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Conclusion of the Canadian identity
Canadian identity conclusion
To what extent does canada have a national identity
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In the various literature studied this semester in ELA A30, there are numerous criteria for deciding Canadian identity. Marilyn Dumont claims that this land is more than just a setting to be in. According to Marilyn, Canada is a part of who you are: “This land is my tongue, my eyes, my mouth” (Dumont 5-6). She presumes that Canada is what makes up most of who she is. She also says that this land is not just a place to call home and that, “This land is not just a place to set my house, my car, my fence” (1-2). This means Canada is more than a place to hold your belongings into. Marilyn states that Canada is not just a place to live in: “This land is not just a platform for my dance” (Dumont 13-14). She declares that this land is more than just
idea of what it is to be Canadian rather than always identifying with the place
Nationalism is defined as love of your country. The basis for Canada’s national love of country is focused around three main ideas; devotion, sacrifice and willingness to die. These characteristics are displayed in the play Billy Bishop Goes to War. Thousands of young men were shipped off to war with these three great qualities. Billy Bishop was among those thousands and was an outstanding World War One pilot who displayed the three key qualities that our national love is based upon throughout the play. Being willing to do anything to protect our country and its freedom is nationalism.
Canada. What does the word invoke in a reader’s mind? The land of multiculturalism perhaps, where people of every different colour, creed, religion and ethnicity can exist in harmony. Or, is it the land of opportunities, where immigrants arrive in the country and find out they will face more obstacles in their quest for a better life. The Canada in Raheel Raza’s A Global Village in Canada is very different to Goran Simic’s Canada in Goodbye Muse, Hello Prada, Raza’s piece will leave readers feeling positive and optimistic about Canada, where everyone can exist peacefully, barring a few who are eager to highlight the differences. The tone of Simic’s piece is far more low-key than Raza’s, not quite as bright and high-strung. Out of the two, Simic’s Canada will resonate with readers more because he used his personal experiences, employed clever language and literary devices to make his writing more memorable, and he described the struggles every immigrant will face as they try to establish themselves in a new country.
Although Quebec is in Canada, a majority of Quebecers do not identify with the national identity of Canada. Both societies create a sense of identity as well as nationalism (Hiller, 295). Hiller mentions two approaches to assessing Canadian identity; the unitary approach and the segmentalist approach (Hiller, 277). The unitary approach suggests that society consists of people who regardless of their ethnic back ground, identify as belonging to the national society, while the segmentalist approach concentrates on groups and communities that share racial, linguistic, occupational, or cultural similarities (Hiller, 28). While most Anglophones are more unitary or pan-Canadian, Quebec heavily identifies with the segmentalist approach. This dissimilarity of identity perspective may be problematic for the country, at the same time however, it can also be viewed as a struggle where contradictory parties find a way to compromise and reshape Canadian society together (Hiller, 277). Canada’s former Prime Minister Pierre Trudeau made it his objective to unite Quebec with the rest of Canada. In 1969 Trudeau’s government implemented Bill C-120, otherwise known as the Official Language act, which made French an...
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
Is Canada a nation or has its control just switched empirical hands? As Professor Hutcheson asked, did Canada go from "Colony to Nation or Empire to Empire?" This question has greatly influenced Canada's changing identity since her birth as a British colony with Confederation in 1867 to the present day. The purpose of this essay is to critically analyse the shifting Canadian identities between the years 1890 to 1960. The objective is to illustrate Canada's transforming identity by using the novels The Imperialist by Sara Jeanette Duncan, Barometer Rising by Hugh MacLennan, and Fifth Business by Robertson Davies and to connect the stories of each of these works of fiction to the varying political, economic, and social issues of their times. Each book is written by a prominent author, and portrays an accurate reflection of the demanding political, economic, and social concerns throughout the late nineteen and first half of the twentieth century of Canadian history. All of the novels reflect Canada's peripheral view of the world, as opposed to a central point of view, because throughout its history Canada has always been perceived as a secondary player. As George Grant says in his literary piece Lament for a Nation, Canada is "a branch plant society" , meaning Canada is controlled by another power. The essential question is where has Canada's loyalties traditionally lay and how has this shaped the Canadian identity. The Imperialist by Sara Jeanette Duncan, written in 1904 reflects a very British influenced Canada. At this time, Canada is still a British colony under British rule, and the people of Canada are very content to consider themselves British. The novel predominately ill...
