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Summary of cathedral
Art during the Renaissance
Art during the Renaissance
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Although I have learned much about the Basilica di Santa Maria del Fiore through my art history classes, visiting the cathedral in person is a was a very different experience compared to seeing photos. As an art student, I am always eager to see works in person because I know how different viewing art and architecture in person can be.
The Basilica di Santa Maria del Fiore, translated to Saint Mary of the Flower, is perhaps the most visually and historically iconic architectural works of Florence, Italy. The enormous cathedral is nicknamed the Duomo due to the enormous octagonal dome, which dominates the city horizon. Arnolfo di Cambio designed the Florence cathedral in 1296. Work progressed slowly and in 1334, the primary focus became the
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The massive octagonal structure was a daunting task for engineers and architects. The circular dome, such as the Pantheon in Rome, was not a concept Italian architects were unfamiliar with. Those domes, however, were constructed with concrete and the recipe for concrete disappeared in the Dark Ages. Domes constructed during this time period were typically built upon a wooden scaffolding system. The width of the cathedral however, was too wide for the traditional method. Massive medieval gothic cathedrals made of stone relied on flying buttresses to support their weight. The architects of the Renaissance were determined to avoid the gothic style and instead use the simpler designs, which originated with the Romans. This determination resulted in the east end of the church remaining open to the elements or covered with flat, unstable roofing for more than a century. It was not until the fifthteenth century that architect Filippo Brunelleschi developed a …show more content…
There is an immense amount of space. There is an exquisitely detailed mural on the interior of the dome. There is also a beautiful series of stained glass windows around the cathedral, which casts a dim, blue glow around the room. Prior to visiting the cathedral, my expectations of the interior were of a much more glamorous, and detailed style. Given how many artists came out of Florence, I expected it to be filled with art. I also think that the exterior of the church creates a misleading expectation for the interior. I reminded myself that the exterior of the church was added many years after the cathedral was built. It makes sense that there are different
Brunelleschi 's Dome: How a Renaissance Genius Reinvented Architecture, written by Ross King, describes the history of the city of Florence and life at the end of the Middle Ages through the genius of Filippo Brunelleschi. The book begins by giving information about the historic competition that led to the impressive dome that sits atop Santa Maria del Fiore. It then gives an account of the history of Florence in the late 1300s and early 1400s and the building of the cathedral and the initial competition for the dome 's design. After providing information about Florence and the cathedral, Ross King gives background information about Filippo Brunelleschi, his experiences as an artist and scientist in both Florence and Rome, and insight into
Filippo Brunelleschi gained much of his architectural signature from his studies in Rome. He was already making a name for himself in Florence before he started working on a design for the Baptistery doors. “After Lorenzo Ghiberti had won the competition (1401) for the Baptistery doors, the runners-up, Donatello and Brunelleschi, both left for Rome to study sculpture and architecture respectively” (Meek np). It was actually a blessing in disguise that Brunelleschi lost the bid for the doors because it led him to move to Rome for a period of time. This exposed him first hand to the ancient Roman buildings and the specific architecture in their designs. According to PBS, “Brunelleschi spent the next 10-years living rough in Rome with his good friend, the sculptor Donatello, studying the ruins of the great city” (“Filippo Brunelleschi” np). A decade is a long time to absorb a narrow field of architecture. It is inevitable that he picked up on the design elements and incorporated them into his own. Through independent study, Brunelleschi could truly focus on what interested him and thus making it a passion of his. After his time spent in Rome, Brunelleschi moved back to Florence where he was “responsible for initiating the rediscovery of ancient Roman architecture” because he “understood its inherent principles and he employed them in an original manner” (Meek np). As a result it is indisputable that Brunelleschi’s ...
Yes, the building was built with religious intent, but the Duomo was built to be enjoyed, not to be worshipped like previous religious art. The inside of the Duomo contained many religious pieces of art, however the religious art was made with correct human anatomy, and beautiful colors to really make the observer enjoy it. This human anatomy and beautification of art was part of what the Renaissance was all about. The Duomo was also built beautiful, standing tall with a large dome a the top. The peak at the top the dome was built to look amazing while sitting above the city, but was not made to be worshipped. The great Duomo was made to show how perfect and powerful Florence was. Florence was symbolized by the beautiful, made to make people want to come and see this building that so greatly represented the Renaissance. People want to see it for the art and beauty, not to worship.
When I got to the altar, it was then I was truly amazed at the beauty of this cathedral, and I wondered to myself, if the people outside only saw what was inside, it would make them think twice about throwing their garbage on the sidewalk in front of it. When I walked near the steps of the altar, it looked like the area was made for a king with the carpet, lighting, and all the artwork around it. It really did look like the throne of a king. I could literally feel the holiness of the cathedral once I stepped foot onto the altar. I felt like that the Trinity was in the cathedral at that point, and I also felt like the cathedral was the border for humanity and the divine.
This work is typical for this era because the architectural style Gothic is known for its height being tall and made from stone and tall flying buttress...
