Mama Day by Gloria Naylor
Mama Day by Gloria Naylor is a fantastic novel filled with vivid imagery and intriguing characters. Naylor weaves a realistic tale, despite the fantastic events that she describes. Her characters are believable and behave like "real people". However, Naylor's greatest asset is her descriptive powers, which not only sets the scene, but enraptures readers into Cocoa's dual worlds of New York City and Willow Springs, imprisoning us with her words.
The plot centers around the three main characters: Ophelia/Cocoa/Baby Girl, George and Mama Day. Mama Day is by far the most dominant personality, although we are not inside her mind the same way we are with Cocoa and George. Mama Day represents the power and resilience of nature and the town of Willow Springs itself. She seems to literally be upholding the town, and to be so indispensable, I wonder what the town will do when she is gone, left with only Dr. Buzzard as the resident "medicine man." But Mama Day seems to have no intention of leaving anytime soon.
Naylor enhances the connection of Mama Day with nature by associating her with natural imagery. We always see Mama Day in her gardens, or the forest, nursing the land with her skill. She has a connection to nature, and can understand it, as seen by her prediction of the storm. Mama Day represents the last vestiges of the power of the African wise woman, a role that is dying out as society becomes more and more urban.
Cocoa straddles the worlds of nature and the city. Her roots are in Willow Springs and she cannot forget that. However, we can never see her taking up the role of wise woman after Mama Day is gone. She has been too changed by the city and its disappointments and heartaches. This division causes much of the conflict between her and George, since she often lashes out when her soul is divided.
George Andrews represents, of course, the world of the city. He cannot accept Mama Day's primal power, and loses his life for his lack of belief. His angry retaliation at the helpless chickens represents the urban idea of attempting to control nature. George tries to control something he can't understand, and thus pays the consequences.
Each character is associated with their own imagery and language. When each of them speaks, it is with their own unique dialect.
Summary and Response to Barbara Kingsolver’s “Called Home” In “Called Home”, the first chapter of the book Animal, Vegetable, Miracle: A Year in Food Life, Barbara Kingsolver presents her concerns about America's lack of food knowledge, sustainable practices, and food culture. Kingsolver introduces her argument for the benefits of adopting a local food culture by using statistics, witty anecdotal evidence, and logic to appeal to a wide casual reading audience. Her friendly tone and trenchant criticism of America's current food practices combine to deliver a convincing argument that a food culture would improve conditions concerning health and sustainability.
Mama wants to keep her dreams alive and keep her family close to her heart. Mama’s plant that she cares for represents this dream by “looking at her plant and spraying water on it” (52) in a small way showing she will try to keep her plant and their dreams alive. She takes care of this plant as if it was one of her own children. Mama's children also have their own dreams and their own plans on how to attain those dreams. The family's competing dreams are emphasized in using a symbol to represent these dreams in this case-Mama's plant. Lorraine Hansberry describes each of the family’s dreams and how they are deferred. In the beginning of the play Lorraine Hansberry chose Langston Hughes’s poem to try describe what the play is about and how, in life, dreams can sometimes...
In her essay, “Momma, the Dentist, and me” Maya Angelou describe her insight in remembering an incident of racism. The incident refer to a time when a white dentist named Lincoln did not treat her tooth ace just for being colored “Niggah.” In America no one should be allowed to be a form of prisoner, because of their native skin color. Americans should be held accountable for their actions whenever a color person are in need of help their social life. There should be laws ordinances to prohibit persons from confronting -either verbally or physically -color people for not being a Caucasian person. This conflict in rights between those held by color people and the American people those held by, because American refused freedom rights, endanger lives, and economic issues.
The social, cultural and political history of America as it affects the life course of American citizens became very real to us as the Delany sisters, Sadie and Bessie, recounted their life course spanning a century of living in their book "Having Our Say." The Delany sisters’ lives covered the period of their childhood in Raleigh, North Carolina, after the "Surrender" to their adult lives in Harlem, New York City during the roaring twenties, to a quiet retirement in suburban, New York City, as self-styled "maiden ladies." At the ages of 102 and 104, these ladies have lived long enough to look back over a century of their existence and appreciate the value of a good family life and companionship, also to have the last laugh that in spite of all their struggles with racism, sexism, political and economic changes they triumphed (Having Our Say).
First in “Everyday Use” you recognize the differences in all three women throughout the story. The mama
In 1988 Gloria Naylor wrote the novel Mama Day in hopes to show the world that one can either accept the hand they are dealt and make it come out to the advantage of themselves and others, or one can hide from their pain and live a life scared of what may come in the future. Mama Day is set on an island off the coast of South Carolina and Georgia that is inhabited by the descendants of a slave population. The main characters in the novel; Ophelia, Abigail and Miranda, also called Mama Day, all experienced a lot of pain in their lives; it is how they chose to deal with their experiences that sets them apart from each other.
"When I was just out of school I worked with a team of engineers in redesigning a nozzle for a nuclear steam turbine generator... It was an awesome machine... And when it ran... lighting up every home in New York, a feeling radiated through the pit of my stomach as if its nerve endings were connected to each of those ten million light bulbs. That was power. But the winds coming around the corners of that house was God" (251). George's experience in the hurricane is just one example of the contrasts between technology and spirituality. George ardently believes that every problem can be solved with rational thinking, planning and plenty of hard work. His obsession with fixing the bridge after the hurricane further illustrates this point; despite assurances from Mama Day and Dr. Buzzard that the bridge would be built in its own time, George diligently pushes the townsfolk beyond their capacity to work. His behavior surrounding the bridge--not to mention the boat he tries to mend--is based on his desire to save Ophelia from a strange illness. He ignores the advice and guidance of Mama Day and plunges into the crisis through rational means. Ultimately, he loses his own life when saving his beloved wife, though George never understands how or why. Dr. Buzzard had warned him that "A man would have grown enough to know that really believing in himself means that he ain't gotta be afraid to admit there's some things he can't do alone" (292).
