Matthias Grunewald: The Unseen Masterstroke of Rebellion

717 Words2 Pages

Born between 1475 and 1480 in Wurzburg, Germany, famously known as Matthias Grunewald, a uniquely rebellious German artist, helped change the way people looked at art. Grunewald’s first (known) painting is estimated to be Munich, dated in the year 1503. His childhood was lost along with most of his art, most information about him was deserted in the Baltic Sea. Today, only a small number of pieces from Grunewald remain. In the beginning of Grunewald’s childhood time, the Hunyadi Dynasty founder, Matthias Corvinus, was the king of Hungary and Bohemia who will in seven years time, will become Duke of Austria, all up until 1490. This dynasty was very powerful at the time, “One of the most powerful noble families in the kingdom of Hungary”. Corvinus …show more content…

The way these two dynasties were governed might have affected the way Grunewald thought of society growing up however, Hunyadi and Jagiellon bloodline wasn’t the only political artifact going on at the time. There was the German Renaissance. The German Renaissance was much like the Italian Renaissance. In fact, much of Germany (and the areas around it) often looked toward the Romans for influence on paintings and sometimes architecture. These people were called “Romanists”. Because of lack of transportation and a less convenient spread of news, Germany (and the surrounding areas) didn’t have their “European art boost” until about a century …show more content…

After Grunewald passed away, many higher rulers like the Holy Emperor Rudolph II looked to conserve Grunewald’s art, “By the end of the century, when the Holy Roman Emperor, Rudolph II embarked on his quest to secure as many Durer paintings as possible…”. Once the Emperor forgot about what he planned for the pieces, some time passed, and all of Grunewald’s work was loaded on a ship sailing to Sweden for “war booty” but unfortunately most of the artist’s great work was lost in the Baltic sea. The only remains were ten paintings and thirty-five drawings, all being

More about Matthias Grunewald: The Unseen Masterstroke of Rebellion

Open Document