What does it mean to be Canadian? What is Canada’s national identity? These are questions which are difficult to answer. The International and Universal Exposition in 1967, or otherwise known as Expo 67, was an exhibition held in Montreal, Quebec from April to October, which was celebrating Canada’s centennial. I found many primary and secondary sources that recognize how Canadians perceive national identity through the exhibition. The theme for the Expo was ‘Man and his World’ and this raised the sense of national pride for Canadians. I found some sources that looked at ‘Canadian National Identity’ as a whole; as well as Canadian National Identity for the Natives, the French Canadians and English Canadians. Themes that are recurrent include how to represent Canadian national identity at the exposition, the French/English relationship towards Expo 67, as well as the search for a united Canada.
“Multiculturalism” entered public speech in the late 1960s and early 1970s in Canada that focused on unique cultural diversity, nationalities, and ethnicity across the nation. Multiculturalism and Immigration are important factors in the development of Canada to attain a strong multicultural example of economic stability, social and political growth which leads to the emergence of Canada’s identity and culture.
Canada is of the major influences of Grandfather Connor’s identity. When Vanessa was eleven years old she was interested in pioneers and how they had build the nation she calls home. She shows this interest through her book called “Pillars of a Nation” and found out her grandfather was considered a pioneer. Vanessa’s Grandfather Connor is the stereotypical Canadian during the 1930s. He was a hardworking man trying to make a living while helping build a town in the prairies during the depression. He was “the first blacksmith in Manawaka” and was also able to start up his own hardware store (Laurence 7). In the short story “The Mask of the Bear” Vanessa describes her grandfather as his “bear fur coat”, like a quintessential Canadian. Rough and grizzly, n...
payment for our country, free trade. All in all we have our own government, our
“ Canada 's national obsession seems to be its own identity.” For many years Canada has feared the increasing influence of its North American neighbors on its culture - the United States . It has become a matter of growing concern for the people of power and influence in Canada to maintain their separate cultural identity and to promote their own cultural norms. Gaetan Tremblay presents his views on this topic and does this from the perspective of a person living and working in Quebec.
Throughout Canada’s relatively short existence we have created quite a reputation for ourselves. Our great nation is known for many things , and I am proud to say that most are positive. Does Canada have a strong national identity? Anyone can see the answer is yes. Just take a look at the facts. For example, we are renowned for our peacekeepers and no other country is considered more peaceful. Without a doubt this is the type of identity we should work to keep.
As promoted by the Official policy, “Canadian multiculturalism is fundamental to our belief that all citizens are equal. Multiculturalism ensures that all citizens can keep their identities” (Canadian Multiculturalism: An Inclusive Citizenship. (2012, December 19)). However, it proves strenuous to identify the various social needs when addressing such a broad demographic.
What does it mean to be a Canadian? What are the common values shared by the Canadian citizens? Denise Chong, who was an economic advisor to the Canadian Prime Minister, delivered the speech “Being Canadian” during the Canadian citizenship week, 1995. She explains in this speech the importance of Canadian citizenship, the values shared by the Canadians and how to strengthen the Canadian values.
The culture of Canada refers to the shared values, attitudes, standards, and beliefs that are a representative of Canada and Canadians throughout Canada's history, its culture has been influenced by American culture because of a shared language, proximity, television and migration between the two countries. Overtime, Canadian-American relations have helped develop Canada’s identity during the years 1945-1982; thus introducing changing social norms , media and entertainment. In support of this, due to the United States being approximately 9.25 times larger in population and having the dominant cultural and economic influence it played a vital role in establishing Canada’s identity. With Canada being its neighbour, naturally, the United States would influence their way of life upon Canada. In other words,