in everybody, particularly the husband. The two
women are exact opposites, also representing the struggle between modernist and anti-modernist
values. The city woman portrays the “evil” side of humanity, riddled with greed, lust, and
deception. Physically, the city woman had short, dark hair, representing the rebellious city life.
Her flapper-esque dress is short and curve hugging, giving her movement a serpent-like quality.
She also smokes, a symbol of women’s independence in the 1920s. On the other hand, the wife
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Lighting is another
technique used to highlight the differences between the two women. When the city vamp is
given screen time, there is dim lighting, creating a dubious, apprehensive atmosphere. On the
other hand, bright light constantly shines on the wife, giving her an angelic persona.
3. It is important to understand that Murnau was a leading pioneer in the art of German
expressionism, and this is apparent in Sunrise. This genre is very symbolic and stylized in nature
and tends to focus on themes other than romance and adventure. Many times the topics and
imagery tend to tap into the darker side of the human experience. Sunrise for example focuses on
betrayal. Murnau plays with visuals, intriguing the audience. For instance, the title cards have a
life of their own. Employing text art, the word “drowning” drowns itself. Also, the story is
shown through expressionistic imagery. Animals and scenery accentuate emotions and scened
have the ability to tell the story. For example, still birds over the lake, an emotionally attached
and protective dog, swampy and foggy landscapes all exaggerate the mood of the film.
The flapper was the harbinger of a radical change in American culture. She was a product of social and political forces that assembled after the First World War. Modernization adjusted the American life. Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern by Joshua Zeitz analyzes the people who created the image of the flapper. This work is an incorporation of narrative, statistics, and scholarly work that provide a distinct insight on the “New Woman.” Joshua Zeitz asserts the flapper was not a dramatic change from traditional American values but reflected the “modern” decade under mass media, celebrity, and consumerism.
When comparing their works, they both depict that wives have been oppressed and devalued by their husbands. Women significantly suffer from the lack of companionship, as well as depression. As a result, they are not satisfied with their homes and searched for a way to escape the madness. The strange thing about this woman is that she appears to be married.
Imagine walking in the streets where all other women and girls are dressed in long dresses, look modest, and have long hair with hats. Then, there is a girl with a short skirt and bobbed hair smoking a cigarette. This girl makes a statement and is critically judged by many people for dressing this way. Women during the 1920s were not to look “boyish” in any way, so when short hair and short skirt were introduced, it was seen as shameful. The girls wearing this new style were known as flappers. Their style was introduced in the early 1910s but did not spark until the 1920s. The style was said to be more comfortable, but was not appealing to the more conservative. Before the change of style, most women were dressed modestly; however, women's
William Faulkner overwhelms his audience with the visual perceptions that the characters experience, making the reader feel utterly attached to nature and using imagery how a human out of despair can make accusations. "If I jump off the porch I will be where the fish was, and it all cut up into a not-fish now. I can hear the bed and her face and them and I can...
The female characters in Young Frankenstein and One Flew over the Cuckoo’s Nest are, stereotypically, satiric and parodic renditions of oppressed or emotionally unstable feminine personalities. The theme of the treatment of women is not only played out in the external relationships the women interact within but also in the basic mentality and roles they embody within their personality. The women of Young Frankenstein add a comical element to the film which a direct contrast to the insignificance of the female in Mary Shelley’s novel. The women of One Flew over the Cuckoo’s Nest are either almost terrifying when thinking of the potential evil lurking just beneath the surface or effectual props in the healing of those who need it.
In the generation leading up to the emergence of the flapper, the popular style for women was that of the “Gibson Girl”. Based on the depictions of women by...
One of the issues that was raised is the idea of the relationship between femininty, technology and sexuality. The relationship between all of these qualities converse in one character, Maria. The real Maria has many roles thoughout the movie, including one who cares for the workers children, a preacher of peace for the workers, and one who loves Freder. The machi...
The central characters, setting, and tone of the story help create the central idea of the psychological and internal desires of a woman. Through the view of the central characters it is established that the lawyer’s wife wants more than her average day and is searching for more to life than the daily routine of a house wife. Jean Varin is believed to be the desire she is looking for; however, she is not fulfilled or happy with the outcome of her choices. The setting and the tone reveal the psychological need for the wife to have an adventurous, lavish, and opulent lifestyle that she feels can only be achieved in Paris.
When one thinks of flappers, the first thing that comes to mind is the image of a woman dressed much like Julie Andrews in Thoroughly Modern Millie, bobbed hair, fringed low-waisted dress, flat-chested and highly made up face. This, though a stereotype is close to the truth. In the 20’s after the first world war women’s roles in society began to change, primarily because they started becoming more independent – both in their dress and action. They started to defy what was considered to be appropriate feminine behavior and along with those actions came new fashions. The sleek, boyish look became popular and women began to wear lower waistlines, higher hemlines, sleeveless dresses that showed off their arms, long strands of pearls and rolled down pantyhose to show their knees. Women who had larger breasts even went so far as to bind them down to fit into the flat-chested ideal of beauty. The “in” look now was boyish, much in contrast to the feminine big skirted, shirtwaisted dresses of their mothers’ age. Women began to gain the independence and social liberties that men had always possessed, they wanted to physically display their newly gained freedoms. Short hair, first as a bob, later as a slicked down “shingle” that curled above the ears emphasized the new androgynous look women were trying to obtain. These “modern” women asserted their independence by going out dancing, moving to the city alone, drinking even during prohibition, flirting and having love affairs.
In the age of industrialization when rural life gradually was destroyed, the author as a girl who spent most of her life in countryside could not help writing about it and what she focuses on in her story - femininity and masculinity, which themselves contain the symbolic meanings - come as no surprise.
... music is played as a hypnotising music into the silence and beauty of the night. Similarly, these two scenes use the same style of cinematography in filming the unreality. Long shots and extreme long shots are commonly used allowing the audiences to get a big picture of the fantasy and get indulged in the imaginary world. The simplest yet appropriate costumes and make-up are applied to reflect the pure intentions insisted by the characters and their genuine expressions in their fantasy. Both of the films selected have different or similar filming techniques in depicting the characters’ fantasy world, but they consist of the same meaning of creating the fantasy diegesis: that is the portrayal of desire, happiness, innocence and pursuit of dream.
“a beautiful instance of what is reverentially called ‘a true woman.’ Whimsical, capricious, charming, changeable, devoted to pretty clothes and always ‘wearing them well,’ as the esoteric phrase has it. She was also a loving wife and a devoted mother possessed of ‘the social gift’ and the love of ‘society’ that goes with it, and, with all these was fond and proud of her home and managed it was capably as – well, as most women do (57).”
The story’s theme is related to the reader by the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The symbols used to impart this theme to the reader and range from the obvious to the subtle. The obvious symbols include the time from the sinking to arrival on shore as a voyage of self-discovery, the four survivors in the dinghy as a microcosm of society, the shark as nature’s random destroyer of life, the sky personified as mysterious and unfathomable and the sea as mundane and easily comprehended by humans. The more subtle symbols include the cigars as representative of the crew and survivors, the oiler as the required sacrifice to nature’s indifference, and the dying legionnaire as an example of how to face death for the correspondent.
...are influenced by Although the uneasiness of relationships at the conclusion of Hitchcock’s films is a common theme, it is the deformation of sound and language by Hitchcock that creates the suspense and anxiety that his films are infamous for, allowing the female to become the centre of the discrimination, meaning that its only solution is the pursuit of “human communication”, an ideal that through careful analysis of both films, seems impossible for the female to ascertain.
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.