Manhood In Macbeth

Manhood is a peculiar concept that has changed and transformed throughout generations. Manhood is most commonly defined as a group of characteristics traditionally associated with men, yet through time, manhood has become more of an obligation expected from men, rather than a simple set of qualities. The qualities manhood is most often associated with are the traits of courage, strength, and ambition. These qualities have the potential to either lead one to greatness or to their downfall, and in the case of Shakespeare’s Macbeth, it was to their downfall. Within his play, William Shakespeare explores and illustrates the detrimental effects of the obligation of manhood through the characterization of Macbeth and Lady Macbeth.

Within Macbeth,

Her choices triggered the rise of her status, but also began the recession of her mental health. For a majority of the play, Lady Macbeth constantly reminds for Macbeth to ‘be a man’ and to overcome his emotions. Soon after the murder of King Duncan, Macbeth comes to her, full of guilt and trauma. She mocks him, stating that “tis the eye of childhood /that fears a painted devil,” (II, II, 70-71) in an attempt to belittle him, reducing him from a man to a child. Lady Macbeth tries to minimize the guilt of herself and Macbeth’s murderous deed by belittling his emotions, forcing him to repress his guilt in the name of manhood. A common trait of hypermasculinity is the suppression of emotions, and both Macbeth and Lady Macbeth soon express this. As Lady Macbeth settles into the role of queenship, she soon expresses discontent, lamenting that “nought’s had, all’s spent. / Where our desire is got without content” (III, II, 6-7). But when Macbeth enters, she quickly hides her unhappiness and reclaims the role of the sensible advisor, immediately ridiculing his “sorriest fancies” born of guilt (III, II, 11). But, unable to quiet her emotions no matter how deeply she hid them, Lady Macbeth was overwhelmed with guilt, and soon loses control over her behaviour in her sleep. Unable to talk about her guilt and feelings while awake, she laments over her, and Macbeth’s, choices while unconscious. Lady Macbeth, unable to personalize a trait of manhood she so strongly pressed on Macbeth, she soon becomes unable to live with her emotions, and ultimately prompts the ultimate consequence, suicide. As an after-effect of renouncing her femininity earlier in the play, and learning to internalize her emotions, Lady Macbeth personalizes a harmful effect of exaggerated hypermasculinity that deeply affects her mental health and does nothing but cause her