The moral values and ethical codes that guide our choice in our ordinary world, if anything, even more, important to help us navigate the confusing and disorienting time of chaos. Moreover, As the corruption of moral can lead to chaos, the path to regaining moral can lead to order and balance. In many instances, when exposed to flaw or fear, it is natural for the persona to be disturbed which opens a path to embark on a journey to self-reflect. When one’s persona is agitated it serves as the foundation for personal growth. In society, during World War 1 the world fall in fear and chaos due to flaws like blindness through greed and revenge. The chaos of World war 1 brought fear and through the confrontation of this fear lead to the growth of …show more content…
The classic novel Dracula, by Bram Stocker, is an example of a transcendent hero Harker a lawyer who embarks on a journey to Dracula Castle in Transylvania to sell him a house in London. Harker ignores all warnings and reaches Dracula castle where he is held captive beyond his will and then after the three wives of Dracula torture Harker in the castle. Harker escapes soon after Dracula leaves to London and then marries Mina. But, soon after Dracula fall in love with Mina and converts her to a half-vampire. Thereafter, Harker journey begins to kill Dracula and save his wife from the curse. The idea of Passing through the threshold, the ordeal and returning with the elixir is also supported in the Canadian novel Fifth Business by Robertson Davies. This story, while does not have a monster to slay like Dracula. but is rather the conflict of the transcendent hero Dunstan to forgive himself for dodging a stone filled snowball which hits Mrs. Dumpster losing her sanity.
Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil.
During the early 1920s to late 1940s, people in the whole world suffered from the two darkest periods in the humankind history. One period was, from 1929 to 1932, the longest and deepest economical depression, the Great Depression. The other, right after that, was the most widespread and deadliest total war, the Second World War. In those periods, people were devastated; millions of millions people died, some died from hunger, others died in the war. Some survived, but they surrendered; lived like a walking dead. The physical harm was not deadly enough for people, but the mental harm was. Those people who did not have a strong sense of love, moral, or spiritual belief died mentally. They were, weak-minded and shiftless, the ‘sheep’. In contrast, there were the real ‘goats’; they were enduring and constructive. They fought against the evil and followed their beliefs tight to avoid being lost in the dark. These people knew how precious love, moral, or belief could be in the adversity and, thus, made an utmost effort to uphold these senses. Whether one can hold one’s own in adversity depends on how strong one’s love, moral, or belief are.
All this Conflict eventually resulted in the begining of Worls War I. The causes of World War I were the intense nationalism that dominated Europe throughout the 19th and into the 20th century, and the establishment of large armies in Europe after 1871. Imperialism created a rivaly between nations and empires. The build up of armies and navies created fear between nations. France feared Germany, Germany feared Russia, Austria-Hungary and Russia rivaled around Bulkans, Britain feared German's expanding navy, Slovakia wanted to free Slavian land from Astria-Hungary's apressi on.
In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths. Dracula was not the first story featuring a vampire myth, nor was it the last. Some would even argue that it was not the best. However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.
Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’. Stoker has rendered the reader to see the Count as physically strong and powerful, through Jonathan Harker and his confinement and Lucy Westenra and her failing health. Although the reader does not understand all the omniscient powers and control that Count Dracula possesses over people, they are brought to light through Dr. Steward’s accounts of his patient R.M. Renfield. The ‘strange and sudden change’ (Stoker, 86), that has happened in Renfield evokes the reader to contemplate the Count’s influence over people. Dr Steward suggests it is as though a ‘religious mania has seized’ Renfield (Stoker, 87), and is controlling him.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Over the course of cinematic history, many filmmakers have attempted to recreate the chilling, unprecedented world of Bram Stoker’s Dracula. Arguably very few have succeeded, for the majority of directors tend to avoid the pervasive sexuality inherent in the novel. It is a difficult task to achieve, considering the blatant imagery surrounding sex and vampirism, such as the reproduction following a vampiric encounter and the phallocentric nature of the violence committed both by and against these creatures: penetration is involved in their hunting, and one must impale them with a stake in order to destroy them. Readers are thereby forced to admit that Dracula is, in fact, a highly eroticized piece of literature, though whether or not Stoker himself was aware of this suggestiveness, we cannot be sure. The most successful effort at capturing that sexual energy on film has been Francis Ford Coppola's 1992 movie, Bram Stoker's Dracula. In fact, it has often been proposed that Coppola’s version is too carnally focused in comparison to the original work, which leads a viewer to wonder about the purpose in this overt sexualization. It can be concluded that adding copious amounts of eroticism to the film is directly related to Coppola’s strive to depict Count Dracula as more human rather than monster, and sexuality in his film serves as a balance so that the lines between good and evil are blurred. Evidence for this deduction is found in three scenes in particular: Jonathan’s seduction by Dracula’s vampiric wives, Lucy’s demonic transformation, and Mina and Van Helsing’s relationship during the climax of the story.
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
Dracula, as it was written by Bram Stoker, presents to us possibly the most infamous monster in all of literature. Count Dracula, as a fictional character, has come to symbolize the periphery between the majority and being an outsider to that group. Dracula’s appeal throughout the years and genres no doubt stems from his sense of romanticism and monster. Reader’s no doubt are attracted to his “bad-boy” sensibilities, which provide an attraction into the novel. Looking first at his appearance, personality, and behaviour at the beginning of the novel, we can easily see Dracula’s blurred outsider status, as he occupies the boundaries of human and monster. Related to this is Dracula’s geographic sense of outsider. For all intents and purposes, Dracula is an immigrant to England, thus placing him further into the realm of outsider. To look at Bram Stoker’s Dracula as solely a monster in the most violent sense of his actions would to be look at a sole aspect of his character, and so we must look at how he interacts with the outside world to genuinely understand him.
What if in between good and evil did not exist? Where would you stand? Today, it is believed that everyone was born with the slightest bit of evil in them. In the Victorian Era, this theory would be considered very wrong, because one would either be all good, or all evil. In Dracula, by Bram Stoker, good versus evil was symbolised throughout the book as two antithetical forces without an in between. By clearly demonstrating the relationship between the dualistic ideas of intuition versus logic, good characters facing figures comparable to the devil, and symbolism within the natural world, Bram Stoker effectively recounts a “holy war” between the antagonistic forces of good and evil.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
A reader’s anxiety accelerates from altering the story from Jonathan Harker’s journal to Mina Murray’s letter when Jonathan commits to escape from Dracula’s castle. While Jonathan stays at Dracula’s castle coercively, as he depicts himself as “a veritable prisoner, but without that protection of the law which is even a criminal’s right and consolation” (40), he always seeks for an opportunity to g...
Throughout everyday life, people feel threatened and overwhelmed as if they are going to collapse under the pressure of society. This feeling is called anxiety. According to Freud, the body has a way to deal with this anxiety from conflicts in life. Freud stated that the Ego employs a range of defense mechanisms that operate at an unconscious level to help ward off unacceptable drives and urges. Unfortunately, these drives and urges don’t disappear. Our body keeps these painful or socially undesirable thoughts and memories out of the conscious mind with defense mechanisms. Bram Stoker’s Dracula is a perfect example of Freud’s theory on defense mechanisms, because of the repressed feelings of desire and temptation present, normally very unusual