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Symbolism of fire and ice in jane eyre
Jane eyre journey and emotions
Analysis of Jane Eyre
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Frances Ponicki Ap English & Lit - 5 Kreutzer Witty Title The “fire and ice” motifs have permeated literature for many years: from the very obvious “Fire and Ice” by Robert Frost to “Inferno” by Dante Alighieri, authors have been utilizing these motifs to highlight the idea that fire accompanies positive forces and passion while ice emphasizes negative forces and that perhaps the very worst people are the ones who use their cold intelligence to commit cruel acts, such as Satan in “Inferno.” In Charlotte Brontë’s Jane Eyre the use of these motifs continues these ideas as Brontë makes use of the two motifs to emphasize the characters, places, and stages of Jane’s life which are symbolized by either fire or ice. While cruel or detached characters …show more content…
The best example of this is how Helen Burns is a foil to Jane. Unlike Jane, Helen is detached from most earthly desires, constantly reminding Jane to endure, that God and her future in heaven are more important than revenge (55). While Jane is filled with blazing passion, Helen is peacefully submissive. When Helen is punished or unjustly mistreated, Jane would find “the fury of which [Helen] was incapable had been burning in [Jane’s] soul all day” (74). Helen’s cool nature directly foils Jane’s fiery one, making the use of the fire and ice motifs in regard to Jane very emphatic. Jane, unlike Helen, is not willing to turn the other cheek. Rather, Jane craves to be loved and dramatically claims she would willingly submit to harm to gain love (69), a desperate, passionate idea to say the least. Further, the fire motif is also used to emphasize the positive forces in Jane’s life, specifically Miss Temple, the beautiful and kind superintendent at Lowood, whose apartment contained a “brilliant fire” and who was capable of rekindling the “radiance” in the pale and sick Helen (73). Miss Temple, with her overwhelmingly kind nature, is evidently a positive force in young Jane’s …show more content…
As opposed to the fiery feelings that Jane experiences for Mr. Rochester, St. John, the evangelist who takes Jane into Moor House, is associated with very different feelings. Jane never portrays him as a person of warmth; rather, apart from the intensity both he and Mr. Rochester contain, St. John’s personality is in complete contrast to Mr. Rochester. Previously the ice motif was associated with the negative forces which Jane must overcome to find happiness, and this idea pertains to her experiences with St. John. Jane writes that with St. John, “I fell under a freezing spell. When he said “go” I went. “come” I came, “do this,” I did it” (398). This notion that he placed her under a “freezing spell” illustrates the idea that St. John keeps her from her heart’s desires. Further, this concept is demonstrated once more when St. John asks Jane to marry him. Jane depicts the proposal itself as cold, stating, “Reader, do you know, as I do, what terror those cold people can put into the ice of their questions?” (412). She rejects him knowing that a union with a cold man such as St. John will only make her unhappy, saying, “"...as his wife-at his side always, and always restrained, and always checked-forced to keep the fire of my
The essence of any true magnificent piece of literature is not what one can see in words. It is what one can see behind the words. It is through the symbolism and imagery found in works of literature that a reader can truly connect with the writer. Charlotte Bronte epitomizes the spirit of the "unread but understood" in her Victorian work Jane Eyre. There have been numerous essays and theories presented examining the complex symbolism and imagery used by Bronte in Jane Eyre. Much of the imagery she uses concentrates on passion, fantasy, and the supernatural. In this essay I will examine Bronte’s use of fire and heat imagery pertaining to Mr. Rochester and Jane’s love relationship.
