“Mere paas Maa hai”, a line from ‘Deewar’ remains the most quoted dialogue from any Hindi film. For decades, Bollywood has doted on its mothers, and fans of Hindi cinema all over the world adore our filmy moms. So let’s have a look at the actresses who have played the most cherished mothers on screen. Achalal Sachdev- The ‘original Maa’ of Bollywood, Achla Sachdev remember as Kajol’s grandmother from ‘Dilwale Dulhaniya Le Jayenge’ or Amitabh Bachchan’s mother from ‘Kabhi Khushi Kabhi Gham’. Her most memorable films include ‘Arzoo’, ‘Waqt’, ‘Mere Naam Joker’, ‘Hare Rama Hare Krishna’, ‘Chandni’, ‘Dilwale Dulhania Le Jayenge’, ‘Kabhi Khushi Kabhi Gham’, and ‘Kal Ho Na Ho’. Nirupa Roy- The quintessential mother of the 70’s, Nirupa Roy …show more content…
Her other great movies where she played mother to Amitabh Bachchan were ‘Amar Akbar Anthony’, ‘Muqaddar Ka Sikandar’, ‘Suhaag’, ‘Mard’ and last but not the lease in ‘Lal Badshah’. There is no wonder that she is considered the most popular on- screen mother in Hindi films. Durga Khote- Durga Khote essayed a wide variety of roles in a career span of over 50 years. Her portrayal of ‘Jodhabai’, the queen of the Mughal Emperor …show more content…
No one has ever matched the wickedness she portrayed onscreen as a cunning, cruel mother. Lalita Pawar has the longest ever innings spanning from the silent era of 1920s to 1990s with more than 300 films to her credit. Nargis- Legendary actress Nargis needs no introduction. Her character in the title role ‘Mother India’, a single mother bringing up her two sons amidst all the hardships truly touched hearts, and will remain immortal in the film industry. Nargis immortalized the true Indian mother on celluloid. Zohra Sehgal- Veteran actress Zohra Sehgal started her career as a dancer in Uday Shankar’s troupe. Her famous role of playing Big B’s mother in the film ‘Cheeni Kum’ got her appreciation from everyone. Dina Pathak- Though the fabulous is no more, but she has most definitely left a lasting impression in the industry with some notable performances in ‘Saccha Jhoota', ‘Dream Girl’, ‘Umrao Jaan’, ‘Prem Rog’, ‘Golmaal’, ‘Khoobsurat’ and the list is endless. Rakhee- After her innings as lead role were over, light-eyed Bong beauty, Rakhee became the elegant on-screen mother in Hindi movies. From Subhash Ghai’s
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
Murderball successfully conveys the emotion and mentality of people with disability. In this movie, Mark Zupan and Joe Soares prove that disability may put them at a disadvantage, but as long as they have a will they can make something out of their life. Their competition is a huge indicator of their mentality of not giving up. However, there are some contradiction to how actors are portrayed. In the beginning Zupan is referred as an “asshole” and a “jock” by his friends, but later he is seen attaching to Keith Cavill- a new quadriplegic patient who is in denial of the accident- at emotional level and giving him motivation to accept his life and move on. Similarly, Soares behaves like he
fragmented by the interruptions of song and dance, lending a sense of unreality. I believe Mira Nair successfully achieved her aim to make a Bollywood film on her own terms. As a director, she effectively combined the techniques of sound, editing, costume, colour and location to produce a fairly unique Bollywood film. Her message of the continuing modernisation of India, and her criticisms of both the societies she illustrates in the film comes across clearly, as do the more controversial points she brings up that Bollywood, as a film industry, does not typically address. Its appeal and effectiveness can be measured by the huge range of global audiences it has attracted, both Western and Eastern, which indicates that she accomplished her goal of making a realistic movie, breaking the traditional Bollywood mould.
