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Human anatomy short essays
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Mary Roach’s Gulp is a nonfiction book that revolves around the human anatomy, particularly the digestive track and everything that goes into it. She comically works in facts about the “invisible realm we carry around inside” and argues the incorrect information provided by the media, including things such as commercial use and packaging and marketing. An interesting issue that is addressed in the first chapters of the book is the art of wine and olive oil tasting and what goes into the development of such skills. Roach gives great detail on the process of wine and olive oil tasting, broken down into the “five tastes—-sweet, bitter, salty, sour, and umami (brothy)” and a large variety of smells that also impact the detailed process (page 24). …show more content…
Taste is subjective, and smell can greatly impact how we might perceive a flavor. Taste is “ephemeral, shaped by trends and fads,” and is more so nose-based than it is actual flavor. Since it’s difficult for people to “gauge quality by flavor,” they tend to judge and purchase wines and other items based on price, which is more often than not the worst way to purchase anything (page 29). Wineries that price their wines at $500 have the same problem as wineries that sell wine for $10. “You can’t make the statement that if it’s low-cost it’s not well made,” a common mistake made by consumers (page 30). The quality of a wine shouldn’t be determined by price, but rather taste. The same goes for olive oil. Olive oil manufacturers in Europe are aware that Americans don’t have the skill to determine good olive oil from bad, so we often carry lower quality oil. Another test was done to find out how to tell good oil from bad, and what to look, taste, and smell for. Roach participated in this test, so was able to provide insight on the tasting. The majority of the test was done with providing different olive oils, and determining the flavor components for each, including “apple, avocado, almond, fetid milk, hemp, crushed ants,” and an assortment of other potential flavors as well (page 33). Another challenge was ranking five oils on differing degrees of bitterness. Most of the tasters failed impressively, ranking by their perceived quality. Over
Yeomans, Martin R. "Understanding Individual Differences in Acquired Flavour Liking in Humans." Chemosensory Perception 3.1 (2010): 34-41. Print.
Naoe sumptuously describes a complexity of tastes and textures that evoke all senses: hard shells, sweet, juicy, strong garlic, spicy ginger, cream, pungent, fleshy, fresh, and “sweet as the sea” (148). Alongside these sensuous descriptions are sexual and slightly graphic depictions involving food. In the same scene, Naoe watches Tengu eat: “his mouth full of lobster meat, ginger pungent cream dripping from his lips … He licks his fingers from pinkie to his thumb. It’s good to see a body enjoy his food so much” (146). The vocabulary employs innuendo and implies an openly sexual nature to the food’s consumption with images of cream dripping from Tengu’s mouth, licking of his fingers, and having bodily enjoyment of his food. Naoe simultaneously “[coaxes] the meat from the pincers”, her face “all flush with taste, it fills the ache [her] belly has been missing” (146). The “ache” Naoe is fulfilling through food is analogous to the “dull beating ache … between [her] thighs (39). Likewise, Naoe states, “[the food] nourishes more than my body. I am replete” (147). After the meal, Naoe experiences post-climactic contentment, which suggests the complete and genuine pleasure the food brings her. This scene is likewise parallel to a scene in which Naoe strips naked in mushroom
In short, yes. Many of the flavored oils will have just about the same issue as extra virgin olive oils do in terms of evaluating quality. A person who is on the Mediterranean Diet can use citrus flavored oils or, instead, experiment with adding juice or zest directly to the dish–but think about how a mandarin olive oil could enhance a well prepared entrée, or a high quality lemon olive oil could accent fish. Truffle oil (or truffle butter as some call it, depending on what you’re making) is the perfect way to add that beloved truffle flavor without having to go on a hunt and pay for the real thing (especially because quality, fresh truffles are only available a couple
Taste embodies social interaction and comfort. The mind can
Berry does not hesitate in using harsh words and metaphors like “the hamburger she is eating came from a steer who spent much of his life standing deep in his own excrement in a feedlot”(Berry 10). This provokes the readers to feeling horrible about industrial eating. He uses our pride while pointing to the lies of the make-up of industrial foods. He plays on human self-preservation when writing about chemicals in plants and animals which is out of the consumer’s control. He tries to spark a curiosity and enthusiasm, describing his own passion of farming, animal husbandry, horticulture, and gardening.
Pollan, Michael. "An Animal's Place." The Norton Mix: A Custom Publication: Food Writing: A Readymix. Ed. Jeffrey Andelora, Melissa Goldthwaite, Charles Hood, Katharine N. Ings, Angela L. Jones, and Christopher Keller. 13th ed. Vol. 13. New York: W.W. Norton, 2013. 361-77. Print.
In Lynda Barry’s Common Scents, she considers scents a demon for many reasons. One reason being that everyone has his or her own scent preference and scent in general, yet we also judge the way that other people smell. When the woman whose house smelled like a fresh bus bathroom talking about the smells of different Asian people’s houses, Lynda notes that she was “free with her observations about the smells of others” (18). She sprays her house with disinfectant sprays and air fresheners, which to her smells better that whatever her house smelt like before, but to others, such as Lynda’s grandmother, these smells are too strong and are trying to hide the fact that not everything smells good all the time.
The company additionally makes the smells of bath soaps, deodorants, and floor wax. Schlosser reports, “The basic science behind the scent of shaving cream is the same as the that governing the flavor of you TV dinner, in that the aroma of food can be responsible for as much as 90% of its flavor,” (Schlosser 122). Schlosser reveals that in the mid-nineteenth century the processed food industry began expanding increasing the need for flavor additives. (Schlosser 123). The demand for color additives began to grow as well when it was learned that appearance can
let’s say you purchase a bottle of Dry Gewürztraminer, and the winemaker says it’s one hundred% dry. yet, when you are taking it home and supply it a flavor, it tastes sweet! What’s going on? The confusion around candy and dry is because of aromas, i.e. what our nose tells us about a wine.
Food Taboos: It's All a Matter Of Taste. (2004, April 19). Daily Nature and Science News and Headlines | National Geographic News. Retrieved July 14, 2010, from http://news.nationalgeographic.com
The research done in the Western world on scent theories in the 1970s and 80s has now become part of our cultural understanding about smell and its impact
This, H. (2006). Molecular Gastronomy: Exploring the science of flavour. Columbia University Press, New York, NY.
Because no cooking could be done at their house, they ate at Sadhu’s. The food was unsalted as soon as he began to chew, Mr. Biswas felt he was eating raw flesh and the nauseous saliva filled his mouth again. He hurried outside to empty his mouth and clean it, but the taste remained. (Naipaul 33-34)
Aromas we smell are processed in the limbic system of the brain which is where emotions and memories are stored. So we are literally tapping into a very deep part of the brain when sniffing a fragrance. There is no filter on the sense of smell either, so we drop into those emotions or memories instantly. This can happen out of the blue, when we least expect it. A stranger on the street might wear the same cologne as a first lover, causing us to feel breathless and sentimental. Perhaps the scent of a musty cabinet might smell exactly like grandmother’s attic where we used to play as a child triggering joyful memories. Scent is powerful. In products it might achieve a myriad of results like give us confidence, keep us calm, or make us feel sexy. A well-fragranced product should be a gift and tool for the
When I was a little girl, I remember staring into a pink, miniature Disney Princess Collection bowl full of chicken and onions and deciding I did not like onions, even before I had ever tried them. Yet, my parents forced a sliver of purple onion in my mouth insisting there was no possible way I could be certain of my decision without first trying a piece of that particular onion. The crisp, crunchy, cool veggie danced down my throat engulfing my nasal cavities in a warm, pleasant sensation. “I hate it!” I yelled while rubbing my wet tongu...