The red hue is conjointly used in The Book of Revelations as the color of the seven headed dragon. “Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems” (Revelation 12:3). This dragon represents evil and esoteric darkness. The tenebrous serpent is Jane’s burden due to her extreme passions and unpleasant aunt. While crimson is not traditionally associated with light-dark imagery, the red room was selected to illustrate both Jane’s passion as a child and as the color of war and bloodshed. At this moment in the novel Jane is bleeding from the violent head wound she received from John Reed, this physical blow only begins to scratch the surface of the horrible war Jane has been fighting. The psychological and even sometimes physical war is fought for Jane’s equality and the right to love and be loved. Brontë progresses to illustrate the vile sanguine room. “Out of these deep surroundings shades rose high, and glared white, the piled-up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned chair near the head of the bed, also white, and looking as I thought, like a pale throne” (Brontë 17). The white chair is symbolic of justice and the victory of incorruptibility. The allusion to the stark white demonstrates the innocence of Jane, against those charges vehemently thrust upon her by John Reed. This is further affirmed with the mention of the snowy throne. “And I saw a great white throne, and him that sat on it, from whose face the earth and the heaven fled away; and there was found no place for them. And I saw the dead, small and great, stand before God...And the sea...
By comparing St. John to a statue, the reader is forced to see St. John as someone who is cold and rigid. Jane sets up the perception that St.John is disconnected from human feelings. Jane also presents a biased view of men when she first meets Rochester, who later becomes her husband. Furthermore, Jane’s first impressions of Rochester are also negative. Upon first being introduced to Rochester, after he asked to see her, Jane comments, “But it appeared he was not in the mood to notice us, for he never lifted his head as we approached. . .
ane Eyre is a story filled with many forms of abuse and bad customs. In this essay I will bring you close to these. I will point out tyrants and abusers that Jane faces throughout her life. Jane Eyre Is also filled with hypocrisy and I will expose that. The suffering that Jane endures will be discussed. The book Jane Eyre starts out very powerful. Our first meeting of Jane is at Gateshead. Jane is an orphan who is being taken care of by Mrs. Reed her aunt by marriage. There is no love for Jane here; not only that the only thing here for Jane is abuse. “Why was I always suffering, always browbeaten, always accused, forever condemned?”(Pg.11) Keep in mind that this girl is only 10 years old. She is all alone. She is on her own. “I was a discord in Gateshead Hall; I was like nobody there”(Pg.12) Within the First ten pages we learn of the harshest abuse Jane has to face in the book. The infamous “Red Room.” Jane is sent to the “Red Room” after a dispute with John. John is Mrs. Reeds favorite, but he is a little tyrant. The foul part is that Jane was injured by him and she got punished. The reason the “Red Room” seems scary is that it is the room Mr. Reed passed away in. “ And I thought Mr. Reed’s spirt, harassed by the wrongs of his sister’s child, might quit its abode.” So Jane feels that his spirit is present and her harassment of him might keep him from showing himself.” As Jane sits in the “Red Room” a shadow of some kind begins to move about the wall like a dancer. Jane starts to worry to the point that her mind becomes overwhelmed and she passes out. When she wakes up, she begs Bessie and Miss Abbot the help to let her out. They run to Mrs. Reed to tell her of Jane’s high fever. As the sunsets a new found factor of worry is thrown at Jane. It becomes evident that she may not make it through the night. Mr. Lloyd the doctor arrives to tend to Jane, and he recommends that Jane attend a school called Lowwood. Jane makes it through the night but her abuse and torments have just begun. She will soon face a monster and a tyrant far worse than that of young John known as Mr.
Fire and Ice are the central motifs in Jane Eyre, which Bronte introduces to us to for the first time in this passage. Bronte expresses fire as an emblem of Jane's passion which is "alive, glancing, (and) devouring". Ice stiffens and restricts those it affects and throughout the novel is used in an effort to control this fire, and in this extract symbolises Mrs. Reed as she responds to Jane with coldness in an effort to control her. The result of these two opposites is an explosion of feelings, passion and power which allows the reader to see deeper into the character of Jane Eyre.
The novel Jane Eyre by Charlotte Brontë is an early 19th-century English literature; a literary work that is evocative and riveting. It depicts acts of betrayal between family members, loved ones and self-inflicted betrayal. The acts of betrayals are done by Mrs. Reed, Mr. Rochester and Jane Eyre herself.
