C.S Lewis was like a rebellious teenager of the modern time period. He lived only during the modern era and very beginning of the postmodern era, but in his later years Lewis liked to describe himself as "old-fashioned", writing using ideas contrary to the time periods in which he lived. The modern and postmodern time periods began to view religion as a myth, and used reason to perceive the world instead. During his younger years Lewis embraced the ideas of the modern era, but his world-view changed upon his conversion to Christianity. Since he had dabbled in aspects of both modern and pre-modern eras, his later works intertwined the ideas of both literary periods.
During his early life, Clive Staples Lewis was raised in church (Stewart 1). However, as modernism continued to gain influence, Lewis started to create his own, new perspective. Individualized, unique perspectives were one of the major aspects of modernism. Modernists of that time also rejected religion and instead chose to see it as a myth. They appreciated religion, but as an interesting story instead of a belief system (Matterson 1). That is just what C.S. Lewis came to believe; that Jesus' life was no more than an embellished story of an ordinary man. He put aside his Christian roots and became enthralled with Pagan myth. Lewis' writings reflected his atheist beliefs, until the early 1930s when he- after many talks with devoted Catholic J.R.R. Tolkien- rededicated his life to Christ (Gopnik 13).
After his conversion, C.S. Lewis' writings became less modernistic. Many of his most famous writings, such as Mere Christianity, The Screwtape Letters, and The Chronicles of Narnia series contain his Christian worldview (Stewart 1), which was completely opposite of the mode...
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...where you are standing; it also depends on what sort of person you are,” (Lewis 136). Taking his advice would be wise; stay in a positive encouraging environment and have faith in God, and success in life is inevitable.
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Bowen, John. "C.S. Lewis: Premodern, Postmodern, and Modern." The Institute of Evangelism
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Gopnik, Adam. "Prisoner of Narnia." The New Yorker. Condé Nast, 21 Nov. 2005.
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Lewis, C.S. Mere Christianity. San Francisco: HarperSanFrancisco, 2001. Print.
Lewis, C. S. The Lion, the Witch, and the Wardrobe. New York: HarperCollins, 1994. Print.
Lewis, C. S. The Magician's Nephew. New York: HarperCollins, 1994. Print.
Matterson, Steven. "Postmodernism." PBS. PBS, 2003. Web. 06 May 2014.
Stewart, Garrett. "C.S. Lewis" World Book Advanced. World Book, 2014. Web. 6 May
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· Wood, Ralph C. "Traveling the one road: The Lord of the Rings as a "pre-Christian" classic." The Christian Century Feb. 93: 208(4).
Maguire, Gregory. Wicked: The Life and Times of the Wicked Witch of the West. Harper Collins. New York: 1995.
Cashdan, Sheldon. The Witch Must Die: The Hidden Meaning of Fairy Tales. New York: Basic Books, 1999.
Meister, Chad, and Stump. Christian Thought a Historical Introduction. 1st ed. New York: Routledge, 2010. Print.
Lewis and Herberg both make excellent points in their essays. Both authors search for a deeper understanding of God and/or God's role in the human life. The authors also both try to convince their readers of their argument, and believe that, in general, people have the wrong understanding of their topic of discussion. Lewis explains how he has been warned not to discuss the topic of theology, as "the ordinary reader does not want Theology" (Lewis 363). He then goes on to explain how theology is helpful to learning about God, and Christians should look to "have the clearest and most accurate ideas about Him which are available" (Lewis (363). Herberg claims that the whole of American culture is wrong, explaining that the average American is religious
Many believe the Bible states the word of God, a way of life; however, these claims are based merely on faith. In Aldous Huxley’s mind, the masses follow Christianity because God and marriage allow one to finally partake in wanton, lustful acts. Disbelief, to him, is liberating. Some propose in Brave New World (BNW), the atheistic Huxley advocates religion, Christianity; however, he does quite the opposite, criticizing Christianity again and again.
...e, is the end; Despite all the odds Lewis highlighted important truths of Christian faith through the story of a demon who is not good at being a demon. Wormwood’s helper shows us those truths in thirty-one irrational letters. A message of light brought forth through darkness.
