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Comparing Ludwig van Beethoven and Mozart
Comparing Ludwig van Beethoven and Mozart
About Beethoven and Mozart
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Mozart and Beethoven were composers of the classical period of the 1800’s. They were different as individuals as well as in the style of music. Mozart was an optimistic person, while Beethoven was an angry one. Additionally, they played for people of different status. Their lives and career were different and filled with challenges. This paper will focus on the differences and similarities of the styles of Mozart and Beethoven based on Symphony No. 41 in C Major by Mozart and Symphony no. 5 in C Minor by Beethoven, discuss the specific aspect of their works and a personal impact of this music.
Symphony No. 41 in C Major by Mozart gives the impression of slow music even in areas of rapid rhythm. Orchestra cuts in memory. First, it supports the play of the violins but then it quickly goes up creating harmony. Melody attracts with its lightness, a feeling of joy and excitement. The symphony of Mozart is easy to play it does not demand a high musical skills.
During the listening Symphony no. 5 in C Minor by Beethoven immediately felt a dynamic and loud music. However, it changes to a quieter one very quickly. This alternation presents throughout the symphony. As a result, there is tension. The change in intensity and number of instruments are felt throughout the melody. Some of the tunes create a sense
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Music by Mozart is clear. Every sound is crystal. Instead, a Beethoven symphony is full of muddy sounds. Additionally, symphony of Mozart is light and easy to hear. This can be explained by the fact that he wrote his masterpieces to the audience. However, Beethoven's music is filled with sad and dark moods. It can be explained by his loneliness and creating of his music for himself without thinking about the audience. The style of Mozart is marked by balance, simplicity and precision. However, Symphony no. 5 in C Minor is marked by
Classical music can be best summed by Mr. Dan Romano who said, “Music is the hardest kind of art. It doesn't hang up on a wall and wait to be stared at and enjoyed by passersby. It's communication. Its hours and hours being put into a work of art that may only last, in reality, for a few moments...but if done well and truly appreciated, it lasts in our hearts forever. That's art, speaking with your heart to the hearts of others.” Starting at a young age Johann Sebastian Bach and Ludwig van Beethoven have done just that with their musical compositions. Both musical composers changed the world of music and captivated the hearts of many. Their love of composing shared many similar traits, though their musical styles were much different.
Conclusively, while being one of his earliest works, Mozart’s Minuet in F Major (K.2) is far from primitive. His use of repetition and subtle melodic and rhythmic variations keep the melody interesting enough to retain the listener’s attention. Not only this, but the harmonic surprises of the modulation and deceptive cadence keep the listener guessing in the best way possible. While at the surface this work may seem like nothing more than an AABA 32-bar dance, there is much more than that hidden throughout the work. If this is what Mozart was capable of at the mere age of six, it is unsurprising that his legacy remains to this day.
Haydn was Beethoven's mentor and therefore, I believe Beethoven's music is more influenced by Haydn than Mozart. Haydn employed the use of sudden pauses and this is reflected in Beethoven's music as he made extensive use of unexpected fermatas (Example). Humor is arguably the most prominent feature of Haydn's music and again is mirrored in many of Beethoven's compositions. However, Beethoven's music is sometimes completely solemn and other times extremely comical. "Beethoven transformed the music tradition.but never changed its validity.he never abandoned Haydn forms."
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
Mendelssohn and Mozart are often compared, due to the vast amount of similarities they hold. Both Mendelssohn and Mozart began playing and composing music at a young age. They both had a virtuosic quality about them. These composers also had the misfortune of suffering an early death; Mendelssohn passed at the age of thirty-eight and Mozart at thirty-five.
Some of the most well known composers came to be in the in the classical music period. Ludwig van Beethoven was one of the composers, along with other greats of the time like Haydn and Mozart, which helped to create a new type of music. This new music had full rich sounds created by the new construction of the symphony orchestra.
The ninth symphony is my favorite symphony just because the music is so heavenly. It seems in the beginning of the piece brings a person from darkness to light. Beethoven, I believe, was ahead of his time. To me, he is the greatest composer of all time. His music is not just sounds of music played together in harmony, but a way of life. The music he created for the world is not just to listen to it, but grabs onto the emotion he was setting up. Beethoven's unordinary style cannot ever be copied by any composer or music artist. Today, when we hear music of any kind, we can only thank a certain person, and that person should be Ludwig van Beethoven.
