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Symbolism in thee little mermaid
Interpretation of the little mermaid
Interpretation of the little mermaid
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Mermaids, Fairies, and Witches are some of the most prominent mythical characters in today’s entertainment. These creatures are common characters in Folklore from various countries around the world. Folklore from other countries and cultures often affects how authors portray these creatures in the movies, books, and TV shows that are familiar to the citizens of America. One such country is Scotland, which is filled with multitudes of different folk stories. Scottish Folklore in particular has many tales about these three well known creatures. The most commonly known folklore from Scotland has had a huge impact on some of the most well known entertainment in the United States today. One of these creatures, the mermaid, is the most widely known …show more content…
In fact, the movies do not even have to show the mermaids as evil creatures to incorporate details or ideas from Scottish Folklore, as shown by the famous Disney movie, The Little Mermaid. In this tale, Ariel has an amazing voice that she is loved for and is a major part of the plot (Johanningmeier scene 2). Ariel’s voice is a major part of her character as a mermaid. When she becomes human, she loses her voice entirely, associating the amazing voice with being a mermaid. This emphasizes the trait from Scottish Folklore of mermaids being creatures that possess unnaturally beautiful voices. King Triton is originally spoken of because of his powers over the sea (Johanningmeier scene 1). The fishermen claim that as a merperson, he has the ability to control the ocean and its waves. It is no wonder, with many of Scotland’s folk tales describing mermaids having various magical powers. Even with the entirety of the movie showing the goodness and beauty of mermaids, the writer of The Little Mermaid still managed to sneak in a reference to a darker side of the sea dwelling creatures. When the fishermen sing about mermaids, they include the lyrics “...Look out, lad, a mermaid be waitin' for you, In mysterious fathoms below,” (Johanningmeier scene 1). This paints mermaids as creatures that are waiting to enchant and drown the men on board. Even in a children’s movie with nice mermaids, Scotland’s …show more content…
This influence is shown by the White Witch, Jadis, who is depicted as remorseless in her display of how she carelessly turns those that annoy her into stone (Shmoop para 1). Finally, The Little Mermaid, once again shows the influence of Scottish folklore by depicting Ursula the Sea Witch as evil and murderous (Johanningmeier scene 8-end). Once again, Scotland’s folk tales have influenced the depiction of a favorite character. The tales of witches that are malevolent and hideous has obviously had a large impact on today’s
Jessica was suspicious of the queen, and rightfully so. When the queen entered the black room, the ghastly sight caused Jessica to faint in disgust. Suspicious, black, ghastly. These are just a few of the words an author can use to imply evil in a character. The connotation of dark as evil is prevalent in many stories throughout the history of western civilization. Fairy tales “emanate from specific struggles to humanize [forces initially perceived to be evil], which have terrorized our minds and communities in concrete ways” (Zipes), and their usually-heroic endings make us forget on a conscious level the lessons they’ve taught us. However, their impact remains on our subconscious views of the world. Because of this, fairly tales often address issues far more serious than one would think to teach to a young reader. The Brothers’ Grimm tale “Ashputtle”, the basis of our modern-day Cinderella archetype, takes advantage of this to address the issue of the continued oppression of women.
. She claims that the proceeding force connected with lady as-witch in this combination creative ability handles the problem on the power that surpasses embellishment and design the particular discernment connected with witches and witchcraft throughout. Looking at these kind of queries could encourage selection that the mention of their imagination and prejudices attached to the particular "lady as-witch" idea that the current strain on females building in popularity can easily trigger anger these days. She slyly evaluates having less adequate traditional beliefs with regards to the part women performed inside creating our community, at a variety of instances.
But first I need to define what folklore in the movies is. Folklore in the movies has five main points which the hero or heroine goes through. The call to adventure: something has to happen to the hero or heroine in order to get them involved in some situation which concerns them greatly. Refusal of the call: the hero or heroine has to disobey something or someone. Supernatural aid: the hero or heroine gets help from an outside force, someone wiser than the hero or heroine, and someone who understands the situation better. The crossing of the first threshold: once involved with the situation before them, the hero or heroine has a conflict which causes them to get caught in the belly of the whale. The belly of the whale: the hero or heroine gets caught in some place, of which they try to escape.
Kocic, Ana. (2010). Salem Witchcraft Trails: The Perception of Women In History, Literature And Culture. Linguistics and Literature, Vol. 8 (Issue N1), 1-7. http://facta.junis.ni.ac.rs/lal/lal201001/lal201001-01.pdf
The White Witch is the most evil person in Narnia. “The White Witch is pure evil and tries to kill everyone who stands in her way of being queen of Narnia” (Persson 6). Here the reader is witnessing a figure that is truly evil and just wants to rule Narnia; so it can be hers, and so she
Anderson, Hans Christian. “The Little Mermaid.” Folk and Fairy Tales. 3rd ed. Eds. Martin Hallett and Barbara Karasek. Toronto: Broadview, 2002.
One of the most interesting qualities of Greek mythology is probably the depiction of monsters in the myths. However, these monsters are not all unique. In fact, they all fall into very distinct categories, making them almost the same. Most monsters in Greek mythology look and act in the same ways. Several monsters from these myths look the same in that they have very similar qualities such as being large, snake or human like. However, they are also very alike in that they behave in very similar ways, from guarding something or roaming freely and causing chaos. Generally, the monsters in Greek mythology follow this outline and are depicted in a way to show these qualities.
For the most part, women in today's society hold a position equal to that of a man;
“The Witch—that is, the belief in her—made for a frightened people, a subdued people, a compliant people, who lived their lives in a saddened haze, the clouds of their grief numbing their senses and dampening their minds. It was terribly convenient for the Elders’ unencumbered rule. Unpleasant, too, of course, but that couldn’t be helped (chapter 2).”
In ancient Greek society women lived hard lives on account of men's patriarch built communities. Women were treated as property. Until about a girl’s teens she was "owned" by her father or lived with her family. Once the girl got married she was possessed by her husband along with all her belongings. An ancient Greece teenage girl would marry about a 30-year-old man that she probably never met before. Many men perceived women as being not being human but creatures that were created to produce children, please men, and to fulfill their household duties. A bride would not even be considered a member of the family until she produced her first child. In addition to having a child, which is a hard and painful task for a teenage girl in ancient civilization to do, the husband gets to decide if he wants the baby. A baby would be left outside to die if the husband was not satisfied with it; usually this would happen because the child was unhealthy, different looking, or a girl.
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.
Fairy Tale Text & Motif. Prod. Distribution Access. Distribution Access, 2001.Discovery Education. Web. 1 December 2001. .
The witch is both vulnerable and a powerful figure. The resulting tension between power and powerlessness as a response to laws created by those in power, rather institutionalised power: men, can be seen as expressed through such binary metaphors as that of physical strength and beauty versus weakness and ugliness, kn...
Zipes, Jack. Breaking the Magic Spell: Radical Theories of Folk & Fairy Tales. Revised and expanded ed. Lexington: The University Press of Kentucky, 1979. Print