In addition to, the main actors in the film looked the part and associated with the main idea of the culture of an Indian family. For instance, Samir’s appearance showed he had drifted away from his family’s culture and developed a professional understanding and love for the cooking industry. Farida’s appearance showed she was highly involved with her
In the mid 1960’s to and early 70’s a new generation of film making came about. A generation of young film-makers who pushed the boundaries of sex, drugs, nudity, and violence. They changed the way of how Hollywood films are produced and marketed. There was many revisions of Hollywood’s old films. They re-worked and re-imagined some of Hollywood’s classic genres – such as the crime film, the war film and the western – and by so doing, presented a more critical view of America past and present. () These films mostly represented the issues of the youth, this was known as the generation gap. Location shooting also became almost the exclusive norm.
The movie Doubt is set in a private Catholic School in 1960s. Sister Aloysius is the principal of the school, and Father Flynn is the clergyman in the church. While the movie deals with some moral dilemmas such as doubt versus certainty, rigidity versus openness and so on, the central theme of the story pivots on accusation on Father Flynn of child molestation. The story has a hanging ending where Father Flynn is proven neither guilty nor proven innocent. Based on the contents of the movie and my own analysis, I believe that certainty plays a bigger role in accusations and I believe that Father Flynn had been falsely blamed and I am also against the rigidity of the society.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
The United States of America has one of the oldest and largest (in terms of revenue) film industries. Hollywood is the main location of the United States film industry. However, four of the six largest film studios in the U.S. are owned by the companies that are located on the East Coast. Only The Walt Disney Company - which owns six other film-making companies (Walt Disney Pictures, Lucasfilm Limited, the Pixar Animation Studios, Hollywood Pictures, Touchstone Pictures and Marvel Studios) is located and fully based in Hollywood, California. Sony Pictures Entertainment also has headquarters in Culver City, California, although its parent company, the Sony Corporation, has main headquarters in Tokyo, Japan.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
Crawford (2012) described many difference characteristics in mate selection which may potentially lead to marriage. She first describes marriage as being institutionalized because the laws (and certain religions) tells you who you can and cannot marry, when you can marry, and the responsibilities to each other while married. Yet people are infatuated with the ideology of love and romance. People choose their partners as individuals and expect to live their marriages according to their own needs and wishes (Crawford, 2012). Something that can explain why people choose to get married can be the marriage gradient. The marriage gradient states that women have the tendency to “marry up” and men tend to “marry down” (Crawford, 2012). This came about because women used to have little access to education and prestigious jobs so their only choice to gain economic security was through marriage. Today, both men and women admire qualities such as intelligence, desire for children, and great personality, but for women, wealth and status are very important qualities (Crawford, 2012).
Over the years, Bollywood has emerged as its own distinct identity in the global Film industry. Bollywood is the global leader in production of movies with a staggering 27,000 featured films and thousands of short films. ( Pillania 1) However, Hollywood is still the leader in revenues generated. Due to the growth of the Indian market and globalization, Bollywood has made its way to the international markets. Globalization is often misrepresented as the growing influence of the western culture in the world and so we tend to state that Hollywood is influencing Bollywood to a great extent. An argument can be made to justify the validity of that statement. However, this paper aims at presenting the influence of Bollywood on Hollywood in terms of music, dance and visual representation. This papers deals with a specific part of globalization, providing evidence that it
Kidnapping not only happens in the United States, it happens worldwide. There are some children who are found and there are some who has been missing for years to come. The call was a great way to let young adults know the severity of being kidnapped and it lets dispatchers know how severe a person being kidnapped really is. The call was a movie made in the year of 2013 starring Halle Berry and Morris Chestnut. Halle Berry and Morris chestnut work together to make this film become a great life lesson and also create suspense. During the last 32 years, NCMEC’s national toll-free hotline, 1-800-THE-LOST® (1-800-843-5678), has received more than 4.3 million calls. NCMEC has circulated billions of photos of missing children, assisted