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Recommended: Song analysis example
I had trouble choosing two songs that would best suit this project, but it seems as if I found two great candidates. I first choice was See You Again by Wiz Khalifa and Charlie Puth. My second choice was Don’t Worry be Happy by Bobby McFerrin. According to MTV, Puth and DJ Frank E wrote See You Again, which was written on July 17, 2014, and recorded a few days later by Artist Publishing Group. Two artists performed this song and Puth was the one artist that performed his own song. McFerrin wrote the song, Don’t Worry be Happy. He recorded the song in 1988. He is another example of someone who wrote his own song and alter performed it. I chose these two songs because they are completely different. One was released last year, and the other one …show more content…
I played an instrumental version of the song without lyrics and after analyzing the song I noticed it a group with three-accents on the first beat. The other song is not a triple. McFerrin’s song provides a duple meter. I performed the same analytical technique to identify this meter. The rhythms behind both songs carry an explicit rhythm. I tested both songs with the same analytical technique. Throughout both songs I could easily tap my foot to them, making them easily definable. The texture of McFerrin’s song is polyphony. Reason behind this, is because it sounds as if two melodies are that are sounding together. Khalifa’s song actually carries a homophony type of texture. Within the song I noticed that several melodies sounded together in the same rhythm. According to songfacts.com, McFerrin’s song was actually created without instruments. He recorded it only using his body to make all the sounds. This type of song creation is also called a cappella, as studied in class. Khalifa’s song did have some instruments but not too many. Many would describe it as plain, but brilliant. According to musicnotes.com all that was used for this song were a piano, backup vocals, range G4-F6, drums, and voice. Both were very simple, yet very useful for these music
Carl Strommen was born in 1940 and currently lives with his family in Long Island, New York. He graduated from Long Island University receiving a Bachelor of Arts in English Literature and later went to The City College of New York where he studied music and received a Master of Arts in Music. He studied orchestration with Manny Albam and Rayburn Wright and composition with Stefan Wolpe. He currently has over twenty published arrangements for bands and wind ensembles. His popular arrangements and compositions are played all over the world.
There was a vocal recital on October 19th, 2017 at 7:30PM, held at the performance hall in Mountain view college. Alex Longnecker, a tenor vocalist and Imre Patkai, (pianist) played a series of homophonic textured songs, some being sung in German and others in English. The Three selected songs I will be writing about are, The Lincolnshire Poacher, The Plough Boy, and Im Wunderschonen Monat Mai. This performance played a total of 24 Pieces, composed by 4 composers, being Wolfgang Amadeus Mozart, Ernest Chausson, Benjamin Britten, and Robert Schumann.
There is a very distinct stereophonic sound because of the data established above. This does not sound a live recording because you do not hear any reverb. The constant changing of sounds left to right is more like an effect had been created to give the sense of a live recording. Multi-tracking is something that lends to the fact that you hear instrumental sounds all one position, while Paul Anka, sings close the microphone to make it sound more live performance. If we now make a comparative assessment as we did with Paul Anka’s recording, there is a noticeable difference here. We do not have the big band sound, but instead rock band with one vocalist, electric guitars, string bass, drum kit it seems. Here then is a few things in the list that tell us more a about this songs production technique:
play the songs so they found two sticks and that was what he used to practice with. An hour later, Travis went on stage and performed with the other two guys in blink-182 and amazed the crowd. as well as his two best friends. When the original drummer said he wanted to go to school and was leaving the band, they asked Travis to take over since he had amazed the crowd with his. awesome ability to play the drums.