C.S. Lewis begins his book, “Mere Christianity”, by introducing the Law of Right and Wrong or the Laws of Nature. This, however, arises a question. What is the Law of Nature? The Law of Nature is the known difference between right and wrong. That is, mans distinction between what is right and what is wrong. “This law was called the Law of Nature because people thought that everyone knew it and did not need to be taught it”(18). Lewis relates the law to how we treat others. We treat others the way we want to be treated and if they treat us poorly in return we become agitated and annoyed with them. He states that we become a society of excuses when something goes wrong. He goes on to say that we want to behave in a certain way when in reality we do the opposite of what is right or what is wrong. We are humans and humans have primal instincts. We are all capable of using our instincts to do right or wrong. Lewis uses an example of a drowning man to prove this point. When one sees a man in trouble two desires or instincts kick into play, to save the man or ignore him because the situation at hand could endanger you. However, there in another impulse that says help the man. With this comes a conflict of instincts. Do you run and forget about it or do you jump in and help. Most people will help even if the situation is going to endanger their life. This is just one way of seeing moral law. The right in a situation will mostly always prevail over the wrong. “Men ought to be unselfish, ought to be fair. Not that men are selfish, nor that they like being unselfish, but they ought to be”(30). We are creatures of habit and logic. Lewis believes that the moral law is not taught to us rather known by us instinctively. He also believes that the law is real. The law is our behaviors in life via good or bad. Lewis states, “there is something above and beyond the ordinary facts of men’s behavior”(30). This opens Lewis to believe that the natural law is both alive and active in mans life today. Lewis goes on to say that the law must be something above mans behavior. He begins to relate this to the creation of the world.
C.S. Lewis uses a secondary world, Narnia, to convey complex, thought-provoking messages to readers of The Lion, The Witch and the Wardrobe. This paper examines the way a selection of Narnia's key characteristics prompt debates over logic and faith, comment on the nature of spiritual and metaphysical journeys, allow readers to broaden their conception of their own capabilities, encourage new reflection on the story of Christ and help to clarify conceptions of good and evil.
Lewis, C. S. The Lion, the Witch, and the Wardrobe. New York: HarperCollins, 1994. Print.
C.S. Lewis was the 20th century’s most popular proponent of faith based on reason. As a child, he created an imaginary world where personified animals came to life, and later, he wrote the book, Chronicles of Narnia. How did he transform from a boy fascinated with anthropomorphic animals into a man of immense faith? His transformation to the Christian religion happened as his fame began to flourish. People wrote him, asking him about his claims about the truth of Christianity (Belmonte, Kevin). As I attended the drama of Freud’s Last Session, I was engrossed into the plot of the play and was constantly thinking about how it pertained to the objectives of the World Literature class. I not only connected the content of the play to its context, but I also reached out to apply the context to a discussion on a broader scale. I then discovered why the context of literature is imperative for true understanding of the w...
Kerr, H. (1990). Readings in christian thought (2nd ed.). H. T. Kerr (Ed.). Nashville: Abingdon Press.
The symbolism between C.S. Lewis’ The Lion, The Witch and The Wardrobe, the fourth book in The Chronicles of Narnia, and the New Testament in the Bible, particularly the account of Jesus’ death is not merely coincidental because The Lion, The Witch and The Wardrobe is, in fact, an allegory. An allegory is a story with morals in which characters, plots and settings are used as symbols. The Lion, The Witch and The Wardrobe, by C.S. Lewis is rich with Christian symbolism even though the allegorical nature of it is the subject of much controversy. Nonetheless, The Lion, The Witch and The Wardrobe is an allegory. In this tale, four ordinary children find a wardrobe that leads them into Narnia, an extraordinary land parallel to our universe with talking animal and fantasy creatures. An evil witch has cast a spell of eternal winter over the land and has lured one of the children into betraying the others for enchanted Turkish Delights. Meanwhile, a magical lion, the nemesis of the witch, has arrived after a 100-year absence because of the betrayal of Edmund and ancient prophecies. Soon the children find themselves as involved in the battle as the other creatures and the lion must free Narnia from the clutches of the evil witch and atones for Edmund’s betrayal. The symbolism in the characters, plots, setting, miscellaneous things and themes prove Narnia is, indeed, allegorical
There are several key historical references that were influential and these references are imperative to understanding the full context of the canonical books and their relevance to the Christian faith. In most instances, the opposition of generally accepted truths is challenged and when the opposed truth is the winner, it emerges more accepted than it was before. This is the case for the canonical books as well. Challenges of opposing faiths are a major part of their emergences as the truth. Therefore, early Christianity experienced opposition from individuals and their following, thusly creating a devote need for clarification and a solidified statement of beliefs for all Christians. This was a part of the events that shaped the canonical books and it also contributed to the clarification and interpretation of what it actually meant to be a Christian and the consensus of what that meant to an individual seeking to serve the one true living God (Brueggeman 1978). In an analysis of the most prolific influences of the canonical books, the Gnostics, the ideals of...
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.