Mi Vida Loca
Mi Vida Loca means “my crazy life (as a girl).” The movie documents the phenomenon of female gangs in the early nineties in Los Angeles. It is written and directed by Allison Anders, who grew up in Los Angeles and went to UCLA. She uses personal experiences to help influence her story writing. In Echo Park, a group of young Mexican-Americans show what it means to live in the inner city. The film looks at gang lifestyle from a woman’s point of view to uncover relationships, conflicts, gang loyalty, and identity. The “homegirls” portray their female friendships through their daily lives of survival in Echo Park. It is a rough life with almost every “homegirl” having a baby by the time they are twenty-one and almost every “homeboy” being handicapped, killed, or in jail by the time they reach their early twenties. The girls try to become autonomous from the men in their lives by forming their own female gang. The gang culture of Mi Vida Loca reflects and constructs culturally understood gender roles.
The basic plot is based around two Chicano girls and their childhood lives. The movie is split up into three episodes. Maribel “Mousie” and Mona “Sad Girl” were childhood best friends that become enemies over a boy, Ernesto. Sad Girl is the main narrator of the movie. This drug dealer first falls for Mousie, but then gets Sad Girl pregnant also. He spends most of his money on his two babies and his prize possession, Suavecito, his mini-truck. The two young mothers arrange a fight one-on-one for a bloody confrontation. Neither of them gets hurt, but Ernesto is shot by one of his Caucasian clients on the same night. With Ernesto out of both of their lives, they can move on and earn back each other’s friendship.
After Ernesto’s death shadow takes over his brother’s drug dealing business with the help of Shadow, a female gangster that was shot with Ernesto. Meanwhile, Anhenica “Giggles” is released from a four-year sentence in prison for the crimes of her deceased boyfriend. As an older “homegirl”, the girls look up to her and ask for guidance. Giggles and the girls discuss the future of Sauvecito and agree selling it. But the men have already decided to enter it in a car show that Ernesto was looking forward to. Giggles has decided on changing her lifestyle to be an independent, working woman. The “homegirls” are disappointed that Giggles wants to pursue...
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... the gender role that women can have power over men and get what they want through sex. She is using him for the car, and he is using the car for sex.
Gender roles play a huge part in Mi Vida Loca. Growing up, the kids had nowhere else to turn, but to each other. This is a factor in deciding the roles that they will become. As dropouts of high school, they have to survive on the street. For the boys, that means becoming “tough” to gain respect and leadership from other boys. For the girls, it meant finding someone to provide for them.
These roles can be broken as shown through Giggles independence and eventually the female gangsters creating their own complicated operations. Giggles friend who took care of her baby demonstrates independence, strength, and intelligence by living on her own and becoming mature. Also, at the end Little Sleepy is shot by one of El Duran’s girls. Her taking the initiative and resorting to murder goes against the female gender role.
Works Cited
Anders, Allison. Mi Vida Loca. Cineville Inc. 1993.
French, Marilyn. “Gender Roles.” One World, Many Cultures. Ed. Stuart Hirschberg. 2nd ed. Boston: Allyn and Bacon, 1995. 143-152.
Just as their father wanted, the girls kept their Dominican roots alive and never forgot where they came from. This novel, “How the Garcia Girls Lost Their Accents”, is a coming of age novel, where four girls learn through experience how it is like to grow up in a tough time period. In America, the girls had the freedom to attempt almost whatever they wanted because they were free from the constricting rule of the patriarchy that ruled the Dominican Republic. All four were growing up but took separate paths during life to get to where they are as adults. Through the use of multiple narrators, Alvarez creates different perspectives throughout the story. The girls have come a long way from their mother’s color coding system when they were identity less to the women they are today. Each sister fought and conquered some sort of internal or external battle, helping them to overcome obstacles given by society that marked them as different. As adults, the sisters can keep their Dominican roots alive while living in the United States through
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started up in 1903. Of course, it wasn’t all smooth sailing. George Baldwin Selden, an inventor, earned himself a patent for the automobile in 1895. This halted production of the Model A almost entirely. Ford eventually gained the support of other carmakers and eventually shut down the Selden Patent. Henry Ford faced many other challenges including greedy employees, failed model t prototypes and many more things. However, Ford also had his Triumphs in some of the things he's most famous for. First, Ford invented the assembly line. Before, one car would be assembled at a time bringing all the parts around to one place. Ford’s assembly line changed this. Now they could make and mass produce several cars at a time. Heres how it works: a bare chassis would roll down a conveyor. Along the way the engine, wheels, body, and a black paint job would be applied. Going along with the assembly line, Ford was also able to make a cheap, easy to fix,
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Cosmetic surgery is essentially not a bad thing. Some people suffer facial and body injuries or are born with a deformity which can only be corrected by plastic surgery. Cosmetic surgery can also be a life saver in cases of extreme obesity. However, some people-especially young females- are becoming too obsessed with their looks and body. The quest of finding the perfect body has led many to the operating table, opting for multiple cosmetic surgeries.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
4. Judith L. Kellogg, “Le Livre de la cite des dames: Reconfiguring Knowledge and Reimagining Gendered Space” in Christine de Pizan: A Casebook edited by Barbra K. Altman and Deborah L. McGrady, New York: Routledge, 2003.
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French, Katherine L., and Allyson M. Poska. Women and Gender in the Western past. Boston, MA: Houghton Mifflin, 2007. Print.
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