More’s Utopia, Erasmian Humanism, and Greek & Roman Beliefs

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Much can be learned about England in the sixteenth-century from More’s Utopia both from the book itself and as a result of the circumstances of the time that influenced his writing of it. There is a great debate over More’s actual opinions, as More is a character in the book as well. It is not known wether More (the character) was supposed to represent More, himself, or if More’s opinions were more along the lines of Hythloday’s. There is a view that employs the knowledge of the Erasmian humanist movement to interpret Utopia as a work that illustrates the conflict between the Roman ideals of sixteenth-century England and the Greek ideals that were launched off the back of the Italian Renaissance.
The Erasimian Humanist movement (also called the humanist movement of the Northern Renaissance or Christian humanism) can be seen as a continuation of the Italian Renaissance, but with one major difference. Both movements were oriented towards learning, historicism, and the rhetorical arts. They also emphasized an ad fontes (‘back to the source’) philosophy. The main difference, however, was in the perception of science and logic and how it functions in relation to the belief in God. In the Italian Renaissance, many of the humanists, while Catholic and some devout, were able to separate their belief in God from their work. The Erasmian humanists, on the other hand did just the opposite. They actually centered their work around a belief in God and studied and drew conclusions about nature based on this (Parrish 590). From a non-religious perspective, this is similar to dark matter in theoretical physics. Many of the theories are based upon dark matter, yet, it has not been observed, it is only believed to be there and acting on things i...

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...en Greek and Roman thought. More’s true opinion, when the book is read without the humanist movement background, is shrouded in puns upon puns and a character called More that may not at all be representative of More, himself. Utopia can be seen as a dramatization and characterization of two schools of thought that were occurring at the same time, but in opposition to each other.

Works Cited

Engeman, Thomas S. "Hythloday's Utopia and More's England: An Interpretation of Thomas More's Utopia." The Journal of Politics 44.1 (1982): 131. Print.
Kreis, Stephen. "Renaissance Humanism." Renaissance Humanism. N.p., 13 Apr. 2012. Web. 11 Nov. 2013.
More, Thomas, and George M. Logan. Utopia: A Revised Translation, Backgrounds, Criticism. New York: W.W. Norton &, 2011. Print.
Nelson, Eric. "Greek Nonsense In More’s Utopia." The Historical Journal 44.04 (2001): n. pag. Print.

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