With her son’s life hanging in the balance, Mary Ewald conveys the importance of setting her son free to her audience, President Saddam Hussein, by telling him personal facts, making her son seem harmless and appealing to the leader’s religion and way of life. Ewald keeps a matter of fact and informatory tone in the first the paragraphs before switching to a more desperate and pleading tone at the end to really convey the importance of letting her son go.
Mary Ewald tries to personalize her plea to Saddam Hussein by telling him about her and her husband’s life and relationship with Arabia. She speaks about how her husband worked under President Eisenhower and helped pause “the French, British and Israelis to pull out of Suez.” She also suggests that her, herself is suggests that her herself is a friend of the Arabs by describing how she set up a meeting at a Washington Mosque “to explain Muslim culture.” Telling Hussein about how she has “sent my youngest, well-loved son to work an Arab country.” Which helps make the issue less political and more human. Using personal details about her son and his family makes her son seen like a boy frim a good home that was in the
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Throughout the second paragraph Ewald lists how she and her husband have “been a friend to the Arabs.” She mentions that her husband is “Tom’s Father” which tells that she has stayed with Tom’s father which is more common in the Middle East than in the West where divorce was common. The largest plea to religious beliefs come in the last sentence where Ewald emphasizes that she begs “in the name of Allah, let my son go.” She really wants Saddam Hussein to know that he doesn’t just owe her and her so his freedom he owes his good her son’s freedom. Religion is very important in his culture and she makes a power play implying that keeping her son against his
...ther is losing her daughter to time and circumstance. The mother can no longer apply the word “my” when referring to the daughter for the daughter has become her own person. This realization is a frightening one to the mother who then quickly dives back into her surreal vision of the daughter now being a new enemy in a world already filled with evils. In this way it is easier for the mother to acknowledge the daughter as a threat rather than a loss. However, this is an issue that Olds has carefully layered beneath images of war, weapons, and haircuts.
...ve interest was free born and wished to marry her. However, after Harriet?s attempts to pursued her master to sell her to the young neighbor failed she was left worse off than before. Dr. Norcom was so cruel he forbade Harriet anymore contact with the young man. Harriet?s next love came when she gave birth to her first child. Her son Benny was conceived as a way to get around Dr. Norcom?s reign of terror. However, this is a subject that was very painful for her. She conveys to the reader that she has great regret for the length she went to stop her Master. Along with her own guilt she carries the memories of her Grandmother?s reaction to the news of her pregnancy. Clearly this was a very traumatic time in Harriet?s life. In light of these difficult events Harriet once again found love and hope in her new born son. ?When I was most sorely oppressed I found solace in his smiles. I loved to watch his infant slumber: but always there was a dark cloud over my enjoyment. I could never forget that he was a slave.? (Jacobs p. 62)
She gives an example by describing the photo Kenneth Jarecke photographed of the Iraqi man burned alive and in which he thought it would change the way Americans saw the Gulf War. (73) But Unfortunately the media wouldn’t run the image because no one knew the true story behind the picture, not even DeGhett and she tried describing her perspective saying, “At one point, before he died this dramatic mid-retreat death, the soldier had had a name. He’d fought in Saddam Hussein’s army and had a rank and an assignment and a unit. He might have been devoted to the dictator who sent him to occupy Kuwait and fight the Americans. Or he might have been an unlucky young man with no prospects, recruited off the streets of Baghdad. Or he might have been an unlucky young man with no prospects, recruited off the streets of Baghdad.” (74) As a result, the media didn’t want to publish Kenneth Jarecke photo because the photo is deceiving plus the media tries to shield the public from grim images of the war. It was possible that viewers would contradict the image. The United States did not people seeing these types of event occurring or the possibility of them thinking it was an American
One of his intriguing skills as a writer is his ability to intertwine narration and analysis in his essays. James Baldwin mixes narration and analysis in his essays so well that coherence is never broken, and the subconscious is so tempted to agree with and relate to what he says, that if you don’t pay close attention, one will find himself agreeing with Baldwin, when he wasn’t even aware Baldwin was making a point. Physical placement of analytical arguments and analytical transitions, frequency and size of analytical arguments, and the language used within the analytical arguments are the keys to Baldwin’s graceful persuasion. Throughout this essay, I will be using Baldwin’s “Notes of a Native Son” as an example. “Notes of a Native Son” is an essay that Baldwin wrote which focuses primarily on his life around the time his father died, which also happens to be the same time his youngest brother was born.
The human form transcends throughout time persistently present in art. Dating all the way back to Paleolithic human beings our renderings of idealized forms have served many purposes. Though the Neolithic and Paleolithic purpose of these renderings is widely speculative the range of reason for these depictions ranges from idolization and worship to assertion of aristocratic and economic status even to simply serving as statements of self-expression. Amongst ruins and artifacts, sculptures of ancient cultures demonstrate the ways in which humans perceptions of what is aesthetically desirable have progressed. Two idealized sculptures the Woman from Willendorf and the Khafre statue with approximately 21,500 years separating their individual gestations this demonstrate the stylistic progression of idealized imagery through time.
