Paper #3 For this weeks choice of a podcast, I decided to give the Modern Love podcast a chance. I was browsing through the web trying to find something fun and interesting to listen to, then I stumbled upon the Modern Love podcast. What caught my eye first was obviously the title of Modern Love. Right there and then I knew that a podcast with a title as such would talk about some of the very relatable dating experiences that our generation faces every day, and be something to possibly find comfort with and know that you are not in this tricky love world on your own. Then, as I pressed play, a familiar voice began echoing through my headphones. It couldn't of been someone that I actually knew, so I went ahead to read the description of this podcast. Turns out that familiar voice was Catherine Keener’s voice! Alongside Catherine, I also then heard January Jones and Judd Apatow in the next few episodes. I instantly developed an interest in this podcast because of its celeb, professional sounding on air talent. What captivated me the most, and probably gained me as an occasional audience member moving forward was the function and content of this podcast being pulled out from the pages of the New York Times relationship columns. With my first listen of episode 1, I also learned that this podcast has occasional live happenings all over New York City with its readers and …show more content…
Not only did it serve my daily intake of being a hopeless romantic, but it also let me enjoy the New York Times. It was really a two in one podcast that became like more of a treat rather than an assignment. It’s rich and credible writers content, captivating narration, purpose, and simply great quality might have just made me another audience member. The Modern Love podcast has really incited my interest and broadened my mind that a podcast really can be about anything you want it to be, even a story pulled out from the New York
...er-relationship through the lens and personal experience of the author Meghan Daum. After being exposed to the ups and downs that left a deep scar in the author, she concludes that the physical world stands as an obstacle in front of online-relationships. Overall, the author did a good job in presenting her idea and supporting it using personal experience and detailed descriptions. Yet she fails when restricting her support to her personal encounters and lacked power due to the many logical fallacies presented earlier such as her constant generalization, emotional appeals and finally the lack of counter argument. In the end, the reader is left with questions concerning virtual love, the physical world, and the ultimate desire to attain happiness since it’s quite hard to imagine that someone would be convinced with the idea of Daum simply due to her own experience.
Certainly, being born into a privileged family have their advantages. Unfortunately, for those who are born into poverty may struggle for their success, but it is not impossible. The podcast “Three Miles” is a great example of that. Comparatively, on the surface Melanie and Raquel are two individuals coming from the same unfortunate circumstances. Although, both girls were introduced to the same pen pal program their outcomes would travel different courses. Initially, the purpose of this program is to give students from poor neighborhoods a glimpse inside their wealthier counterpart’s lives, from another school. Raquel and Melanie’s backgrounds were similar, because they were afforded the same opportunities, but they turned out differently. Raquel was driven while Melanie is unambitious.
Since its inception, American mass media and entertainment has had an indelible impression on how our culture develops our collective identity. Mass media’s grip on cultural perspective has unprecedented power in molding how society communicates, why we communicate and what the communication ultimately means in our everyday lives. Say what you will about television, but what has been made excruciatingly clear over the past few decades is that the small screen is a teacher and what it teaches us more than anything is our roles in civility. Representation is key in this respect. Generally, much of television is concerns heterosexual, white males and their constituents, most of which are too white, heterosexual and male. In the age of being able to access television shows with a few clicks of one’s phone or computer, media’s presence continues to envelope the lives and perspectives of everyone. Young people who are growing up with new technologies that beam copious amounts of mass media influencers by the second are especially affected--their identities become cookie-cut before they even enter kindergarten. The AMC drama series, Mad Men is a marvel that has won four consecutive Emmy-awards for Best Drama Series and continues to receive glowing reviews every season. The wildly popular and critically-acclaimed television drama series expresses every concerning aspect of media’s representation of “US”, our history, our ideals and beliefs. What is perhaps most interesting about this award-winning show is how it always generates a dialogue about the state of our current cultural identity, saying so much about the nature of gender roles, sexuality, race and more. It is a reminder that whilst we are being entertained, we are also having our...
The audience sees through staging and conversation between the two main characters that the communication of modern relationships
Mitchell, D. (2005). Power media bluebook: With talk show guest directory. (15 ed.). Broadcast Interview Source, Inc. Retrieved from books.google.com/books?id=AQqnULQq6JUC
In the beginning of the 1960’s, talk shows were usually devoted to either light entertainment containing comedy, celebrity guests, and music or more serious discussions of the news and politics. They were created based on “controlled spontaneity.” Talk shows covered a variety of topics from the news to gossip, sports to religion, and hobbies to advice (Gregg, McDonogh, Wong). Hosts like Geraldo Rivera pursued formats that were similar to this; however, when Oprah was brought into the picture, she set herself apart from other talk shows of that time and changed daytime talk shows from being gossipy to intimate (News discovery).
