The Yellow Wallpaper by Charlotte Perkins Gilman, is a first person account/narrative of a mentally ill woman who suffers from depression which then later progresses to hallucination disorder. Gilman wants her audience to see, through the narrator's first hand experiences, that in the 19th century mental illness was not taken seriously by physicians and family members, causing the patient’s condition to deteriorate. The beginning of the short story starts with the narrator's description of her mental state and the perception of her family members towards her condition. The narrator talks about, despite how she feels, her family, especially her physician husband John, did not take her condition seriously. She even mentions that John being …show more content…
Initially, when she first introduces the “colonial mansion” (Gilman 296) , the temporary abode the narrator got, she writes, “It is dull enough to confuse the eye in following, pronounced enough constantly to irritate and provoke study, and when you follow the lame uncertain curves for a little distance, they suddenly commit suicide” (Gilman 298). In these lines the narrator portrays her dislike towards the yellow wallpaper which surrounds most of her room. She author uses appropriate diction and words such as “irritate” and “dull” which mostly any irritated normal person would use to display their disgust towards the wallpaper. It can also be seen that although the narrator describes the wallpaper to be hideous, it is still tolerable …show more content…
She sees and believes that the pattern on the wallpaper, who looks very much like a female, moves. The narrator thinks that during the daytime the figure in the wallpaper leaves the wall and then creeps on her. She writes, “I have watched her sometimes away off in the open country, creeping as fast as a cloud shadow in a wind” (Gilman 310). In these lines Gilman shows how the narrator’s mind processed the female inside the wallpaper. The narrator describes how stealthy the woman creep was while she creeped by using a simile in the phrase “creeping as fast as a cloud shadow in a wind.” At the very end of the story the narrator says, “ I’ve got out at last in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back” (Gilman 313) where she pretends that she is the woman inside the wallpaper and that her family was trying to keep her inside. On one hand the narrator initially saw a female figure that was stuck in the wallpaper who wanted to leave while on the other hand, now she thinks she is that figure who is to be captured by her own husband and sister-in-law to be put into the wallpaper. This shows how the narrator’s mental illness has become uncontrollable even for the narrator herself. She later does not even realize her actions and even questions why her husband faints when he comes across her
In Alan Brown’s article “The Yellow Wallpaper’: Another Diagnosis”; Brown discusses why Charolette Perkins Gilman published The Yellow Wallpaper as well as another diagnosis on the character in The Yellow Wallpaper. In the article it is explained that Gilman published this short story as a reflection of her own life. Gilman battled depression and sought out help from expert neurologist. The neurologist had suggested that she rest and be confined to her room. This experience lead to the creation of The Yellow Wallpaper. Being confined to a room like the character in The Yellow Wallpaper is enough to drive anyone to insanity. Brown had a different idea on why the character lost her mind and began to believe she was seeing figures in the wallpaper.
Yellow Wallpaper depicts the nervous breakdown of a young woman and is an example as well as a protest of the patriarchal gender based treatments of mental illness women of the nineteenth century were subjected to.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
The Yellow-Wallpaper is a short story written by Charlotte Perkins Gilman. It narrates the story of an unnamed woman that is subjected to the famous “rest cure” in order to cure her from her mental illness. This story shows
“The Yellow Wallpaper” speaks of a woman who struggled of more than mere insanity, but also the pressures of life. Her life continuously seemed to weigh her down and she felt trapped by what was expected of her along with her mental disease. Her environment, marital relationship, and desire to escape her illness thrust Jane deeper into insanity. In the end Jane finds a way to truly escape her disease.
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
She is left with no choice but to stare at the wallpaper endlessly and begins to see things within the pattern. She insists there is a woman behind the paper "and she is all the time trying to climb through. But nobody could climb through that pattern-it strangles so" (667). This is representative to women's power being "strangled" by man and that there are women everywhere trying to escape and break free from the suppression and she sees herself as one of those woman behind the wallpaper creeping around trying to get out.
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions society places on her as a woman have a worsening effect on her until illness progresses into hysteria.
Throughout her time in the room she notices the wallpaper “a smouldering unclean yellow, strangely faded by the slow-turning sunlight” (514). After a couple of days in her opinion the wallpaper is starting to change. She sees “a women stooping down and creeping about behind that pattern” (518). In the daytime she sees the women outside the house “I see her in that long shaded lane, creeping up and down. I see her in those dark grapes arbors, creeping all around the garden“(521). The places where the women is creeping is where the narrator can’t go so she he creeps in the daytime “I always lock the door when I creep by daylight” (520).
This story demonstrates a prime example of a patriarchal society in which the degree of influence by Dr. John in the decisions of the marriage, which ends up in his wife’s dementia. In the story right after Jane gave birth to her child she gets into a deep depression so her husband and her brother, two respected physicians ordered her rest. The house where they live is away from town and she only had contact with her husband and her nurse. "[The house] is quite alone standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people." Gilman, Charlotte
She is locked in a room by herself, she is told to not move around and never to write, though the protagonist finds a way. She is ignored when she tries to explain to her husband that she feels no better and the treatment is not working. The protagonist in the short story slowly declines in her mental health status using the “rest cure”. Her husband a refuses to acknowledge that this cure might not be working. The husband shows a lack of respect towards her and treats her like a child calling her a “blessed little goose” he places himself above her as if to say she can not think for herself and he knows more. The Protagonist slowly slips into hysteria she starts to confuse reality with the women in the walpaper unable to decipher between the two. In the beginning of the story the character is clearly suffering from postpartum depression and slight hysteria. As the story goes on you can see that the characters hysteria worsened and she becomes increasingly
The comparison between the reality world and the imaginary world is a present in many of the stories we have read this semester, in particular Charlotte Gilman’s “The Yellow Wallpaper”. In the Gilman’s work, the reader sees a troubled woman who has an internal struggle, but projects it onto a hideous wallpaper. It is evident that the protagonist is suffering from some form of mental illness, but she also suffers from the lack of attention ended to help her condition. Throughout the story, the protagonist’s mental health continues to deteriorate until she can no longer distinguish reality from her imagination. Living in one’s own imagination can bring disastrous results to one’s actual reality, but imagination is not the true evil one. It is