The poets use personification to create a message about nature in the poems "Earth is a Living Thing," "Sleeping in the Forest," and "Gold." Lucile Clifton used the line "feel her rolling her hand in its kinky hair feel her brushing it clean" to give the image of the earth being a child. By making the earth a child it urges the reader the reader to help the earth. Mary Oliver uses personification in the line "arranging her dark skirts, her pockets full of lichens and seeds". This line gives the message that the earth is full of life. "When Sun paints the desert with its gold" is a line that Pat Mora uses in her poem to send a message that the sun is like a painter with the earth as its canvas. So the common message sent to the reader
Humankind has been facing and conquering problems, droughts, famines, and wars for instance, since the beginning of its existence. Throughout an individual’s life, obstacles arise and challenges present themselves in an attempt to inhibit the individual from moving forward. In her poem Crossing the Swamp, Mary Oliver utilizes a variety of techniques to expand on this idea, establishing a relationship between the speaker and the swamp as one of determination and realized appreciation.
Poetry is a very subjective art it is up to the authors to determine how they want to convey their message to the readers. Both Ezra Pound’s poem “In the Station Metro” and Emma LaRocque’s poem “The Red in Winter” use imagery, that is very subjective to interpretation, to convey their message in an economic manner. Pound’s artistic imagist poem shows that art isn’t just visual but it can also be portrayed through words alone; and that imagery is a powerful aspect of poetry. LaRaque’s however is focused on how images can portray political issues among differing cultures.
"On the Pulse of Morning," is a poem written by Maya Angelou. In this poem, Angelou depicts personification. Personification is an element of literature in which an object or an animal is given human characteristics. Angelou uses personification to give the rock, the river, and the tree the ability to speak to the reader.
In “The Fish” by Elizabeth Bishop, the narrator attempts to understand the relationship between humans and nature and finds herself concluding that they are intertwined due to humans’ underlying need to take away from nature, whether through the act of poetic imagination or through the exploitation and contamination of nature. Bishop’s view of nature changes from one where it is an unknown, mysterious, and fearful presence that is antagonistic, to one that characterizes nature as being resilient when faced against harm and often victimized by people. Mary Oliver’s poem also titled “The Fish” offers a response to Bishop’s idea that people are harming nature, by providing another reason as to why people are harming nature, which is due to how people are unable to view nature as something that exists and goes beyond the purpose of serving human needs and offers a different interpretation of the relationship between man and nature. Oliver believes that nature serves as subsidence for humans, both physically and spiritually. Unlike Bishop who finds peace through understanding her role in nature’s plight and acceptance at the merging between the natural and human worlds, Oliver finds that through the literal act of consuming nature can she obtain a form of empowerment that allows her to become one with nature.
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
Image is everything. We can make even the most disturbing scene seem poetic by just adding a few birds, trees, or a river. Poetry is one of the mediums that use this mask. In Singapore by Mary Oliver, imagery plays a very important role. She writes a poem about a poor woman she saw in an airport in Singapore washing an ashtray in the toilet, seem like the woman was encompassing a beautiful scene in nature. A poem is always a beautiful thing, so she wrote a poem about this woman making her a metaphor to the serene image of nature. Although the poem seems to be a beautiful inspiration, it really is a way of her rationalizing her disturbed perception of the woman to nature in the poem. She also uses a very interruptive style of writing by jumping from what she is physically seeing, to what her mind's eye is creating.
The poem when Death comes by Mary Oliver (1), gives a vivid description of the writer's expectation or level of preparedness for the time when death shall come. This is the preparedness illustrated by the use of the pronoun I. The writer gives an explanation of the inevitability of death. She compares it to a disease, a man purchasing her, an iceberg and also likens it to a hungry bear in autumn. She goes on to tell us what she expects to have done by the time death comes to her. She wants to master the things in her surrounding such that there shall be nothing that is a mystery for her. She does not want to appear to a visitor to the world. The poem is set out in a rural setting where the locals are able to identify items such as the flower in the field being a daisy.