Singleton and Eddie Snyder. The song was made in 1966 and falls under the genre of traditional
The song begins in a slow and introspective making use of a minor tonality. The original piece starts in the key of D Minor and follows an AABA form. The piece uses unlikely and unexpected chord changes, as well as a false key change from D Minor to D♭ Major in the first “A” section, even though this section ultimately ends in F Major. (In a Sentimental Mood) The first seven notes used in the song, although in a different key, identical to the first seven notes in Gershwin’s Someone To Watch Over Me. The piece makes use of the “Circle of Fifths”. The following is a quote from Source 1: (In
The song is a romantic ballad which fits the video. “Thinking out loud” is played in d major which is played on the guitar. The play of the guitar gives it an authentic feel that persuades the audience that he is loving. Sheeran in addition uses the instruments violin, and piano. The song is in mid-tempo range with the song having high points and low points. In the high points in the song Sheeran vocally over powers the instruments. In addition the ballad and instruments go together and fit the message.
...e it incorporated the use of rattles and percussion at much faster pace. There was a solo singer, and he did repeat a lot of the phrases, but it was one- hundred percent redundant. Song number twenty-four brought the listener into the more contemporary trends of Native American music. The song was a capella, and in a more strophic form than other pieces. It was similar to many songs on the radio, just without accompaniment. The last three tracks contained a bigger variety of musical instruments, from flutes to guitars and strings, to percussion. The last song was really neat because it sounded like a country western tune, yet it was done in Spainish. I don't agree with Nettl in his opinion that a lot of the music sounds the same because every song I listened to on the track was completely different from the other whether by instrumentation or vocal aspects.
Finally, this assignment has shown how music can be updated to suit different generations. Through the process of evaluating both songs, and comparing the two, one could say that the differences in the second song help refresh the first version. Although others may remark ‘old is gold’.
The melody is consistent with the song. The string instruments are prominent whereas the timpani and oboe just go along with the melody. Esta es una pieza sencilla binaria; claramente no hay devolución del material melódico apertura en la segunda parte del movimiento.
The musicians were able to keep time by taping their feet, listening to the piano and drums play a steady beat, and along with a lot of practice beforehand. When it comes to the meter of the piece I noticed that when each musician was playing their part in the song the rhythmic structure would change. When the trumpet player and saxophone player were playing together the beat was steady and loud, but when they were playing separately the sound was not as loud, but the beat remained the same. Each instrument created a different feeling to the music, even though they were playing the exact same part.
he has rhythm. I think the lyrics to the song are quite a strong point
The song that I choose to do this assignment on is Fight the Power by Public Enemy. Fight the Power was written in 1989 and quickly became a street anthem for millions of youths. It reflects with issues dealing with both the Civil Rights Movement and to remind everyone that they too have Constitutional Rights. This particular song is about empowerment but also fighting the abuse of power that is given to the law enforcement agencies. It gave citizens of the U.S a more modern outlook on the many struggles that not only the African American community is up against but the other minority groups as well. The song’s message was eventually supposed to bring people together and make the world a better place, even though some teens saw it as a way
I noticed he constantly switched from the synthesizer to the keyboard, and this was to change the tune and make it sound layered as I mentioned before. I also noticed that at times he played the keyboard slowly and other times he would play extremely fast. So rapidly that I even questioned how a man can first not only move his arms so fast but also play so beautifully at such high speeds. A tune he played even sounded like a swish-swashing sound, and I was amazed by how a synthesizer and keyboard can possibly make such sounds. I also noticed that for this song that both Lionel Loueke and Dave Holland played the guitar, and I think this was to match the fusion electric instrument style. Overall, the entire band did a great opening for their performance; everyone looked like they were doing their own thing and were very content.
Lawnge took charge of most of the production and his presence was an homage to famous DJ and rap crews. Similar to DJ Jazzy Jeff and The Fresh Prince, each member played a crucial role in creating the production. In great hip hop fashion, samples were used such as Luther Vandross and disses were readily available. This was one of my favorite songs because it mentioned the famous “Funky Drummer” sample from James Brown and claimed rappers using it were unoriginal. In addition, they took fire against the thought of hip hop music one day being appropriated. When it comes to social relevance, this song stands the test of time and drops jewels to the listening audience.