Shakespeare is known to not give his readers direct answers in his writing. He leaves major questions unanswered, so that the reader has something to ponder over. But, he is known for leaving clues and literary devices to help people better interpret his writing and make their own conclusion about his plays. One of the literary devices that Shakespeare use to help in our interpretation are motifs. Motifs black and hell are very important, and help in our interpretation of Act One in Shakespeare’s, Othello. When a person thinks of black, they think of darkness or racism. The motif black is very important in Othello. A motif is a recurring symbol, idea, image, or action that takes on a figurative meaning. Iago uses the motif black multiple The motif hell is very important in Othello. There are multiple references to the devil and hell in Shakespeare’s play. For instance “the devil will make a grandsire of you” (1.1.91) is one of the first references to hell. The devil is commonly associated with hell, because that is where in a person’s mind, the devil resides. In this quote Iago is referring to Othello as the devil. He is says to Brabantio that the devil—Othello—will have children with Desdemona, and that you will be the grandfather of those young devils. Iago referred to, Othello, as the devil to put fear into, Brabantio, so that Brabantio would act faster. Furthermore, the motif hell is mentioned in the quote “Hell and Night.” (1.3.392). When Iago says “Hell and Night”, he is probably referring to Othello. This is possible because in most of Iago’s references and talk of hell, he is always mentioning Othello as the devil. In the quote “Hell and Night”, Night could perhaps be a reference to Othello’s skin color because the night is black just like Othello’s skin tone. Mentions of hell usually put fear in a person. Iago uses the motif hell multiple times, and most of those times he is referring to Othello, which suggests that he wants people to be afraid of
After further expressions of Othello's stubbornness and Desdemona's naivete, Othello finally gives a short speech, beginning with a vivid allusion to the Bible. Othello metaphorically compares himself to a man who fell victim to a contest of will between God and the devil. The devil thought that if God made the man to suffer, he would denounce God; but after being plagued by illness and poverty, he still loved God. Vivid imagery is found in this passage:
The best way to draw a reader into a story is to focus on knowledge drawn from other sources and add to them in a way so that the reader can relate. William Shakespeare achieves just this with his ability to enhance Macbeth with reoccurring motifs throughout the play. Possibly the most prominent ones and those that represent the greatest are the sleep and serpent motifs. J When one possesses a conscience, the function to tell the difference between right and wrong; it impedes the ability to either make positive or negative decisions. If one has a clear conscience, they usually possess the ability to sleep. But when our consciences are full of guilt, they experience a state of sleeplessness. In Macbeth, Shakespeare uses the sleep and sleeplessness motif to represent Macbeth and Lady Macbeth's consciences and the effect Macbeth's conscience has on the country of Scotland.
Shakespeare’s plays show the complexity of human beings. Everyone is different in reactions, actions, and thought. Shakespeare explores various themes throughout his writing career. Each play is unique, and their themes are handled in a very distinct way as Shakespeare writes each work with great care. Two major themes are appearance versus reality and relationship between motive and will; Othello, Hamlet, and Henry IV, Part 1 all portray these two themes in similar and different ways.
The famous playwright William Shakespeare used symbolism throughout all of his thirty-seven plays. Light and dark are used as powerful symbols of good and evil in his tragedy Macbeth. Shakespeare uses these themes of light and dark or day and night to form an actual image of the play's ongoing conflict for the reader or viewer. The meaning behind this specific symbol essentially creates the story of Macbeth.
When Othello says this, he means how he is indebted to Iago, but the hidden, ironic meaning is that Othello is now the property of Iago, and will not escape his evil grip until death. These sorts of ironies again bring out the idea of the villains talking in a riddle, which gets passed on to Othello. This whole idea I think is showing how evil is so powerful that once it has you, there is no escape.
Both Othello and Iago have many different qualities but the ones that are the same are what proves the point of them not just simply being two sides of one coin. Othello had many weaknesses and Iago plays off every single one of them, the “hellish villain”(V, ii, 354) that Iago is killed every living ounce that was left in Othello, and once the truth came to the surface, Othello only wished he could awaken and “arise, black vengeance, from the hollow hell” (III, iii, 507). The fact that Iago had “ensnared [Othello’s] soul and body” (V, ii, 354) made Othello believe that “honesty’s a fool” (III, iii, 436) and his life was over.