When thinking about nature, Hans Christian Andersen wrote, “Just living is not enough... one must have sunshine, freedom, and a little flower.” John Muir and William Wordsworth both expressed through their writings that nature brought them great joy and satisfaction, as it did Andersen. Each author’s text conveyed very similar messages and represented similar experiences but, the writing style and wording used were significantly different. Wordsworth and Muir express their positive and emotional relationships with nature using diction and imagery.
The main characteristic of Romanticism that Emily Dickinson portrays in her writing is the emphases of the importance of Nature to the Romantics. In most of her poems there is some mention or comparison to something found in Nature. In Poem 449, she refers to the moss that covers the names on the graves of the tombstones of “Beauty” and “Truth.” The Puritans believed Nature to be the realm of the devil. By including references to Nature in many of her poems, she was rebelling against the ideals of the Puritan upbringing she had hated so much.
“We pluck and marvel for sheer joy. And the ones still green, sighing, leave upon the boughs…” (14-16). This emphasis on nature reflects the respect and connection to the natural world the culture was trying to convey in their poetry. The colorful and illustrative descriptions of the physical world are indicative of the mindset and focus of these poems. Namely the fact that they were concerned with the world around us and the reality we experience as opposed to that of abstract concept of god or the supernatural as seen in other historical texts. This focus on nature is important because it sets the context in which the major theme of loss and separation originate from. In this poem the poet chooses to emphasize the passing of time in the choice of comparing the two seasons. Spring, in which life begins a new, and fall, in which the leaves begin to fall off and die. The poem reads “And the ones still green, sighing, leave upon the boughs- Those are the ones I hate to lose. For me, it is the autumn hills” (15-18). This juxtaposition of these two
Emily Dickinson, in the poems “Dear March-Come In-” and “The Winds Visit” uses personification in order to create a picture in the reader’s mind. “Dear March- Come In” has personification which connects the reader to the feeling of loving March/springtime. “Dear march- come in-”, this personification is important because they use it throughout the poem. The poet used personification to make the reader think about how it feels to have spring come and go. Dickinson not only used personification in “Dear March- Come In”, but also in “The Winds Visit”, in order to establish a picture in the reader’s mind. “The wind tapped…”, this is personification
Eyes graze across the surrounding the landscapes. Ears perk up to the sounds of family, friends, strangers, and even animals. The heart delves into the past, recounting memories that had been stowed away for later use. The pastoral landscapes pull the recolations from the minds of the creators, transferring them to the ink of a pen. The symbolism in Walt Whitman’s “I saw in Louisiana a Live-Oak Growing”, Richard Wilbur’s “The Writer”, and Seamus Heaney’s “Digging” reveal that the author’s purpose is to show the reader that natural elements create a desire to become better.
Personification is used widely throughout the poem, an example of this is the personification of the word mother. ‘ Out of Africa of the suckling.’ The word mother is not specifically mentioned in the line but sucking refers to the relationship between mother and child. The second reference to mother is a personification of the earth, ‘Out of Africa of the first rains, the first mother. This personification is symbolic and has references to the past, the first rains being those rains of a long time ago.
The power of nature is a recurring theme in the poetry of Emily Dickinson and Robert Frost. Dickinson uses this theme in her poem " `Nature' is what we see -." The power of nature is strongly portrayed in this poem by Dickinson's articulation of what the speaker see's in nature. " `Nature' is what we see -... / Nature is what we hear -... / Nature is what we know -" (277 lines 1,5,9). Nature is everything to a person, it appeals to all senses. Dickinson also says in this poem, "So impotent Our Wisdom is / To her Simplicity" (277). The speaker is saying that nature has such great power that one can't even comprehend her simplest ways.
I can picture him seeing life and feeling it in every flower, ant, and piece of grass that crosses his path. The emotion he feels is strongly suggested in this line "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears." Not only is this showing the kind of fulfillment he receives from nature, but also the power that nature possesses in his mind.... ... middle of paper ... ...