Marcel Duchamp Meaning

234 Words1 Page
bulb-icon

Recommended: Marcel duchamp and conceptual art

Marcel Duchamp was a conceptual artist that made readymades that changed the definition of art. Conceptual art is an art that the idea behind the work is more important that the finished art object. Many conceptual artists like Duchamp make their art very bland, plain, and simple but with a profounder thought process behind it. If you look at his works you will see how non-aesthetic they are. For instance, in his art work bicycle wheel or fountain they are very simple you may not find them appealing to the eye but they have a deeper meaning, in contrast to Hans Kosuth’s one & three chair’s it is still plain and simple but it has more meaning to it than Duchamp’s. Conceptual artist dematerializes things which means that they decrease the amount

Show More
Related

  • Van Gogh Influences

    614 Words  | 2 Pages

    During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...

    Read More

  • Postmodern artists Mike Parr and Stelarc

    1051 Words  | 3 Pages

    “In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.” (Sol LeWitt - Artform, 1967)

    Read More

  • Jean Michel Basquiat Essay

    693 Words  | 2 Pages

    All the artist during that time all portrayed similar ideas that were introverted abstract art. Artist started portraying common objects in an abstract expressionism that were aggressive and emotional. During this era, Basquiat and other similar artist created pieces that were rich in detail that demonstrated different aspects of life. During this art movement, many people considered it be controversial and didn’t find the artwork to be intriguing. This movement started in Germany and later on settled in the United States. Neo-Expressionists were sometimes called Neue Wilden (“The Wild Ones”). The word Expressionism was a movement in poetry and in paintings and this is usually would present the subjective

    Read More

  • The Definitions Of Conceptual Art By Barbara Kruger

    927 Words  | 2 Pages

    The book indicates that conceptual art is a set of practices where the concept is the most important part of the work (Hacking 40). On www.visual-arts-cork.com, the site states conceptual art is a form of contemporary art that focuses on an idea. Plus it is focuses on ideas and meanings versus being art. Conceptual art as an art form began in the sixties and seventies (“Conceptual Art Meaning and Characteristics.”). What is contemporary art? Again, www.visual-arts-cork.com gives definition. The three main usages of the term “contemporary art” include “art produced after 1945 … art produced in our era or lifetimes,” and/or “art produced since the 1960s” (“Contemporary Art (1970-Present)”).

    Read More

  • Readymade Art

    1115 Words  | 3 Pages

    Gayford, Martin ”Duchamp's Fountain: The practical joke that launched an artistic revolution” 16 Feb 2008

    Read More

  • Definition Essay - Does Art Defy Definition

    457 Words  | 1 Pages

    According to Webster’s Dictionary, art is “human expression of objects by painting, etc” (10). The words “human experience” adds meaning to art. Artists reveal their inner thoughts and feelings through their work. When we study a painting by Salvador Dali, the strange objects and the surrealist background portrays the eccentricity of the painter. Some ideas cannot be explained verbally. They can only be shown via a medium. We can get across what is in our minds or our hearts by a stroke of a brush, a drop of paint, a row of words, or something else. But to express ourselves, we do not need to limit what we call art.

    Read More

  • Weitz Open Concept Argument

    1079 Words  | 3 Pages

    Similarly, Weitz maintains that artists should always be able to produce something new or different, without the fear that it will not fit under conditions for being a work of art (1956, 32). As a result, individually necessary and jointly sufficient conditions for being a work of art are problematic for Weitz as he believes they lack inclusiveness to avant-garde works. 20th century avant-grade art renounced definitions of art at that time. Weitz states that any definition of art would continue to be renounced as conditions would not be able to accommodate all art works. To demonstrate this, Carroll uses the example of Duchamp’s ‘Fountain’ (1999, 211). Several of the earlier definitions of art would have denied that this was a work of art.

