Miss Brill's Loneliness

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To help deal with her loneliness, Miss Brill goes to the park every Sunday. When she goes, it’s clear that she enjoys going to the park because of all the activities going on. For example, she says, “Oh, how fascinating it was! How she enjoyed it! How she loved sitting there, watching it all!” Being there every Sunday helps Miss Brill forget about the lonely feeling that she felt at “the dark little room” in which she lives. Miss Brill takes advantage of what goes around her in order to not feel lonely. For example, she listens and watches other people as if she were included in the activities of the park. She’s believes that she’s an expert at “sitting in other people’s lives for just a minute” by eavesdropping. When someone watches what is …show more content…

She thinks of the pelt as more of a companionable pet as she considers that "she could have taken it off and laid it on her lap and stroked it." Ignoring reality, character and personality are imagined into the lifeless fur as she affectionately refers to the accessory as the "little rogue!" Another indication that Miss Brill skews her reality is seen in her perception of others versus herself. While spectating, Miss Brill observes the other elderly bench sitters who share the same ritual in coming to the park every Sunday to watch and listen. She does not recognize herself as being in the same category when she notices that the others "were odd, silent, nearly all old, and from the way they stared they looked as though they'd just come from dark little rooms." She refuses to see her own reflection in this mirror of elderly loners. In the same way, Miss Brill twists her perception as she begins to fancy herself being an "actress." The park setting becomes a stage, the band orchestrates interactions, and the crowd becomes the cast for the scene she imagines as being "exactly like a play." In using this method, she provides herself with a sense of inclusion, importance, and connection to the …show more content…

This second woman is thrilled at the chance for company and "was so pleased to see him-delighted!" The man veritably ignores the woman's excited chattering and even goes to the point of being rude. Having lit a cigarette, he "slowly breathed a great deep puff into her face, and even while she was still talking and laughing, flicked the match away and walked on." Miss Brill deeply empathizes with this woman as she transfers the humiliation and pain vicariously felt into the band's music that plays in the background. Miss Brill watches the woman's reaction and imagines that "even the band seemed to know what she was feeling and played more softly, played tenderly." Upon witnessing this scene, Miss Brill places herself into her "actress" mode to avoid vulnerability. In doing so, she is able to delude herself into believing that she is safely distanced from suffering the same hurt as the woman in the fur hat. This coping mechanism allows her to comfortably resume watching and listening, but she has also unknowingly set herself up to be emotionally wounded by a young couple that seat beside her. The young man refers to Miss Brill as "that stupid old thing" in his conversation with his girlfriend. He continues, knowing fully well Miss Brill is

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