Today, love, sex and romance are three main topics that presented in media as main themes discuss in contemporary popular culture. Social media is important in shaping audience value about feminism through the framework of contemporary media like films, magazines, plays, advertisements, TV shows, graphic novels, etc. The television show “Sex and the City” incorporates “pop feminism” that influences many lives of women. Sex and the City is originally talking about four single thirty-something women living in Manhattan. They are coming to New York in order to seek “love and labels” (Sex and the City). The main theme of Sex and the City is concentrating on contemporary American woman’s conception of sex, love, and romance. As we learned from lecture, sex, love, and romance have a history; they are different in different cultures; they are shaped by gender, class, race, ethnicity, nation, ability, and other differences (Lecture Notes). Sex and the City is focusing on modern American woman’s experiences and their thinks with sex, love, and romance. The four main women characters in Sex and the City represent diversity of gender, class, race, ethnicity, religion, age, able-bodiedness through their different experience and expectations of their life (Lecture Notes). Sex and the City represents that the feminism notions of sex, love, and romance are socially constructed, and this social construction of sex, love and romance are featured in these female characters’ personalities.
Super Sad True Love Story by Gary Shteyngart depicts a futuristic American society dominated by media. Technology is their most precious procession, everything revolves around their äppärät. Everyone is ranked based on their attractiveness and wealth. Most people want to stay young and live longer. Any written artifacts are almost non-existent, and literacy is not the same as before. People are speaking differently, using new words that older generations will not understand. The change this society has gone though has had its consequences. We need to put attention to these issues to better understand the message the book is conveying.
When you were in high school or just around town, did you ever see a mentally challenged person be treated like dirt? If so, then you should see the movie "Radio." In one part of the movie "Radio", James Robert "Radio" Kennedy went around the high school football field every day. One day, Coach Harold Jones invited him inside the gates. The football players took advantage of Radio and locked him in the equipment shed while the players threw footballs at it. After Coach Jones unlocked the shed, Radio, played by Cuba Gooding Jr. ran out of the field.
For my honors assignment, I chose the TED talk “The secret to desire in a long-term relationship” by couple’s therapist Esther Perel. As I read down the list through my options for the assignment write up, this one caught my attention right away. I feel as though this article specifically lured me in because I could relate to it the most, taking that I have been in a long-term relationship for seven years. I felt that choosing to write about this TED talk would be beneficial to me in hearing what Esther Perel had to say on the topic that may affect someone just like me, and to also connect to all that we have learned in FSHD 237 this semester.
Devito, Joseph A. "Relationship Maintenance; Love." Devito, Joseph A. The Interpersonal Communications Book. Boston: Pearson, Allyn & Bacon, 2009. 225, 254.
When daytime talk show programs first appeared on television in the 1950s, they mostly consisted of celebrities gathered around a coffee table discussing secrets about trivial things, such as how to make the best sponge cake. It is unlikely that these shows promoted positive changes in the lives of their viewers in any substantial way. In the early 1970s, Phil Donahue introduced a new variety of talk show. His show was characterized as "an exercise in sociopolitical discourse," but was, in actuality, more successful for its coverage of titillating issues than important ones (Moorti sc 2-3).
From the moment “When Calls the Heart” premiered on the Hallmark Channel, I was captivated with this depiction of what many would call a “bygone era.” However, at that time I only knew it was based on one of my all-time favorite book series and starred a long-time favorite actress, Lori Loughlin. It was only as the second season of the show loomed before me that I discovered the creative mastermind behind this successful show--Brian Bird. I was utterly unaware of the colossal force that the fans of the show (called Hearties) wield in this family-friendly, thriving environment, but as I began to comprehend Brian’s fervor and enthusiasm through their eyes, I became completely entranced with everything this man does. In the journey to the wildly
The average America watches more than 150 hours of television every month, or about five hours each day (“Americans,” 2009). Of the 25 top-rated shows for the week of February 8-14, 2010, six were sitcoms, averaging 5.84 million live viewers each (Seidman, 2010), to say nothing for the millions more who watched later on the Internet or their Digital Video Recorders. The modern sitcom is an undeniable force in America, and its influence extends beyond giving viewers new jokes to repeat at the water cooler the next day: whether Americans realize it or not, the media continues to socialize them, even as adults. It may appear at first glance that sitcoms are a relatively benign force in entertainment. However, the modern sitcom is more than just a compilation of one-liners and running gags. It is an agent of gender socialization, reinforcing age-old stereotypes and sending concrete messages about how, and who, to be. While in reality, people of both sexes have myriad personality traits that do not fall neatly along gender lines, the sitcom spurns this diversity in favor of representing the same characters again and again: sex-crazed, domestically incompetent single men enjoying their lives as wild bachelors, and neurotic, lonely, and insecure single women pining desperately to settle down with Prince Charming and have babies. Sitcoms reinforce our ideas about what it is “normal” to be, and perhaps more importantly feed us inaccurate ideas about the opposite sex: that women are marriage-crazed, high-maintenance, and obsessed with the ticking of their biological clocks, while men are hapless sex addicts whose motives can’t be trusted. The way that singles are portrayed in sitcoms is harmful to viewers’ understanding of themselves...
Advances in technology have complicated the way in which people are connecting with others around them and how it separates people from reality. In “Virtual Love” by Meghan Daum, she illustrates through the narrator 's point of view how a virtual relationship of communicating through emails and text messages can mislead a person into thinking that they actually have a bond with a person whom they have stuck their ideals onto and how the physical worlds stands as an obstacle in front of their relationship when the couple finally meets. In comparison, the article … While Daum and X discuss that technology pushes us apart and disconnects us from the physical world, they evoke a new light into explaining how technology creates the illusion of making