In “Everyday Use” by Alice Walker, the narrator, Mama, describes her life with her daughter Maggie and their awaiting homecoming of her oldest daughter Dee who left town to pursue her education. When Dee arrives, she dresses in a brightly colored, orange and yellow ankle dress, these colors indicate a sign of change is approaching. Dee also states how she has renamed herself to “Wangero Leewanika Kemanjo” and that the Dee they knew is dead. Wangero (Dee) is persuaded that the name “Dee” was given to her by white oppressors, therefore her new name provides her with a new sense of identity and tradition – leaving behind the life she was born into. However, Wangero’s reasoning behind her name change is culturally incorrect, Mama traces the family history of her name and proves Wangero wrong. This also continues throughout the story as Wangero treats their tradition as a set of artifacts, regarding the house to be something to photograph and objects within the house as art centerpieces
She anticipates that soon her daughter Maggie will be married and she will be living peacefully alone. Mama decides that she will wait in the yard for her daughter Dee's arrival. Mama knows that her other daughter, Maggie, will be nervous throughout Dee's stay, self -conscious of her scars and burn marks and jealous of Dee's much easier life. Mama fantasizes about reunion scenes on television programs in which a successful daughter embraces the parents who have made her success possible.
Tuesdays with Morrie is an inspiring tale in which Mitch, a young man struggling with the concept of a meaningful life is given a second chance, and a new outlook on life when he meets his past teacher, Morrie. They quickly renew the relationship they once possessed in college. Morrie becomes Mitch’s mentor, role model and friend once again. This time around, however, the lessons are on subjects such as life, love, and culture.
The protagonist, Mama, shows two distinct traits throughout the story. She possesses a hard working demeanor and rugged features, leading to her insecurities shown throughout the story. She raised two children without the assistance of a man in her life, forcing her to take on both roles, and further transforming her into a coarse, tough, and burly woman. Mama portrays this through her own account of herself, saying “[i]n real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man”(Walker 1312). It is very difficult for Mama to raise her kids on her own, but she does whatever
There is perhaps no greater joy in life than finding one’s soul mate. Once found, there is possibly no greater torment than being forced to live without them. This is the conflict that Paul faces from the moment he falls in love with Agnes. His devotion to the church and ultimately God are thrown into the cross hairs with the only possible outcome being one of agonizing humiliation. Grazia Deledda’s The Mother presents the classic dilemma of having to choose between what is morally right and being true to one’s own heart. Paul’s inability to choose one over the other consumes his life and everyone in it.
In “Everyday Use,” Alice Walker tells the story of a mother and her two daughters’ conflicting relationship based on identity and ancestry. Mama, the narrator of the story, describes herself as a strong, big-bonded woman, sometimes burdened by her daughters Dee and Maggie. Mama’s inner monologue demonstrates how slow she turned away from the external values of her older daughter in approval of internal values of her younger daughter. The story focuses on the bonds among the three women and their long-lasting inheritance, symbolized in the quilts each contrived together. This connection among generations remains strong until Mama’s older daughter Dee came to visit, after being away for some time. Dee’s arrival and lack of understanding of her history creates conflict, after she interrupts the true meaning of the family inheritance for her own desires. When Maggie suggests the quilt be given to her older sister, Mama began to see Maggie in a different light. Walker uses Maggie and Dee to suggest heritage holds deep significance.
“I am a large, big boned woman with rough, man-working hands” Mama describes of herself in the short story Everyday Use by Alice Walker. Mama, who additionally takes the role of narrator, is a lady who comes from a wealth of heritage and tough roots. She is never vain, never boastful and most certainly never selfish. She speaks only of her two daughters who she cares deeply for. She analyzes the way she has raised them and how much she has cared too much or too little for them, yet most of all how much they value their family. Mama never speaks of herself, other than one paragraph where she describes what she does. “My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing” (Walker, 60). She does not need to tell readers who she is, for her descriptions of what she does and how her family interacts, denotes all the reader needs to know. Although Mama narrates this story rather bleakly, she gives readers a sense of love and sense of her inner strength to continue heritage through “Everyday Use”.
In the story Everyday Use by Alice Walker, we learn about a family that includes a mom called “Mama” and two very different daughters named Dee and Maggie. One daughter, Dee, has had a much easier life than her sister, Maggie, in many aspects. The relationship between Mama and her daughters provides the basis for Mama’s actions. The story is told from the perspective of Mama, allowing readers to learn about her thoughts and the motivation behind her actions. At the beginning of the story, Mama worries about what Dee thinks of her and tries to please her by giving her anything she asks for. By the end of the story, we see Mama changes because she stands up to Dee, resulting in her finally able to give Maggie something she desires. Mama changes because she realizes Dee shouldn’t control her actions and that Maggie deserves better treatment. Mama’s choice to stand up to Dee is crucial to understanding her character because we’ve seen how Dee has controlled Maggie and Mama for a long time and this action shows a turning point in all of their lives.