In this poem, Mary Robinson writes about the hustle and bustle of a street in London. Robinson fills her poem with noisy communication, and she captivates her audience by showing the city in all that it has offer. She engages our senses with implacable street sounds, which is why this particular quote was chosen. The very first line of the poem gives you an idea of what to expect the poem to be like. She describes several different sounds she wakes up to every morning, and uses auditory imagery to identify the occupation of specific people in this busy street. For example, the chimney-boy that "bawls his trade". Mary Robinson is constantly talking about how hot the morning is by using words such as "sultry". This word can also convey and image
Night Waitress by Lynda Hull is a poem that describes the feelings of a waitress that works the night shift of a diner Reflection of “Night Waitress” “Night Waitress” by Lynda Hull is a poem that describes the feelings of a waitress that works the night shift of a diner. The speaker obviously belongs to a lower social class, in the way of income and her occupation. Much like the character in this poem, the speaker in “The Chimney Sweeper” by William Blake works long, hard hours as a chimneysweeper. These two characters are both related in their ways of life and their classes in our society.
Poverty is often taxing to one’s life in multiple ways, some of which include mind taxation, stress taxation, emotional taxation and of course money taxation. Mother Theresa once said “Loneliness and the feeling of being unwanted is the most terrible poverty”. How would you find time to look for the one that would make you feel special and wanted, while having to live in situation which doesn’t forgive free time? “Night Waitress” by Linda Hull is poem that looks at daily life of a waitress who struggles to answer just that question.
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
A voice for voiceless which she finds from nowhere. Rarely a "homeless Man under the Bridge" could arouse such an inspiration to make him one of the most widely read poem of recent times. She tries to find the unwritten pages of life of a man who almost delivered a judgment on the masked masses of Britain.
Life is bursting with temptation everywhere and based on peer pressure, if you can’t get something you want you rather find another way to get it. Individuals of the community rather act out of action without thinking about it first, which can lead them to the severe consequences of their actions. Then you later think what I did was wrong, I could have prohibited that by doing it differently. Afterward, you feel a great deal of emotions running through your mind; encumbrance, sorrow, and helplessness. These reactions cause you to overthink and make you feel compunction than you already feel. At first you feel calm and assumed you can get away with it, but unfortunately it landed you nowhere but deeper in the grave. Even in its effects in “Shoplifting”
“Immigrants at central station, 1951”, this poem is about the Skrzynecki family waiting to depart on a train at central station to a migrant. The first stanza describes the time and the atmosphere of the where the family were the family is situated. The poem begins by capturing a brief moment in time from the whistle declaring its arrival to the scene of leaving with it. “It was sad to hear the train’s whistle this morning” these words provoke sadness where it usually brings joy. This tell us that the Skrzynecki family were sad due to the fact that they were about to travel to the unknown. “All night it had rained.” The imagery in the first stanza is depressing, the poems tone here is sad. As the poem goes on it says, “But we ate it all” the metaphor here is used for positiveness. No matter how depressed they were they still enjoyed it. The second stanza is about
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
“one of those cross streets peculiar to Western cities, situated in the heart of the residence quarter, but occupied by small trades people who lived in the rooms above their shops. There were corner drug stores with huge jars of red, yellow and green liquids in their windows, very brave and gay; stationers’ stores, where illustrated weeklies were tacked upon bulletin boards; barber shops with cigar stands in their vestibules; sad-looking plumbers; offices; cheap restaurants, in whose windows one saw piles of unopened oysters weighted down by cubes of ice, and china pigs and cows knee deep in layers of white beans.”
The Street exemplifies an unyielding, and captivating society jumbled with multiple roles that distract the reader from honing in on one person. Hughes regards the majority of Balthus’s themes to be defined within a meticulous and peculiar setting (Marks 49). In accordance to the order of the stanzas, the reader is introduced to the central figure within Balthus’ painting. The carpenter’s stark white clothing, ironically contradicts the story Dobyns infers. The blue collared wo...
In the passage from the novel LUCY, author Jamaica Kincaid dramatizes the forces of self and environment, through her character whose identity is challenged with a move. The new home provided all she needed, but it was all so many changes, she “didn’t want to take in anything else” (15-16). Her old “familiar and predictable past”(40) stayed behind her, and she now had to find who she was in her new life. Kincaid uses detail, metaphor, and tone in the passage to show her character’s internal struggle.
In Anne Sexton’s poem, “45 Mercy Street”, she illustrates a narrative of her desperate and distressing attempt of finding the place she once called home. As she is “walking up and down Beacon Hill/ searching for a street sign -/ namely MERCY STREET”, memories of her past resurfaces and the line separating dream and reality grows faint. In the midst of her search for the house with the memories that taints her life, she realizes
...t she has put on a new “costume” and is now a completely different person. The stockings are “night-black” representing the backyard and its negative connotation. In line twenty, the author writes that she wants to “strut down the streets with paint on [her] face,” again emphasizing Brooks’ new rebellious nature since crossing over into the backyard. The “paint” suggests that her rebellion is just and act, and as soon as she removes the paint, she can return to the front yard if she pleases. The repetition of “and” at the beginning of the last three lines illustrates Brooks’ desire to completely rebel against her mother and the front yard life since it shows how she wants to rebel in so many ways. The main theme of the poem highlights the desire people have to experience what they do not have and live life on their own terms.
“Its deserted streets are a potent symbol of man and nature 's indifference to the individual. The insistence of the narrator on his own self-identity is in part an act of defiance against a constructed, industrial world that has no place for him in its order” (Bolton). As the poem continues on, the narrator becomes aware of his own consciousness as he comes faces nature and society during his walk. He embraces nature with the rain, dark and moon but he also reinforces his alienation from society as he ignores the watchman and receives no hope of cries for him. The societal ignorance enforces our belief that he is lonely on this gloomy night. “When he passes a night watchman, another walker in the city with whom the speaker might presumably have some bond, he confesses, ‘I… dropped my eyes, unwilling to explain.’ Likewise, when he hears a voice in the distance, he stops in his tracks--only to realize that the voice is not meant "to call me back or say goodbye" (Bolton). The two times he had a chance to interact with the community, either he showed no interest in speaking or the cry wasn’t meant for him. These two interactions emphasize his loneliness with the
This instantly creates a picture in the reader’s mind about what the beginning of the poem entitled. Next is the loud voice followed by a cat carefully curled up on the top of a fence, just a few feet from a little wooden birdhouse. Every line jumps to a new place, a place that’s overlooked in today’s society. These objects, to the audience, are deemed as everyday objects that we encounter on a daily basis. Whereas Nye is explaining in depth and forcing the reader to think - long and hard - at the simple things we often overlook: cats and boots and buttonholes.
It is was set in the first three paragraphs that of this story is in the winter and basically the people on north richmond street live dull lives for example,“When we met in the street the houses had grown sombre.” This is Quote explains that the house were sombre or dull usually when people live dull lives they look for something to brighten it up. Also for example, “The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns.” The sky was an ever changing violet as the boy say’s which can represent that he was passionate for Mangan’s sister. “ The cold air stung us and we played till our bodies glowed.