...it may help us arrive at an understanding of the war situation through the eyes of what were those of an innocent child. It is almost unique in the sense that this was perhaps the first time that a child soldier has been able to directly give literary voice to one of the most distressing phenomena of the late 20th century: the rise of the child-killer. While the book does give a glimpse of the war situation, the story should be taken with a grain of salt.
In this paper I will talk about some information that I have obtained from reading Mary Piphers, Reviving Ophelia, Saving the Selves of Adolescent Girls and give my view on some of her main points and arguments. I also will discuss why I feel Mary Pipher’s views on the toxic influence of media are accurate, and that it does affect adolescent girls. This paper will also point out the importance of Mary Pipher’s studies on the problems that today’s female teens are facing and why I feel they are important and cannot be ignored.
In Isaiah Berlin’s Agnelli Prize winning essay, “The Pursuit of the Ideal,” the British philosopher claims that, “we are doomed to choose, and every choice may entail an irreparable loss.” Berlin’s statement is proven true in The Way the Crow Flies by award winning author Ann-Marie MacDonald. Set in a post-war era, The Way the Crow Flies tells a captivating story of a wing commander, named Jack McCarthy, and his family after they move to a close-knit community called Centralia. Jack’s choices in Centralia eventually place him in a compromising position. His daughter, Madeleine, falls victim to her fourth grade teacher’s horrible abuse after school. These two main plots are then intertwined with the death of a little girl, and an innocent boy named Ricky Froelich is placed on trial for her murder. Now, both Madeleine and her father Jack find themselves doomed to choose secrecy or exposure and find that every choice they make has great consequences. Over the course of The Way the Crow Flies, the theme of choice and its consequences is developed by Cold War chicanery, sexual abuse, and confrontation.
Mary Anne is initially introduced to the audience, narrated by Rat Kiley, as an innocent and naïve young woman present in Vietnam solely to visit her boyfriend, Mark Fossie. She arrives in “white culottes” and a “sexy pink sweater” (86), and is deemed by the other soldiers as no more than a happy distraction for her man. As Mary Anne settles in though, her abundant curiosity of Vietnam and the war heighten, and she soon enough possesses as much interest in the war as many of the men. Forward, Mary Anne’s transformation into a soldier begins as she leaves her sweet femininity behind. No longer caring for her vanity, she falls “into the habits of the bush. No cosmetics, no fingernail filing. She stopped wearing jewelry, [and] cut her hair short” (94). Mary Anne’s lost femininity is also evident when she handles powerful rifles like the M-16. Not only does the weapon literally scream out masculi...
There are key quotes throughout this novel that display the imprisonment that the father went through. Near the end of the story, the narrator states
After reading the slavery accounts of Olaudah Equiano 's "The Life of Olaudah Equiano" and Harriet Jacobs ' "Incidents In the Life of a Slave Girl", you gain knowledge of what slaves endured during their times of slavery. To build their audience aware of what life of a slave was like, both authors gives their interpretation from two different perspectives and by two different eras of slavery.
Ginzburg insists that time cannot heal the wounds of war and that her generation, tied to war by its suffering and by its destiny, uncompromisingly carries the truth. She effectively uses all her rhetorical tools: repetitive imagery, fatalistic tone, and purposeful lack of organization, to show how war makes people lose their world forever.
The order to have the prisoners tortured and the subsequent publication of the sexual images was immoral and proves that we, the morally upright Americans, became savage and desperate for any satisfaction that comes from wielding power. Sontag’s essay is overall ineffective because most readers will not believe it was their fault because they were not the soldiers in an “endless war”. The torture is a byproduct of the policies enacted by the presidency at the time, which indeed tarnished America. The images circulated and the countless others that may never be leaked will unfortunately, to some degree, are representative of the Iraqi war.
The detailed descriptions of the dead man’s body show the terrible costs of the war in a physical aspect. O’Brien’s guilt almost takes on its own rhythm in the repetition of ideas, phrases, and observations about the man’s body. Some of the ideas here, especially the notion of the victim being a “slim, young, dainty man,” help emphasize O’Brien’s fixation on the effects of his action—that he killed someone who was innocent and not meant to be fighting in the war. At the same time, his focus on these physical characteristics, rather than on his own feelings, betrays his attempt to keep some distance in order to dull the pain. The long, unending sentences force the reader to read the deta...
...e turning point of the story of Mother Savage. She understood that the four soldiers she had living in her cottage were enemies, but she had absolutely no problem. “She liked them well enough, too, those four enemies of hers; for country people do not as a rule feel patriotic hatred-those feelings are reserved for the upper classes” (page 66). After receiving the letter informing her son’s death, Mother Savage could only think of how tragic the scene was at the time her son was brutally killed by Prussian soldiers during battle: