Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of mildred pierce, novel
Compare mildred pierce book to film
Themes of mildred pierce novel
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Effect of Translation from Novel to Film
James M. Cain’s 1941 novel Mildred Pierce is widely recognized as a literary classic. Its 1945 film adaptation starring Joan Crawford has also achieved classic status in the film noir genre. However, there are key differences between the two despite their apparent similarities. Due to various reasons and creative choices, the film can be regarded to as a loose adaptation as the main theme of book is how Mildred is affected by the draw backs of her time such as the Great Depression and her relationships while the film is a glamorized version of the story that translates the text more into an onscreen mystery. This dynamic completely changes the narrative configuration of the film as it changes many of the key plot points in which the book was written.
…show more content…
In the novel, Mildred and Burt are forced to marry because Mildred becomes pregnant and it would have been unacceptable for her to have a child out of wedlock. In the film, however, their marriage appears to have happened under normal circumstances. In both versions, Mildred has the drive and determination to succeed with her business. In the novel, Mildred appears to to be more concerned about her social status and always seeks to educated herself in politics and worldly matters as it made her feel more educated. There is no mention of this in the film as Mildred is portrayed as much more confident and didn't concern herself with such issues. In the film Mildred more sure of every decision she makes while in the novel she seems to be moving to to motions of
Mildred and her society are pretty peculiar. In the story Fahrenheit 451 by Ray Bradbury, Mildred and her society are crazy and do things completely different. This society has made Mildred self-centered, robotic, and unfeeling.
As stated in the ‘Roles of Women in the 1950s, by a home economics textbook published in 1954,’ This time called for… “loving wives who supported their husbands emotionally. Divorce was cause for shame, even though not every couple was happy. Pressure to conform (for men to be good “company men” and women to be perfect housekeepers and mothers) caused stress for both sexes.” Mildred may be seen as happy however if we further analyze the text she may not be. In the first part of the story it seems odd that Mildred, although a complete airhead could down 30 sleeping pills and had no idea that she did. This again as discussed in the Feminist Literary Theory makes a woman in literature seem less intelligent than their counterpart. However it could be argued that Mildred popped these pills unhappy but has no way to show it. In this dystopian society as well as the 1950s when the book was written is was a woman's job to be happy or at least pretend to be. In the story she states that she is proud of the life she has with her husband and that she is satisfied. Now just like in the 1950s the ideal woman would be there too smile and welcome her husband home from a long day at work, Mildred is the ideal woman in her society as well. Lastly, the plumbers when ‘fixing’ Mildred after she downed all the pills said this happens all the time, we
Society can change people negatively or positively. Mildred is a character in the book “Fahrenheit 451” by Ray Bradbury. Mildred has been changed by society by becoming self-centered, robotic, and unfeeling.
Movies based on books are not always accurate relative to the plot of the book. In Fahrenheit 451 it can be said, there are some particular contrasts between the book and the movie. Despite the fact that the film emphasizes the subjects and premise of the book, there are numerous distinctions to differentiate. The motion picture Fahrenheit 451 is not accurate, taking into account the book's plot.
Mildred Pierce, by James M. Cain, begins in pre-Depression California, and ends during World War II times, also in California. The main character, Mildred Pierce, is a very attractive housewife of 29, raising two daughters, Ray and Veda. Although Mildred loves both her daughters, Veda is a particular obsession with Mildred. She constantly slaves away throughout the novel to do whatever she can to make Veda happy, despite the constant abuse and deception Veda inflicts upon Mildred. After a divorce from her first husband, Bert, in the opening pages of the novel, Mildred is forced to sacrifice her pride and become a waitress in order to support her family. If Veda were ever to find out, she would be appalled; a constantly recurring theme throughout this story is Veda’s pride and arrogance, and her condemnation of jobs she deems to be menial. Mildred’s main goal is to nurture Veda’s musical talents, and manages to pay for expensive music lessons from her meager salaries as a waitress and pie baker. However, Mildred’s luck is soon to change, as she takes up with an attorney and former partner of Bert, Wally. Mildred is able to use Wally’s business and real estate savvy to build a restaurant out of a deserted model home, and from there create a thriving chain of three food businesses. After becoming bored with Wally, however, Mildred craves a relationship with another man, a prestigious local man named Monty. Veda highly approves of her mother’s choice, as this makes her feel as if she too were more prestigious and affluent, despite having misgivings about her mother still being so low as to have an average, pedestrian job. All seems to be going well; even through Veda’s constant demands and tantrums, she still gets everything she wants, and Mildred and Monty are happy. Monty, however, falls on hard times with the coming of the Great Depression, and he constantly mooches off of Mildred’s affluence, making it a struggle for Mildred to cater to Veda’s every whim. Mildred soon dumps Monty to focus on making Veda a musical prodigy; this fails, however, when Veda is told that her piano is not up to par from a local famous music teacher. After Veda recovers from this shock, she explores the opportunities offered by an acting career, and begins to spin more webs of deception and selfishness. After Veda forces money out of a local rich family, lying and claiming their son got her pregnant, Mildred and Veda have a major argument, and Veda disowns her mother.
In addition to unawareness, abnormal relationships develop in the society because without books one couple may struggle in communication. After Beatty’s visit Mildred concluded Montag’s question “My ‘family’ is people. They tell me things: I laugh, they laugh! And the colors!”(75). Mildred feels her family is just people as if she thought people were just objects roaming around the earth.
She does not express her views of the world since she spends her days watching and “communicating” with the parlor walls. Because of this, she is very forgetful of personal events and careless of others. Bradbury 40, Montag thinks back to when he and Mildred first met. “The first time we met, where was it and when?” “Why it was at-” She stopped. “I don't know,” she said. Also in Bradbury 49, Mildred states, “..let me alone. I didn't do anything,” as Montag shares his book conflict. This shows how Mildred lacks in thinking and considering the feelings of others. Therefore, she is the opposing side of the theme of the
First Mildred is self-centered because she doesn't care what happens to others. In this society books are dangerous because they make us think. This quote from the story mildred states “ what’s this? Asked Mildred, almost with delight. Montag heaved back against her arms. What’s this here?” This quote shows how Mildred wanted to get Montag in trouble. Mildred is hoping officer Beatty will look or hear what they are saying This shows how Mildred is only looking out for
Porter, Katherine. “The Jilting of Granny Weatherall.” Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia. 11th ed. New York: Longman, 2010. 79-86. Print.
Through out the film, Mildred has shown that she is a mother that would do anything for her children, she is strong, and independent. Even though she comes from a middle class, she does everything in her power to provide for her two daughters, especially for the eldest daughter Veda. At first, I thought Mildred was femme fatal because of the first scene but turns out that Veda is femme fatal, based off her values and behaviors. Mildred is a very attractive woman, and had a lot of men liking her but not once did she gave them the wrong idea or go after their money. The only time she married someone that she did not love was Monty, her second husband, and that too was for Veda so she would come back home. What stands out to me about Mildred
First, Mildred could be described as unfeeling. She does not care and is emotionless to everything that happens no matter what it is. In the novel, a woman kills herself in front of Montag, and because of this he is upset. Mildred’s response to this included, “She’s nothing to me; she shouldn’t have books, it was her responsibility, she should have thought of that.” She does not care that her husband is upset, and she doesn’t feel sorry or sad that someone died. Based on Captain
Mildred is not just self-centered, she is also unfeeling. For example she forgot to tell Montag that clarisse had died, and didn’t seem fazed at all. She is also robotic. When captain Beatty came to talk to Montag, Montag had asked her to leave the room. She did angrily, but she still did as she was told.
The first reason why Mildred is a bad wife is because she is self centered because society took out personality. In the story “Fahrenheit 451”, The captain to Montag’s squad, Beatty, states “... Fill them with enough useless information to where they feel like they're thinking, they’ll have a sense of motion without moving.” Mildred is shocked full of this useless information, that she thinks she’s thinking. (i went off subject) Mildred made the quote, “She’s nothing to me!” to Montage(her husband/ main character) over what he saw, or how she looked like. It takes a lot to just live with the fact to watch someone die. But it truly takes someone heartless to not care at all. Society took out personality so people can no longer have hearts. But
Books and pieces of literature can do many things for a reader. They can serve to entertain, inform them on a certain topic, teach them lessons, provide social commentary or even to persuade them to see from the author’s point of view. However, novels can also provide glimpses into their respective settings. Historical fiction novels can introduce the readers to time periods and worlds that they may not have been exposed to before. The Great Gatsby by F. Scott Fitzgerald and A Tree Grows in Brooklyn by Betty Smith are no exception. They both, in telling their individual stories, offer the reader a unique perspective on life in the United States in the early 1900’s from two very different walks of life. Specifically, the status of women during
Mildred has a cooking talent. She is a small woman with gorgeous, attractive legs. She used those attributes to survive a divorce and poverty and to claw her way out of the lower middle class (Cain, back of book). As she divorces Burt, husband, she begins an independent life working as a waitress. As Mildred becomes more and more successful around the restaurant she develops self-confidence and security. Mildred never cooked anything herself now or put on a uniform. (Cain 208)