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Essay on statue of gudea
Essay on statue of gudea
Essay on statue of gudea
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A Comparison between The Royal Acquaintances Memi and Sabu and the Statue of Gudea
Introduction
It is well know, that sculpture is one of the artistic method the ancient ancestors adopted in the preservation of figures and their culture. In a literary meaning, a sculpture is refers to as the art of making two- or three-dimensional representative or abstract forms, especially by carving stone or wood or by casting metal or plaster. (Oxford Dictionary 2013). The history of sculpture can be throw back to the Ancient Greek. It is the channel through which generational and racial culture is preserved for the generation after. We can considered it as a visual history in itself. In this paper, we shall compare two sculptures of ancient times,
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2575–2465 B.C. It is a statue that was painted with limestone and represents a non- royal couple.The dimension of the statue is H. 62 cm (24.7/16 in.); W. 24.5 cm (9 5/8 in.); D. 15.2 cm (6 in.). The Credit Line was linked to Rogers Fund, 1948. With accession Number: 48.111. The location of the statue is assumed to hail from Memphite Region, Giza, Western Cemetery in Egypt. ; however the inscription on the statue suggests they had royal acquaintance but never look with their apparance. Their status are further confirmed by the way in which the couple are dressed in common clothes and the fact they are not standing or sitting in any position of royalty like the statue of Gudea (The Metropolitan Museum of Art …show more content…
Gudea is shown to wear royal garb and is seated with his hands in the position of piety and readiness to greet his subjects. With his dressing we can assume him as a priest through whom the citizens consult God. We can also see that his feet are not touching the ground and we can attribute this to as a man of great power and respect. Gudea of Lagash is also assumed to have built many temples which is still present in the modern day Iraq. In honor of Gudea, His statue was place in the temples he
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
The statue of Menkaure and Queen was created 2490-2472 BCE and was found at Gizeh, Egypt, Fourth Dynasty. This piece of art is referred to as a relief sculpture and made out of sandstone with approx. dimensions of 2x6x6’ feet. The subject’s matter, just as the title suggests, is the representation of the King Menkaure and Queen. Both Menkaure and Queen are displayed in a frontal view in a typical Ancient Egyptian standing pose positioned close to each other. The articles of clothing Menkaure is wearing includes a kilt, ceremonial beard as well as a headdress and the Queen is wearing a long thin appearing dress which is nearly reaching her ankles. The artist’s choice of scale, shape, line, and mass give the viewer the sense of equality,
be made. In this particular statue, Gudea is sitting down with his feet facing forward and his
The statue of menkaure & khamerernebty is a good example of early funerary art in ancient egypt. The statue of king menkaure was made for his pyramid complex in giza as a substitute home for his ka. The statue depicted menkaure standing slightly in front of his wife Khamerernebty. Menkaure's pose, that has commonly been seen in many other egyptian statues, is portrayed as stiffly facing forward with his arms hanging straight down against his body. The hands are clenched into fists with the thumbs facing forward. He is shown with his left foot forward. Menkaure was portrayed wearing the typical royal headdress and clothing with artificial goatee and having an emotionless facial
The Egyptians created Ramesses’ statue 1279-1212 B.C. using granodiorite. The statue is currently being exhibited at the Museum of Fine Arts Houston. Its dimensions withouts a base are 59 3/4 x 23 1/2 x 30 inches (seems bigger than life-size). One must look at the statue from various sides in order to see its entirety. Ramesses II, known also as Ramesses the Great, ruled Egypt for over sixty years. there are thousands of statues made in his honor to proclaim his power and divinity.
The statue is made of granite and is made in a similar style linked to someone higher up in the royal domain. It is made in the style much like that of a royal statue. Near the time this was made, Granite was really only mined in Egypt for the king himself, so Ankhwa was no ordinary man, and was most likely very close to the royal family.
larger than life statue of the Arte dei Mercani di Calimala’s(the guild of the merchant
it is a sculpture representing a non-royal couple Memi and Sabu, a statue painted with limestone. The couple dressed in common clothes and where not standing or sitting in any position that depict royalty compared to that of Gudea which is in a sitting position. However, the studies show that they had a royal acquaintance based on the inscription on the statue (Metropolitan Museum, 2018). Additionally, the position of the statue Memi and Sabu shows a representation of Husband and wife based on the reciprocated warm embrace. However, this is not clearly indicated this way in the
Statues have been around in our world all through the ages, they are used to depict animals or human figures and often tend to be life size or larger than the depicted figure. This essay will focus on two which are the Statue of Memi and Sabu as well as the Statue of Gudea. It is evident that both sculptures share some similarities with regards to the overall form and external makeup of the statues. However, it is important to grasp the intended function of these statues from a historical viewpoint as well as draw comparisons and differences of how such effect has on the appearance of the sculptures.
Marble Portrait Bust of a Woman with a Scroll in early Byzantine Empire and Figure of a Seated Court Lady in Tang Dynasty of China are two female statues presenting at the Metropolitan Museum of Art. Although they come from different cultures and time periods, use different materials and manufacture techniques, they share some of the similarities. The most obvious, the intentions of their artists seem the same – to reflect the status of women in the society at their time.
I chose this sculpture because I was intrigued by the position of the man and the centaur. I was able to witness that the centaur is trying to invade the personal space of the man. The sculpture showed me that there is a strong relationship between man and creature. The quality of the sculpture made me realize that animals play a big part of a human’s life and can be seen as threatening to humans. It was interesting to see that both the man and centaur were created to have almost of the same structures. This statue has a metallic brown and green, bronze tone and appeared undersized. It has a height of four and a half feet, and six inches. It has long, thin, legs with calf muscles, and bulging thighs. The sculpture evolved from Olympia, Greece. The man and centaur sculpture was created in 750 BCE during an orderly time period. The colors used for this sculpture, proved that it has a longer lasting mold for statues. On the left side of the sculpture, the man has a wrap on his head, that can symbolize, he is some form of a god. On the right side, the centaur has the same head piece as the man, but the body of a horse. It can be seen that the man and
Even though the ancient sculptors had limited resources, they had created numerous, well-known pieces. As time passed by, more artists began to use these ancient sculptures as reference and guidelines to create their own art pieces. The influence of the Greco-Roman sculptures has tremendous effect on human cultural development.