Siena, a town located in the heart of the “boot” of Italy is stationed just over forty miles south of Florence. This city claimed the Virgin Mary as their patron saint praying to her for protection and the keeping of peace. Siena’s nickname was “Vetusta Civitas Virgins” which means “The Ancient City of the Virgin.” Therefore creating Mary as the main focus of the Maestà was not even questionable in Duccio’s large-scale masterpiece. Even today, many pray to the iconography of Mary as seen in the portable Catholic rosaries of the majestic virgin. Majesty translates to Maestà in Italian. It was named this because it beheld the Virgin in majesty reflecting the high regards of Mary during that time.
The maintenance and completion of the Baptistery of San Giovanni, one of the oldest and most significant buildings in Florence, was entrusted to the Arte del Calimala Guild. This wool merchants’ guild was the oldest of Florentine guilds and was extremely powerful and wealthy. This wealth and power was due in large part to the fact that Florence was the fabric capital of Italy. The Baptistery was dedicated to Florence’s patron saint, John the Baptist. Consequently, the first set of doors created by Andrea Pisano in 1336 depicted scenes from the life of Saint John the Baptist and was installed on the east or main entrance side.
The interior of the Pantheon is an open circular floor plan and, was painted blue and gold to resemble the vault of heaven (The Humanistic Tradition). The interior of the Pantheon was purposely meant to outshine the exterior. Unlike the Pantheons more interior design the Cathedral has a more exterior design. The interior of the Cathedral of Chartres has a network of open and closed spaces. The exterior of the Cathedral is lined with sculptures that are linked to the Old and New Testaments. Along with t...
In building the interior of this temple, it shows how the Romans brilliantly were able conceive the idea and realize the quality of spaciousness. While the Florence Cathedral incorporated some newer ideas that evolved allowing for better, lighter construction materials to be used that centered on the Gothic style, allowing for larger window construction which later allowed stained glass to be included and a better support system; the flying
Have you ever felt insignificant while standing in front of a monumental building that you have seen in small images of your history book? No one could imagine the atmosphere and physical beauty inside the most beautiful structures in the world, the Pantheon and the Florence cathedral. While sitting at the fountain in front of the Pantheon, one can see the huge columns rising towards the entablature and the walls curving behind to form a cylinder. Although the exterior of the pantheon could look majestic, the interior is just as breathtaking. The first thing someone does when they enter the Pantheon is to look up at the coffered dome and the oculus. The important feature that seemed impossible to have been built during the time that the Pantheon
As I walked up the street toward the front of Grace Cathedral, I was in awe at the size and ornateness of this cathedral. It was tall and wide and looked very much like the churches we had been studying in class in the prior weeks. As I got closer and closer I began to make out The Ghiberti Doors, also known as the gates of paradise. These are the main cathedral doors made out of bronze, and are replicas of the originals which stood centuries ago at the east entrance to the Baptistry of Florence Cathedral (the Duomo) Italy. I approached and spent about fifteen minutes, just examining all the different engraved scenes within the ten sections in the two doors. After I had finished looking at the Ghiberti Doors, I entered through one of the side doors, since you are not able to use the Ghiberti Doors, because they weight too much. Before I stepped inside the cathedral, I pulled out my text analysis and read over it, so that when I entered I could examine whether or not this cathedral exuded the same sacredness as the cathedral in the text analysis. I feel this Cathedral really does exude not entirely the purity of heaven, but does seem to somewhat separate you from the outer world, as Abbot Suger spoke of. Also, it brings in some of the surrounding beauty from St. Denis, such as the sapphire and stained glass, as well as the gold plating.
There can be found an inscription on the In the lower order there are five entrances to the atrium, over which are nine windows, three of which possess a balcony. The main window, the “Benediction Loggia”, where the Pope gives his blessing upon his election, and at Christmas and Easter. When Maderno added the nave, which is the main body of the church, he transformed Michelangelo’s Greek cross plan into one followed by early Medieval cathedrals. This plan was heavily criticized for ruining the effect of the dome, which was designed by Michelangelo. Not only is the Façade criticized for ruining the effect of the dome, it is also criticized for being too rushed.
Uniformly pleasing, the basilica is strongly focused on definition and structure. The dome of the basilica is considered the masterpiece of design. A lot of effort was put into the design of the dome; it is a key element of the basilica.
In the Florence Cathedral, Florence, Italy, there is a cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance. Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral. Created by many great Early Modern artists, this piece of architecture is a perfect example the Renaissance style. We can come to a better understanding of why this is so by exploring what the characteristics of the Renaissance “style”. To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows are the work of the Italian architect and artist Lorenzo Ghiberti, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters. Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 278 ft high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters. Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni, noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti. With that background information about the cathedral, one question comes to mind: what is it that makes the Renaissance style distinct? Renaissa...
In Florence, Italy a cathedral stands over the grave of its architect, Filippo Brunelleschi. The Cathedral of Florence that now serves as his monument was one of his largest architectural developments. Little is known about Filippo’s childhood because he was not very famous; however, later in life he made huge accomplishments in the field of architecture. Filippo Brunelleschi’s structures were considered glorious at the time and are still standing today.