Shakespeare’s play Othello is based on tragedy of Othello’s jealousy, which ironically leads Othello to kill Desdemona, his beloved (wife). Evil Iago is above all Shakespeare’s villains. Iago is a person with evil emotions, and as a result he deceives everybody, he also is exceptionally influential character who has taken in everyone, above all his own wife Emilia. His public face of bravery and honesty conceals a satanic delight in manipulation and destruction, and he will stop at nothing. Iago’s opinion on women is that he detests women in all kinds and shapes, and finds faults even when they have little or no faults.
In William Shakespeare's Macbeth, symbolism plays a prominent role to emphasize the theme of corruption of power. Throughout the play there are several main symbols repeatedly used to emphasize this theme. The contrast of light and dark representing good and evil, blood representing guilt, murder, and pain, and the archetypal pattern of purification by using water represents removal of guilt, cleansing and peace. Symbolism is used repeatedly to emphasize the theme of corruption of power.
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
Imagery of night and darkness is used quite frequently in the play to portray an image of a desolate, deranged place, brimming with tumult, disorder and transgression. Night and darkness are often used to symbolize death, tragedy and corrupt deeds, and to paint a deranged, haphazard picture of characters, their wrongdoings or their malevolent thoughts. Shakespeare has used this imagery to enhance the play by creating the exact atmosphere of pandemonium and devastation that he wanted.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
The presence of certain literary elements creates a more dramatic and realistic image for the readers throughout the piece. William Shakespeare included literary elements in The Tragedy of Othello to bring the story line to life. Throughout the tragedy, Shakespeare used the elements of theme, dramatic irony, and symbolism along with many others. These three literary elements are significant because they help readers fully understand the complexity of the plot. The theme of jealousy, the dramatic irony, and the symbolism throughout the tragedy create the thrilling atmosphere readers experience.
An initial reading of Othello would suggest that animality and darkness are indeed in opposition to beauty and light. This view is affirmed by looking at the language and actions of Iago, 'Though I do hate him as I do hell-pains' in contrast to Desdemona, (or even the early Othello),'Not to pick bad from bad, but by bad mend.'
Iago can be viewed as the narrator of this play. He is left alone on stage several times trough out the play to more or less speak to the audience. One such instance is the last part of the first act where Iago devisee’s his plan of attack on every character in the play. At this point the only reason we have seen for his anger is that he has not been appointed Othello’s lieutenant, despite his recommendations. “But for my sport and profit, I hate the moor…”(1.3.365). It is obvious that Iago is the villain in the play. But this line is very important. Iago hates Othello it seems because of his unapointed position. This line asks us, the audience, a good question: does Iago hate Othello enough to go trough all the trouble creating enemies of the entire cast? There could have been much simpler ways to get at Othello without dragging everyone else into the picture. Also after Rodrigo lost his luetiency it would have been simple for Iago to fill the newly vacant position. I believe, as the line says, Iago hates Othello only for amusement. “But for my sport and profit…” (1.3.365) Iago engages in the act of hating not because he has a disregard for Othello. Iago engages in the act of hating only to hate, whether it be Othello or his own mother. Iago hates for his own “sport and profit.” thus understand this concept of Iago puts a whole new spin on the evil which consumes him.
Shakespeare's tragic play, Othello, is an amalgam of diverse antecedents, including the generic influences of the ancient Greek and Roman tragedies, Italian fiction, as well as Renaissance history such as the progression of Christian humanism. Additionally, although Shakespeare incorporates some elements of the medieval morality play into Othello, the fact that his play is a tragedy shows how he modifies it from the typical ending found in a morality play. Furthermore, not only does Shakespeare include the stereotypical Englishman's view of the black race during the Elizabethan era, he also modifies it to convey the importance of looking beyond the skin color, showing the progression of a racially prejudice society to one in which people are treated judicially based upon their character.