    Read More

  • Dr. Brown: The Baroque Period

    435 Words  | 1 Pages

    He has put certain devices and effects in his work to help the viewers come to a certain opinion and have a certain type of an impression of Napoleon. An example of contradictory art was the recent exhibition in the MoMa museum that I saw in a New York magazine. The exhibition by Frank Lloyd Wright, which was named Density vs Dispersal and was a mixture of art and architecture. It expresses his contradictory emotions about the suburban city and the tall buildings that are not reachable for the community. It's luxury is also saddening because not everyone is able to be in

    Read More

  • Fauvism and Orientalism

    990 Words  | 2 Pages

    Henri Matisse was very undistinguished in his early periods. He was a late bloomer, learning to paint well into his thirties (Wayne 1). His first painting was Nature morte aux livres (Still Life with Books), its realist style wasn’t his forte (moodbooks.com 1). Soon Matisse was experimenting. Matisse when through many art styles in his life, from neo impressionism to pointillism, he had his fingers in many pies. In 1905 Matisse created fauvism, or the wild beasts. From then on his paintings would never be the same. He became the king of color (Cumming 99). In the 1910’s he started Orientalism. The odalisques were of a much different pattern (Abrams/Cameo 28). Fauvism and Orientalism are very different, but still alike in other ways. They can be compared on the backgrounds, colors, subjects, structure, and style.

    Read More

  • Marcel Duchamp's Art And The Geography Of Modern Paris

    569 Words  | 2 Pages

    Marcel Duchamp spent the first 17 years of his life in Normandy with his affluent family. During the time there he learned to paint with his mother and brothers. The family’s love of impressionism guided his work during those years. Eventually, he went to Paris to study painting and learned about the modern aspects of art. This is where he discovered and fell in love with the avant-garde movement in Paris as well as symbolism. Due to the ridicule of his art by patrons and peers is Paris, he moved to New York where is art was more accepted and widely discussed.

    Read More

  • The Controversy of Marcel Duchamp

    856 Words  | 2 Pages

    One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought about the greatest amount of controversy.

    Read More

  • Marcel Duchamp Analysis

    664 Words  | 2 Pages

    Marcel Duchamp is one of the most influential artist of the 20th century who questioned and challenged what were identify as art. Duchamp early years involved growing up with a two brother, one a painter and the other a sculptor. By age 17 he moved to Paris where he focused on his painting. Seven years later he began to experiment with the cubism art style, for Duchamp even though he was joining the other artists of this style he still managed to stand out. His cubism art subjects were unusually personal and psychologically complex when compared to the other artists’ work.

    Read More

  • Aesthetic Emotion Essay

    1050 Words  | 3 Pages

    AA theory by Clive Bell suggests the pinpoints the exact characteristic which makes a work true art. According to Bell, an artwork must produce “aesthetic emotion” (365). This aesthetic emotion is drawn from the form and formality of an artwork rather than whether or not it is aesthetically pleasing or how well it imitates what it is trying to depict. The relation of objects to each other, the colors used, and the qualities of the lines are seemingly more important than what emotion or idea the artwork is trying to provoke. Regardless of whether or not the artwork is a true imitation of certain emotions, ideals, or images, it cannot be true art unless it conjures this aesthetic emotion related to formality (367).

    Read More

  • Alexander Calder Essay

    1168 Words  | 3 Pages

    Abstract art, the famous art movement in New York City in 20th century. It is opposite to representational art, included diverse variety of styles, geometric abstraction and minimalism, thru gesturalism and action-painting, to organic abstraction, colour field painting and word art. There have three basic categories, non-naturalist geometric forms, shapes derived from nature but not recognizable as such, also heavily disguised representational, but non-figurative works. There have many synonyms of abstraction like “non-figurative art”, “non-representational art”, or “non-objective art”. The artists like Wassily Kandinsky(1866-1944), Kasimir Malevich (1878-1935), Pablo Picasso (1881-1973),Georges Braque (1882-1963), Theo Van Doesburg (1883-1931), Piet

    Read More

  • Joseph Conrad’s Heart of Darkness - A Modernist Novel

    505 Words  | 2 Pages

    Cubism takes the opposite route for the same effect. Solid lines are drawn, but the painting itself is usually more abstract (as with Picasso). At times it can be difficult to discern what some paintings are supposed to represent. Bright, vivid colors infuse the pieces with more passion. The contrast between those not well defined objects and the punch of emotion gives cubism its personality and vitality.

    Read More

More about Marcel Duchamp Meaning

Open Document