Beethoven slowly began showing his emotions, and feelings, but very subtly. His work began to have a very sublime feeling to it, very deep and not knowing what to expect. It was after those first two that Beethoven had a big life crisis. (Sayre 407) He then began seeing life as a shorter journey than previously sought, and stopped caring about what consequences would arise from what he wanted to do. Which was to show strong emotion in his music. It was his escape from his impending doom, which was becoming deaf. He released music very quickly over the next decade. This shows how Beethoven’s own life experiences changed the direction of his
Symphony No. 5 in C minor, composed by the legendary Ludwig van Beethoven, is one of the most famous orchestral musical compositions done by the German-born composer. The symphony is broken down into four movements. The symphony has such a profound effect on so many people because of its use drama by introducing sudden and powerful chords which quickly grabs the audience’s attention as well as creating a variety of musical ideas through his use of excitement by way of fast and slow tempos. The first movement, Allegro con brio, which utilizes the Sonata form, contains an opening sequence or Exposition, which initially compels my attention during its first 6 seconds due to its powerful entry and introduction of the basic four-note motive (short-short-short-long) of the piece. The quick repetition in a lower step using strings in unison keeps me engaged due to its energy, as it sort of
Wolfgang Amadeus Mozart composed an exemplary piece of classical music that can be seen in television and films of the twenty-first century. Mozart would hear a complete piece in his head before he would write it down. He created pieces that had simple melodies, but also the orchestration sounded rich. Out of the forty-one symphonies Mozart composed, I have chosen Mozart’s Symphony No. 40 in G minor or better known as The Great G Minor Symphony, written in 1788. Mozart’s Symphony No. 40 is considered the most popular out of all forty-one symphonies because the opening movement is very memorable. Mozart’s Symphony No. 40 is effectively composed through the use of a specific form, elements of music, and using the appropriate instruments so one can see brilliant scenes unfolding.
Mozart’s Symphony No. 41 was his last and longest symphony he composed. While listening to this breathtaking piece of music, one specific aspect of this piece stood out to me; this being the instrumentation. In this symphony, many different instruments were used. While listening, I recognized many of them. A flute, two oboes, two bassoons, two horns, two trumpets, timpani, and strings make up this famous piece that is known world-wide by millions of people.
Ludwig Van Beethoven was regarded as one of the greatest musical composers of the 19th century. Beethoven’s compositions are considered to be a watershed moment in western musical history. According to scholar Scott G. Burnham, “The overmastering coherence felt in Beethoven’s music became an imposing measure of the greatness of musical artworks.” Part of Beethoven’s greatness can be linked to the inner turmoil he dealt with throughout his life. Part of this turmoil was caused from his hearing disability which ultimately resulted in his deafness. Beethoven felt isolated due to his illness, but this isolation greatly affected the music he composed. The Fifth Symphony was a testament to that. Out of Beethoven’s nine different symphonies, the Fifth symphony is regarded as one of his greatest compositions. The Fifth Symphony is a total of 4 movements, and has a four-note opening motif in C- minor which is considered to be fate knocking at the door.
The year is 1788 as Wolfgang Amadeus Mozart began to work on his last three symphonies during a time of strife for musicians as the Austro-Turkish War continues to war on in Austria. Tired from moving his family from central Vienna to the suburbs of Alsergrund all while in debt to his ears as he continued to borrow money from friends including a fellow mason, Michael Puchberg, Mozart finished his final symphony on August 10, 1788. This piece, nicknamed the “Jupiter Symphony,” coined by impresario Johann Peter Saloman, was Mozart’s longest symphony with a total of four movements, a typical symphonic form during the Classical era. The Jupiter Symphony totals to about forty five minutes of music ending with a quintuple fugato that brings back the five melodies introduced in the final movement making the closer one of the most complex examples of counterpoint that has ever been created. My goal shall be to give the reader a sense of Mozarts life at the time of this composition, a detailed analysis of all four of these movements, as well as a look at why this piece was seen as a work of innovation.
They had a talent for creating amazing music. They were also a versatile composers, able to write in nearly every major genre. Their music was also meant to influence the next generations of music to come. Mozart’s music was meant to make you nice and comfortable. Beethoven’s was a bit more dark and moody.
While the compositions of the Baroque were more focused on virtuosity and harmonical experimentation, Beethoven completely revamped the idea of expression in music and turned it on its head. Beethoven’s genius compositions demonstrated immense, sometimes frightening, power and soul that had never been seen before in music such as in his famous fifth symphony which features the jarring four-note motif that represents utter chaos and ferocity. Similarly, Mozart was able to use the score as his canvas for whatever diabolical idea would enter his mind; he had written light waltzes and dances that were whimsical and give the listener a sense of joy and fun while also writing intricate concertos which demonstrated the true potential and grace of the solo instrument and