When trying to understand the meaning in the novel, Jane Eyre by Charlotte Bronte, it is imperative to understand the underlying characteristics of Jane Eyre. Her characteristics are introduced early on in the novel at her Aunt Reed's house, and continues to grow and solidify through her interactions and relationships with those around her. These instances help depict Jane as a person who despises injustice, content, and reasonable.
The novel “Jane Eyre” by Charlotte Bronte, and the novella “The Turn of the Screw” by Henry James, both display the treatment of pride for upper and lower class similarly. Furthermore, the treatment of pride will be compared and contrasted in this essay to examine and understand how pride is treated. In novel and novella both the lower class characters believe their pride makes them superior beings. Although the pride of lower and upper-class characters led them to their corruption. Moreover, the upper-class characters in each narrative maintain their respectability by their pride. However, in “Jane Eyre” all casts must have their emotions controlled by their pride, or this will lead to inappropriate behavior. Nevertheless, in “The Turn of
e Place of Love in Jane Eyre and Wuthering Heights. David Lodge, Fire and Eyre: Charlotte Brontë's War of Earthly Elements Fraser, Rebecca. The Brontes. 1st ed. New York: Crown Publishers, 1988.
posts, this was felt to be a women's job as it is the mother who would
“Jane Eyre,” by Charlotte Bronte, is a story of an orphaned girl who was forced to live at Gateshead Hall with her Aunt Reed. Throughout her early appalling childhood, Mrs. Reed accused Jane of being deceitful. "I am not deceitful; If I were I would say I loved you; but I declare I do not love you (30)." The author, Charlotte Bronte, used this barbarous quote to reveal to the reader that, Jane Eyre, denies she was deceitful. Deceitful is the major theme of, “ Jane Eyre,” which results in loneliness and wretchedness to the people being lied to but also to the people persisting the untruths.
In Charlotte Brontë’s Jane Eyre, the eventual goal of Jane Eyre’s journeys and struggles as a character is for Jane to be strong enough within herself to stand on her own. It is not until she finds this internal strength that she can live as a content individual and weather the distracting demands put on her by the external forces that surround her. Throughout most of the novel, Jane makes the mistake of looking for this internal peace through external forces like Mrs. Reed, Mr. Rochester and St. John. To convey this tendency, Charlotte Brontë constructs her narrative so that, rather than looking within herself to find internal solace, Jane turns away from cold, alien internal imagery, and looks instead to fickle external imagery that is at times a friend, and at times a foe. The internal imagery is reflective of Jane’s own internal state, and the external imagery is reflective of the state of the external forces that surround her; until Jane realizes that she cannot find solace in the ever-changing external forces around her, and must instead look inside herself for this solace, the internal imagery must remain cold and alien, and the external imagery must remain unpredictable in its ability to comfort.
In the beginning of Jane Eyre, Jane struggles against Bessie, the nurse at Gateshead Hall, and says, I resisted all the way: a new thing for me…"(Chapter 2). This sentence foreshadows what will be an important theme of the rest of the book, that of female independence or rebelliousness. Jane is here resisting her unfair punishment, but throughout the novel she expresses her opinions on the state of women. Tied to this theme is another of class and the resistance of the terms of one's class. Spiritual and supernatural themes can also be traced throughout the novel.
When in Rome, do as the Romans do. In other words; conform to the people around you or face standing out. Despite the excessive number of motivational posters in modern classrooms, repeating the unending importance of going against the flow and staying true to one 's own beliefs, there is something to be said for fitting in. Lawyers wear suits, yodeling is inappropriate in a theater, and one certainly never starts a food fight in the cafeteria. Society has its expectations for how people should behave and to act outside those parameters is grounds for ridicule; the England of the 1800 's was no different. Jane Eyre was an outcast from the start; born to a estranged couple, housed by an Aunt who despised her, and raised in a world where she lacks
Consequently, Jane’s desire to have St. John “neglect” her takes a different turn. Instead of the dominating men leaving her, she builds up the autonomy through several hardships, and abandons them herself. She makes the decisions herself, and comes back to Rochester when she knows they will be viewed as equivalents.